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Author: Sam I-Shan
Publisher: National Gallery Singapore
ISBN: 9811887969
Category : Art
Languages : en
Pages : 61
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Book Description
This publication spotlights 浮槎 Fú Chá, a kinetic installation commissioned for the Gallery’s Roof Garden series. It includes a curatorial essay on the work by curator Sam I-shan, a poem by the artist Liao Huilan and a series of vignettes by Cao Fei herself.
Author: Sam I-Shan
Publisher: National Gallery Singapore
ISBN: 9811887969
Category : Art
Languages : en
Pages : 61
Get Book Here
Book Description
This publication spotlights 浮槎 Fú Chá, a kinetic installation commissioned for the Gallery’s Roof Garden series. It includes a curatorial essay on the work by curator Sam I-shan, a poem by the artist Liao Huilan and a series of vignettes by Cao Fei herself.
Author: Adele Tan
Publisher: National Gallery Singapore
ISBN: 9811887977
Category : Art
Languages : en
Pages : 61
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Book Description
This catalogue spotlights the third work in the Ng Teng Fong Roof Garden Commission series, SEA STATE 9: proclamation garden by Singaporean artist Charles Lim Yi Yong. It features a text by curator Adele Tan, alongside 30 annotated photos taken by the artist of plant species found on reclaimed sites in Singapore whose transplantation, adaptation to survive and eventual disposal tell the stories of Singapore’s urban and coastal developments.
Author: Silke Schmickl
Publisher: National Gallery Singapore
ISBN: 9811887993
Category : Art
Languages : en
Pages : 60
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Book Description
Rirkrit Tiravanija has created the second Ng Teng Fong Roof Garden Commission artwork for National Gallery Singapore. Featuring an interlocking bamboo structure with a simple wooden tea house at its centre, this site-specific installation springs from the artist’s interest in fostering social engagement and human interaction through art. With homes in Chiang Mai, New York and Berlin, Tiravanija’s nomadic life is a constant negotiation of cultures, and a source of inspiration for his practice. This catalogue illuminates this influential artist’s fascinating oeuvre through newly commissioned essays and full-colour images of the installation.
Author: Qinyi Lim
Publisher: National Gallery Singapore
ISBN: 9819400600
Category : Art
Languages : en
Pages : 69
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Book Description
This catalogue showcases GLISTEN, a kinetic sculpture by Lisa Reihana, an Aotearoa New Zealander artist. Activated by wind and sunlight, the sculpture mirrors its environment with shimmers across its surfaces, inviting interaction within its triangular space. GLISTEN honours the weaving traditions of Southeast Asia and Aotearoa, allowing Songket and Māori Tāniko patterns to meet and coexist in a vibrant and harmonious visual celebration. The publication includes a curatorial essay, a dialogue with the artist about her creative process, and stunning photographs of GLISTEN. A foldout insert, designed to reflect the essence of GLISTEN, allows readers to peruse the intricate designs, accompanied by annotated text.
Author: Adele Tan
Publisher: National Gallery Singapore
ISBN: 9811868271
Category : Art
Languages : en
Pages : 53
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Book Description
This publication presents Indian artist Shilpa Gupta’s monumental inflatable sculpture, Untitled (2023). The sculpture depicts the dualities of our innermost struggles and the externalities around us. This book includes a curatorial essay that situates Gupta’s new work in relation to her art practice and other global sociopolitical forces as well as a full-colour photo documentation of the sculpture against the backdrop of Singapore’s skyline. It also features a guest essay written by a well-known mental health professional who engages with the artist’s take on the human condition.
Author: Charmaine Toh
Publisher: National Gallery Singapore
ISBN: 9811887985
Category : Art
Languages : en
Pages : 61
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Book Description
This is the inaugural exhibition of the Ng Teng Fong Roof Garden Commission series, which invites leading international artists to create site-specific installations at the Ng Teng Fong Roof Garden Gallery, made possible by a gift from the family of Ng Teng Fong. Published to accompany this exhibition, this catalogue delves deeper into Danh’s practice and broader discussions surrounding cross-cultural identity through essays by leading scholar Professor Nora Taylor and National Gallery Singapore curator Charmaine Toh alongside full-colour images of the commissioned work.
Author: Sam I-Shan
Publisher:
ISBN: 9789811449413
Category : Art, Chinese
Languages : en
Pages : 0
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Book Description
This publication spotlights the fourth work in the Ng Teng Fong Roof Garden Commission series by Cao Fei, Fú Chá. An accompaniment to her kinetic installation, this artist's book features a text by curator Sam I-Shan, essays by Cao Fei as well as a poem by the artist Liao Huilan, alongside full-colour images of the commission.
Author: Russell Storer
Publisher:
ISBN: 9789811164545
Category : Conceptual art
Languages : en
Pages : 0
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Book Description
Rirkrit Tiravanija has created the second Ng Teng Fong Roof Garden Commission artwork for National Gallery Singapore. Featuring an interlocking bamboo structure with a simple wooden tea house at its centre, this site-specific installation springs from the artist's interest in fostering social engagement and human interaction through art. With homes in Chiang Mai, New York and Berlin, Tiravanija's nomadic life is a constant negotiation of cultures, and a source of inspiration for his practice. This catalogue illuminates this influential artist's fascinating oeuvre through newly commissioned essays and full-colour images of the installation. Other artists featured in this Ng Teng Fong Roof Garden Commission series include Danh Vo (2017) and Charles Lim (forthcoming).
Author: Jamie Wang
Publisher: MIT Press
ISBN: 0262550938
Category : Political Science
Languages : en
Pages : 281
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Book Description
An exploration of the multifaceted urban environmental issues in Singapore through a more-than-human lens, calling for new ways to think of and story cities. As climate change accelerates and urbanization intensifies, our need for more sustainable and livable cities has never been more urgent. Yet, the imaginary of a flourishing urban ecofuture is often driven by a specific version of sustainability that is tied to both high-tech futurism and persistent economic growth. What kinds of sustainable futures are we calling forth, and at what and whose expense? In Reimagining the More-Than-Human City, Jamie Wang attempts to answer these questions by critically examining the sociocultural, political, ethical, and affective facets of human-environment dynamics in the urban nexus, with a geographic focus on Singapore. Widely considered a model for the future of urbanism and an emblematic new world city, Singapore, Wang contends, is a fascinating site to explore how modernist sustainable urbanism is imagined and put into practice. Drawing on field research, this book explores distinct and intrarelated urban imaginaries situated in various sites, from the futuristic, authoritarian Supertree Grove, positioned as a technologically sustainable solution to a velocity-charged and singular urban transportation system, to highly protected nature reserves and to the cemeteries, where graves and memories continue to be exhumed and erased to make way for development. Wang also attends to more contingent yet hopeful alternatives that aim to reconfigure current urban approaches. In the face of growing enthusiasm for building high-tech, sustainable, and “natural” cities, Wang ultimately argues that urban imaginings must create space for a more relational understanding of urban environments.
Author: Lim Qinyi
Publisher: National Gallery Singapore
ISBN: 9811899959
Category : Art
Languages : en
Pages : 100
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Book Description
This catalogue for Antony Gormley’s largest-ever showing in Singapore features stunning full-colour plates of the installations at National Gallery Singapore, including the fifth Ng Teng Fong Roof Garden Commission, Horizon Field Singapore. This publication also contains an interview with the artist by Eugene Tan, an essay by exhibition curators Qinyi Lim and Russell Storer, and an essay by cultural critic Ackbar Abbas, which continues his investigation into the situatedness of Gormley’s practice.
