New Zealand Filmmakers

New Zealand Filmmakers PDF Author: Ian Conrich
Publisher: Wayne State University Press
ISBN: 9780814330173
Category : Business & Economics
Languages : en
Pages : 398

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Book Description
The most thorough study on the filmmakers who have defined New Zealand cinema from its origins to its current successes.

New Zealand Filmmakers

New Zealand Filmmakers PDF Author: Ian Conrich
Publisher: Wayne State University Press
ISBN: 9780814330173
Category : Business & Economics
Languages : en
Pages : 398

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Book Description
The most thorough study on the filmmakers who have defined New Zealand cinema from its origins to its current successes.

The Cinema of Australia and New Zealand

The Cinema of Australia and New Zealand PDF Author: Geoff Mayer
Publisher: Wallflower Press
ISBN: 9781904764960
Category : Performing Arts
Languages : en
Pages : 284

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Book Description
From The Story of the Kelly Gang in 1906 to the Lord of the Rings trilogy, Australia and New Zealand have made a unique impact on international cinema. This book celebrates the commercially successful narrative feature films produced by these cultures as well as key documentaries, shorts, and independent films. It also invokes issues involving national identity, race, history, and the ability of two small film cultures to survive the economic and cultural threat of Hollywood. Chapters on well known films and directors, such as The Year of Living Dangerously (Peter Weir, 1982), The Piano (Jane Campion, 1993), Fellowship of the Ring (Peter Jackson, 2001), and Rabbit Proof Fence (Philip Noyce, 2002), are included with less popular but equally important films and filmmakers, such as Jedda (Charles Chauvel, 1955), They're a Weird Mob (Michael Powell, 1966), Vigil (Vincent Ward, 1984), and The Goddess of 1967 (Clara Law, 2000).

Historical Dictionary of Australian and New Zealand Cinema

Historical Dictionary of Australian and New Zealand Cinema PDF Author: Karina Aveyard
Publisher: Rowman & Littlefield
ISBN: 1538111276
Category : Performing Arts
Languages : en
Pages : 449

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Book Description
Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. At the same time, Australian audiences still enjoy watching Australian films, making some of them profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world’s best in making films with international themes, while other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country. This second edition of Historical Dictionary of Australian and New Zealand Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on leading films as well as many directors, writers, actors and producers. It also covers early pioneers, film companies, genres and government bodies.

Contemporary New Zealand Cinema

Contemporary New Zealand Cinema PDF Author: Ian Conrich
Publisher: I.B. Tauris
ISBN: 9781845118372
Category : Performing Arts
Languages : en
Pages : 288

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Book Description
Since New Zealand Cinema burst on to the global stage in the late 1970s, it has maintained a high-profile presence, capturing the imagination and enthusiasm of both national and international audiences, through such films as Vigil, Whale Rider and The Lord of the Rings trilogy. Contemporary New Zealand Cinema provides an astute and definitive analysis of this fascinating industry. Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films.

Film in Aotearoa New Zealand

Film in Aotearoa New Zealand PDF Author: Jonathan Dennis
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 236

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Book Description


News from the New Zealand Film Commission

News from the New Zealand Film Commission PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Coming-of-Age Cinema in New Zealand

Coming-of-Age Cinema in New Zealand PDF Author: Alistair Fox
Publisher: Edinburgh University Press
ISBN: 1474429475
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
Explores the complex ethical dilemmas of human mobility in the context of climate change

Migrant and Diasporic Film and Filmmaking in New Zealand

Migrant and Diasporic Film and Filmmaking in New Zealand PDF Author: Arezou Zalipour
Publisher: Springer
ISBN: 9811313792
Category : Social Science
Languages : en
Pages : 209

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Book Description
This book is the first ever collection on diasporic screen production in New Zealand. Through contributions by a diverse range of local and international scholars, it identifies the central characteristics, histories, practices and trajectories of screen media made by and/or about migrant and diasporic peoples in New Zealand, including Asians, Pacific Islanders and other communities. It addresses issues pertinent to representation of migrant and diasporic life and experience on screen, and showcases critical dialogues with directors, scriptwriters, producers and other key figures whose work reflects experiences of migration, diaspora and multiculturalism in contemporary New Zealand. With a foreword by Hamid Naficy, the key theorist of accented cinema, this comprehensive collection addresses essential questions about migrant, multicultural and diasporic screen media, policies of representation, and the new aesthetic styles and production regimes emerging from New Zealand film and TV. Migrant and Diasporic Film and Filmmaking in New Zealand is a touchstone for emerging work concerned with migration, diaspora and multiculturalism in New Zealand’s screen production and practice.

Naming the Other Images of the Maori in New Zealand Film and Television

Naming the Other Images of the Maori in New Zealand Film and Television PDF Author: Martin Blythe
Publisher: Martin Blythe
ISBN: 9780810827417
Category : Māori (New Zealand people)
Languages : en
Pages : 342

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Book Description


Our Own Image

Our Own Image PDF Author: Barry Barclay
Publisher: U of Minnesota Press
ISBN: 1452950016
Category : Art
Languages : en
Pages : 194

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Book Description
Acclaimed Maori filmmaker Barry Barclay’s Our Own Image relates the experiences of making his documentaries and his critically acclaimed feature-length film Ngati (1987), widely credited as the first fiction feature by a member of an indigenous community. Barclay details his views on the process of filmmaking within his own Maori community and discusses how his work differed from popular cinema, advocating for indigenous control, participation, and perspectives in media. Our Own Image gives an in-depth depiction of the changes Barclay’s approach contributed to the field of documentaries, as well as displaying the respect for community Barclay brought to his filming technique. His insistence on letting people speak for themselves demonstrated authenticity to audiences, creating awareness of indigenous cinema in New Zealand and worldwide.