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Author: Stephen Donadio
Publisher: New York : Oxford University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
This pioneering contribution to the history of modern ideas connects two commanding figures ordinarily considered worlds apart. Observing that philosophy and fiction are two activities which have 'always sustained and offered criticisms of one another,' Stephen Donadio sets out to explore the continuities of thought and feeling which link Nietzsche, a European philosopher whose work often appears to reflect a feverish attraction to extremity, and James, an American novelist commonly identified with decorous assertions of magisterial detachment. Moving beyond the boundaries of isolated literary and philosophical investigation, this wide-ranging study represents a breakthrough in our understanding of the relations between the phenomenon of modernism and the settled presuppositions of American imaginative life. Donadio points out the correspondences between the Nietzschean conception of the superman and more immediately familiar assumptions regarding American identity. In addition, he provides a compelling account of that moment in cultural history at the turn of the century which produced a radical new view of the relationship of art to life. Donadio shows that James and Nietzsche shared an intense belief in the power of art as the only activity capable of raising experience from insignificance. For both of them, it was an activity requiring an unrelenting imposition of the will on the facts of experience, and they were accordingly joined in their resistance to the two dominant tendencies of the literature of their time... naturalism and 'art for art's sake.' Perhaps most significantly, they shared an abiding sense of kinship with Emerson, whom Nietzsche named as 'the author as yet the richest in ideas in this century.' -- Publisher description.
Author: Stephen Donadio
Publisher: New York : Oxford University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
This pioneering contribution to the history of modern ideas connects two commanding figures ordinarily considered worlds apart. Observing that philosophy and fiction are two activities which have 'always sustained and offered criticisms of one another,' Stephen Donadio sets out to explore the continuities of thought and feeling which link Nietzsche, a European philosopher whose work often appears to reflect a feverish attraction to extremity, and James, an American novelist commonly identified with decorous assertions of magisterial detachment. Moving beyond the boundaries of isolated literary and philosophical investigation, this wide-ranging study represents a breakthrough in our understanding of the relations between the phenomenon of modernism and the settled presuppositions of American imaginative life. Donadio points out the correspondences between the Nietzschean conception of the superman and more immediately familiar assumptions regarding American identity. In addition, he provides a compelling account of that moment in cultural history at the turn of the century which produced a radical new view of the relationship of art to life. Donadio shows that James and Nietzsche shared an intense belief in the power of art as the only activity capable of raising experience from insignificance. For both of them, it was an activity requiring an unrelenting imposition of the will on the facts of experience, and they were accordingly joined in their resistance to the two dominant tendencies of the literature of their time... naturalism and 'art for art's sake.' Perhaps most significantly, they shared an abiding sense of kinship with Emerson, whom Nietzsche named as 'the author as yet the richest in ideas in this century.' -- Publisher description.
Author: Carol Diethe
Publisher: Scarecrow Press
ISBN: 0810864703
Category : Philosophy
Languages : en
Pages : 424
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Book Description
'There cannot be a God because if there were one, I could not believe that I was not He.' _Friedrich Nietzsche Few philosophers have been as popular, prolific, and controversial as Friedrich Nietzsche, who has left his imprint not only on philosophy but on all the arts. Whether it is his concept of the Ybermensch or his nihilistic view of the world, Nietzsche's writings have aroused enormous interest, as well as anathema, in scholars for centuries. The second edition of the Historical Dictionary of Nietzscheanism helps bring the many ideas and concepts developed by the 19th Century philosopher together in one single volume reference. This is accomplished through the use of a chronology, a glossary, a bibliography, and hundreds of cross-referenced dictionary entries on his major writings, his contemporaries, and his successors.
Author: Monroe Beardsley
Publisher: Modern Library
ISBN: 0375758046
Category : Philosophy
Languages : en
Pages : 946
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Book Description
“Between the earliest and the latest of the works included here, we have two hundred and fifty years of vigorous and adventurous philosophizing,” Monroe Beardsley writes in his Introduction to this collection. “If the modern period can be only vaguely or arbitrarily bounded, it can at least be studied, and we can ask whether any dominant themes, overall patterns of movement, or notable achievements can be found within it. This question is one that is best asked by the reader after he has read, or read around in, these works.” This Modern Library Paperback Classic also includes a newly updated Bibliography.
Author: Susan L. Mizruchi
Publisher: Princeton University Press
ISBN: 1400859190
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
In this provocative study, Susan Mizruchi argues that the act of writing history is the key to the political concerns of American novelists. Using nineteenth-century theories of history as well as recent narratological models, she examines reconstructions of the past in The House of the Seven Gables (1851), The Bostonians (1886), The Wings of the Dove (1902), and An American Tragedy (1925). Her special focus allows us to see that the efforts (on the part of characters and narrators alike) to reshape the past reveal both anxieties about the self and larger struggles for political power. Professor Mizruchi demonstrates the deepening connections between narrative and political coercion from Hawthorne to Dreiser, whose novels (as she further shows) both incorporate, and portray their characters incorporating, the conditions of their contemporary worlds. Her argument addresses a major contemporary dialogue on the subversive qualities of American texts and the place of history in literary interpretation. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Curtis Cate
Publisher: ABRAMS
ISBN: 1468304763
Category : Biography & Autobiography
Languages : en
Pages : 486
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Book Description
“An accessible, anecdotally rich” biography of the profoundly influential 19th century philosopher, author of Beyond Good and Evil and The Will to Power (Kirkus Reviews). Friedrich Nietzsche was the most fearlessly provocative and original thinker in Western history. The protean diversity of his writings make him one of the most influential of modern philosophers, yet his often paradoxical statements can be properly understood only within the context of his restless, tragic life. Physically handicapped by weak eyesight, violent headaches and bouts of nausea, this Nietzsche made short shrift of self-pity and ostentatious displays of compassion. The son of a Lutheran clergyman, whom he adored, he became a fearless agnostic who proclaimed, in Thus Spake Zarathustra that “God is dead!” Curtis Cate’s refreshingly accessible new biography brilliantly distills and clarifies Nietzsche’s ideas and the reactions they elicited. This book explores the musical and philosophical influences that inspired his thought, the subtle workings of his creative process, and the acute physical suffering he combated from his adolescence until his final mental collapse of January 1889. Cutting through the academic jargon and clearing away the prejudices that have become associated with Nietzsche’s name, Cate reveals a man whose ideas continue to have prophetic relevance and incredible vibrancy today.
Author:
Publisher: Penn State Press
ISBN: 9780271042978
Category : Art criticism
Languages : en
Pages : 312
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Book Description
Author: James Luchte
Publisher: Bloomsbury Publishing
ISBN: 1441118454
Category : Philosophy
Languages : en
Pages : 240
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Book Description
Nietzsche famously regarded Thus Spoke Zarathustra as his greatest work. However, despite Nietzsche's pervasive influence upon the philosopher and non-philosopher alike, and his own intense regard for Zarathustra, there has been relatively little serious study of Nietzsche's magnum opus. This book seeks to address this gap in the available literature by taking Thus Spoke Zarathustra seriously, not only with respect to its impact on the interpretation of Nietzsche's philosophy, but also in light of the broader questions of the relationships between poetry, philosophy and existence. Fifteen leading Nietzsche scholars examine the structure, method, style and sources of Zarathustra as a philosophical text and its relationship to methodological and metaphilosophical questions amid the broader discussions of philosophy. The book also explores the implications of the philosophical questioning, interventions and teachings of Zarathustra with respect to both its negative engagement with the tradition and its attempt to set forth something new under the sun in its affirmative overcoming of nihilism.
Author: George Cotkin
Publisher: University of Illinois Press
ISBN: 9780252063923
Category : Philosophy
Languages : en
Pages : 236
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Book Description
"Cotkin provides a gracefully written and consistently intelligent defense of James and pragmatism that deserves a wide audience among intellectual historians and their students."--Robert C. Bannister, American Historical Review.
Author: Harold Bloom
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 798
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Book Description
Author: John Scholar
Publisher: Oxford University Press, USA
ISBN: 0198853513
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Henry James criticized the impressionism movement, yet time and again used the word 'impressio' to represent his characters's consciousness, as well as the work of the literary artist. This book explores this anomaly, placing James's work within the wider cultural history of impressionism.
