Nicola Pio as a Collector of Drawings PDF Download
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Author: Per Bjurström
Publisher: Istituto Svedese Di Studi Classici a Roma
ISBN:
Category : Art
Languages : en
Pages : 306
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Book Description
Author: Per Bjurström
Publisher: Istituto Svedese Di Studi Classici a Roma
ISBN:
Category : Art
Languages : en
Pages : 306
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Book Description
Author:
Publisher: BRILL
ISBN: 9004242244
Category : History
Languages : en
Pages : 561
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Book Description
Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves
Author: Nicholas Turner
Publisher: Getty Publications
ISBN: 0892365846
Category : Drawing
Languages : en
Pages : 334
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Book Description
The collection of drawings at the Getty Museum was started in 1981 with the purchase of Rembrandt’s Nude Woman with a Snake and has steadily expanded since then, so that now, at the turn of the new millennium, it stands at more than six hundred drawings and is, sheet for sheet, one of the best anywhere. The Getty goal is to create from the finest examples a collection of the different Western European schools of drawing before 1900, with special emphasis on the work of the most important and accomplished draftsmen. The collection now contains superb examples of the work of Leonardo da Vinci, Raphael, Michelangelo, Dürer, Rembrandt, Claude Lorraine, Watteau, Gainsborough, David, Millet, Manet, Van Gogh, and Degas. This is the fourth in the series of catalogues describing the drawings in the Getty Museum. Most of the drawings discussed in the present volume were chosen for the collection in the period of 1994 to 1998 and include examples from the Italian, German, Dutch and Flemish, French, Spanish, and British schools. Also included are several gifts from private collectors, which mark the start of a tradition that, it is hoped, will continue in the future. The catalogue entries for these new acquisitions are organized first by national school and then by artist. The book also includes a bibliography and indexes of artists, former owners, related drawings, prints, and works in other media.
Author: Christopher Baker
Publisher: Routledge
ISBN: 1351571591
Category : Art
Languages : en
Pages : 270
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Book Description
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Author: Nationalmuseum (Sweden)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
A loan exhibition from the National Museuem.
Author: Per Bjurström
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 368
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Book Description
Author: Smith College. Museum of Art
Publisher: Hudson Hills
ISBN: 9781555951832
Category : Architecture
Languages : en
Pages : 344
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Book Description
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 320
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Book Description
Author: British Museum. Dept. of Prints and Drawings
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 320
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Book Description
Author: Nicola Suthor
Publisher: Princeton University Press
ISBN: 0691213437
Category : Art
Languages : en
Pages : 304
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Book Description
The first major history of the bravura movement in European painting The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura’s richness and power. Suthor delves into how bravura’s unique and groundbreaking methods—visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis—cause viewers to feel intensely the artist’s touch. Examining bravura’s etymological history, she traces the term’s associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration. Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art.
