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Author: Dinabandhu Mitra
Publisher: Read Books Ltd
ISBN: 1528797434
Category : Drama
Languages : en
Pages : 110
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Book Description
Nil Darpan; Or, the Indigo Planting Mirror: A Drama is a Bengali play depicting the plight of the farmers in Bengal during the Indigo Revolt of 1859. Written by Dinabandhu Mitra in real-time and published a year later, the drama reflects the realities of Bengali peasantry under the rule of the East India Trading Company. It recounts how the farmers were manipulated into a violent cycle of economic dependence by the indigo planters, the exploitation the people and the land, and the subsequent revolt. They were forced to plant indigo due to the demand for textiles, despite it degrading the soil. The drama was a critical text that shone a light on the horrific treatment many in Bengal experienced. It was translated into English by Reverend John Long in 1861, who also added an introduction and dispatched 500 copies in Official Government envelopes. This caused an uproar amongst many indigo planters and subsequently led to Long's arrest and short imprisonment. This edition by Read & Co. Classics features Bengali poet and playwright, Michael Madhusudan Dutt's translation and introduction, as well as a preface by the author himself. Also including a biographical sketch by Bankimchandra Chattopadhaya. It continues to be an interesting read for anyone interested in the cultural history of Bengal, especially whilst under the Company’s rule.
Author: Dinabandhu Mitra
Publisher: Read Books Ltd
ISBN: 1528797434
Category : Drama
Languages : en
Pages : 110
Get Book Here
Book Description
Nil Darpan; Or, the Indigo Planting Mirror: A Drama is a Bengali play depicting the plight of the farmers in Bengal during the Indigo Revolt of 1859. Written by Dinabandhu Mitra in real-time and published a year later, the drama reflects the realities of Bengali peasantry under the rule of the East India Trading Company. It recounts how the farmers were manipulated into a violent cycle of economic dependence by the indigo planters, the exploitation the people and the land, and the subsequent revolt. They were forced to plant indigo due to the demand for textiles, despite it degrading the soil. The drama was a critical text that shone a light on the horrific treatment many in Bengal experienced. It was translated into English by Reverend John Long in 1861, who also added an introduction and dispatched 500 copies in Official Government envelopes. This caused an uproar amongst many indigo planters and subsequently led to Long's arrest and short imprisonment. This edition by Read & Co. Classics features Bengali poet and playwright, Michael Madhusudan Dutt's translation and introduction, as well as a preface by the author himself. Also including a biographical sketch by Bankimchandra Chattopadhaya. It continues to be an interesting read for anyone interested in the cultural history of Bengal, especially whilst under the Company’s rule.
Author: Dinabandhu Mitra
Publisher:
ISBN: 9781331045229
Category :
Languages : en
Pages : 112
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Book Description
Excerpt from Nil Darpan, or the Indigo Planting Mirror: A Drama The original Bengali of this Drama - the Nil Darpan, or Indigo Planting Mirror - having excited considerable interest, a wish was expressed by various Europeans to see a translation of it. This has been made by a Native; both the original and translation are bona fide Native productions and depict the Indigo Planting System as viewed by Natives at large. The Drama is the favourite mode with the Hindus for describing certain states of society, manners, customs. Since the days of Sir W. Jones, by scholars at Paris, St. Peters-burgh, and London, the Sanskrit Drama has, in this point of view, been highly appreciated. The Bengali Drama imitates in this respect its Sanskrit parent. The evils of Kulin Brahminism, widow marriage prohibition, quackery, fanaticism, have been depicted by it with great effect. Nor has the system of Indigo planting escaped notice: hence the origin of this work, the Nil Darpan, which, though exhibiting no marvellous or very tragic scenes, yet, in simple homely language, gives the "annals of the poor;"pleads the cause of those who are the feeble; it describes a respectable ryot, a peasant proprietor, happy with his family in the enjoyment of his land till the Indigo System compelled him to take advances, to neglect his own land, to cultivate crops which beggared him, reducing him to the condition of a serf and a vagabond; the effect of this on his home, children, and relatives are pointed out in language, plain but true; it shows how arbitrary power debases the lord as well as the peasant; reference is also made to the partiality of various Magistrates in favor of Planters and to the Act of last year penally enforcing Indigo contracts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Geoffrey A. Oddie
Publisher: Routledge
ISBN: 1136809899
Category : Social Science
Languages : en
Pages : 280
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Book Description
The Rev. James Long was one of the most remarkable Protestant missionaries working in India in the nineteenth century. Sent to Calcutta at the age of 22 in 1840, he devoted his life to representing what he passionately believed were the best interests of the forgotten poor and oppressed among the Bengali population. Long was a central figure in the indigo planting controversy of 1861 and suffered imprisonment as a result. His memory is revered even today in modern India, where his contribution to the development of Bengali vernacular education, literature, history, and sociology is highly regarded. Dr Oddie has produced the first full-length biography of Rev Long, examining his work and activities in the context of his own background, philosophy and motivation as well as the political and cultural climate of the day. This book will add significantly to our knowledge of social movements in nineteenth century India and the colonial responses to them.
Author: Nandi Bhatia
Publisher: University of Michigan Press
ISBN: 0472024620
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
Despite its importance to literary and cultural texts of resistance, theater has been largely overlooked as a field of analysis in colonial and postcolonial studies. Acts of Authority/Acts of Resistance seeks to address that absence, as it uniquely views drama and performance as central to the practice of nationalism and anti-colonial resistance. Nandi Bhatia argues that Indian theater was a significant force in the struggle against oppressive colonial and postcolonial structures, as it sought to undo various schemes of political and cultural power through its engagement with subjects derived from mythology, history, and available colonial models such as Shakespeare. Bhatia's attention to local histories within a postcolonial framework places performance in a global and transcultural context. Drawing connections between art and politics, between performance and everyday experience, Bhatia shows how performance often intervened in political debates and even changed the course of politics. One of the first Western studies of Indian theater to link the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival research with close readings of dramatic texts performed at critical moments in history. Each chapter amplifies its themes against the backdrop of specific social conditions as it examines particular dramatic productions, from The Indigo Mirror to adaptations of Shakespeare plays by Indian theater companies, illustrating the role of theater in bringing nationalist, anticolonial, and gendered struggles into the public sphere. Nandi Bhatia is Associate Professor of English at the University of Western Ontario.
Author: Supriya Chaudhuri
Publisher: Routledge
ISBN: 9781138214736
Category : British colonies
Languages : en
Pages : 0
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Book Description
Commodity culture and colonialism are intimately related and mutually constitutive. This book analyses the transformation of local cultures in the context of global interaction in the period 1851-1914. It also demonstrates methodologies and theoretical approaches from this field of study, and puts these into practise in the case studies presented.
Author: Blair B. Kling
Publisher: University of Pennsylvania Press
ISBN: 1512803502
Category : History
Languages : en
Pages : 244
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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author: John Tweedie
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 376
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Book Description
Author: J. NATARAJAN
Publisher: Publications Division Ministry of Information & Broadcasting
ISBN: 8123026382
Category :
Languages : en
Pages : 719
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Book Description
The Part II of the Press Commission Report contains a broad but concise survey of the development of the English and the Indian languages Press in India. It brings out the historical tendencies in so far as they affect the then state of the Press in the country, and serves as a background to the Press Commission enquiry.
Author: Sharmistha Saha
Publisher: Springer
ISBN: 9811311773
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Author: Oscar Wilde
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
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Book Description
