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Author: Christine Leiren Mower
Publisher: Cambridge Scholars Publishing
ISBN: 1443824631
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
While issues surrounding women and work may be more subtle today than in the past, problems of workplace equity, child-rearing, and domestic labor pose problems of balance that continue to evade solution as women today face substantial shifts in the meanings and practices of marriage, work, and reproduction amid a globalized economy. The essays in Women and Work: The Labors of Self-Fashioning explore how nineteenth- and twentieth-century US and British writers represent the work of being women—where “work” is defined broadly to encompass not only paid labor inside and outside the home, but also the work of performing femininity and domesticity. How did nineteenth- and twentieth-century US and British writers revise then-contemporary social assumptions about who should be performing work, and for what purpose? How fully did these writers perceive the class implications of their arguments for taking jobs outside the home? How does work, both inside and outside the home, contribute to female identity and, conversely, how does it promote what legal theorist Kenji Yoshino terms the demands of “covering”—women’s strategic use of stereotypes of femininity and masculinity to succeed in the marketplace? In articles appropriate for both upper-level undergraduate and graduate students in literature and literary history, women’s studies, feminist and gender studies, contributors engage these questions, covering both canonical and popular “middlebrow” nineteenth- and twentieth-century writers such as Gilman, Cather, Alcott, Schreiner, Wharton, Le Sueur, Gissing, Wood, Lewis and Mitchell. Women and Work will also interest scholars concerned with this developing discourse.
Author: Christine Leiren Mower
Publisher: Cambridge Scholars Publishing
ISBN: 1443824631
Category : Literary Criticism
Languages : en
Pages : 390
Get Book Here
Book Description
While issues surrounding women and work may be more subtle today than in the past, problems of workplace equity, child-rearing, and domestic labor pose problems of balance that continue to evade solution as women today face substantial shifts in the meanings and practices of marriage, work, and reproduction amid a globalized economy. The essays in Women and Work: The Labors of Self-Fashioning explore how nineteenth- and twentieth-century US and British writers represent the work of being women—where “work” is defined broadly to encompass not only paid labor inside and outside the home, but also the work of performing femininity and domesticity. How did nineteenth- and twentieth-century US and British writers revise then-contemporary social assumptions about who should be performing work, and for what purpose? How fully did these writers perceive the class implications of their arguments for taking jobs outside the home? How does work, both inside and outside the home, contribute to female identity and, conversely, how does it promote what legal theorist Kenji Yoshino terms the demands of “covering”—women’s strategic use of stereotypes of femininity and masculinity to succeed in the marketplace? In articles appropriate for both upper-level undergraduate and graduate students in literature and literary history, women’s studies, feminist and gender studies, contributors engage these questions, covering both canonical and popular “middlebrow” nineteenth- and twentieth-century writers such as Gilman, Cather, Alcott, Schreiner, Wharton, Le Sueur, Gissing, Wood, Lewis and Mitchell. Women and Work will also interest scholars concerned with this developing discourse.
Author: Kay Boardman
Publisher: Manchester University Press
ISBN: 152618561X
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Popular Victorian women writers considers a diverse group of women writers within the Victorian literary marketplace. It looks at authors such as Ellen Wood, Mary Braddon, Rhoda Broughton and Charlotte Yonge as well as less well-known writers including Jessie Fothergill and Eliza Meteyard. Each essay sets the individual author within her biographical and literary context and provides refreshing insights into their work. Together they bring the work of largely unknown authors and new perspectives on known authors to critical and public attention. Accessible and informative, the book is ideal for students of Victorian literature and culture as well as tutors and scholars of the period.
Author: Kristine Swenson
Publisher: University of Missouri Press
ISBN: 082626431X
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
In Medical Women and Victorian Fiction, Kristine Swenson explores the cultural intersections of fiction, feminism, and medicine during the second half of the nineteenth century in Britain and her colonies by looking at the complex and reciprocal relationship between women and medicine in Victorian culture. Her examination centers around two distinct though related figures: the Nightingale nurse and the New Woman doctor. The medical women in the fiction of Elizabeth Gaskell (Ruth), Wilkie Collins (The Woman in White), Dr. Margaret Todd (Mona McLean, Medical Student), Hilda Gregg (Peace with Honour), and others are analyzed in relation to nonfictional discussions of nurses and women doctors in medical publications, nursing tracts, feminist histories, and newspapers. Victorian anxieties over sexuality, disease, and moral corruption came together most persistently around the figure of a prostitute. However, Swenson takes as her focus for this volume an opposing figure, the medical woman, whom Victorians deployed to combat these social ills. As symbols of traditional female morality informed and transformed by the new social and medical sciences, representations of medical women influenced public debate surrounding women's education and employment, the Contagious Diseases Acts, and the health of the empire. At the same time, the presence of these educated, independent women, who received payment for performing tasks traditionally assigned to domestic women or servants, inevitably altered the meaning of womanhood and the positions of other women in Victorian culture. Swenson challenges more conventional histories of the rise of the actual nurse and the woman doctor by treating as equally important the development of cultural representations of these figures.
Author: Simon Joyce
Publisher: Cambridge University Press
ISBN: 1107083885
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Through studies of individual writers, this book reveals the inextricable connection between naturalism and literary modernism.
Author: Bouwe Postmus
Publisher: Rodopi
ISBN: 9789042014770
Category : Collection of essays
Languages : en
Pages : 336
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Book Description
The crown upon the continuing vitality and popularity of Gissing studies in the final decade of the twentieth century was the publication of The Collected Letters of George Gissing (1990-97). The editors of that mammoth undertaking, Paul Mattheisen, Arthur Young and Pierre Coustillas, had long been an inspiration to the younger generation of Gissing scholars, and their presence at the International George Gissing Conference at Amsterdam in September 1999 explained the success of the encounter between Gissing's older and younger critics. Ever since the reappraisal of Gissing's works began to get under way in the early 1960s through the publication of many new editions of the works and ground-breaking critical studies by Arthur Young, Jacob Korg and Pierre Coustillas, it has become impossible to ignore the high status he now enjoys by rights, which resembles the position granted to him long ago by his contemporaries, as one of the leading English novelists of the late nineteenth century. This collection of essays is remarkable for its emphasis on women's issues addressed in Gissing's novels, ranging from the inadequate education of women to the struggle for greater female independence, within and without marriage. Several contributors seek to define the precise nature and quality of Gissing's achievement and his place in the canon and, in the process, they open up fascinating, new opportunities for future research.
Author: David Trotter
Publisher:
ISBN: 9780198185031
Category : Arts, Modern
Languages : en
Pages : 360
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Book Description
It seems safe to assume that people started to drop things as soon as they started to pick them up, and that even the most aboriginal litterings and spillages did not pass entirely without comment. Mess is age-old and universal, both as phenomenon and as topic. The evidence collected in thisbook suggests, however, that the second half of the nineteenth century saw the first stirrings in Western culture of a primary interest in mess for its own sake: a development which had something to do with the gradual fading, amid a great deal of reassertion, of doctrines of determinism; andsomething to do with democracy, which would be hard to imagine without litter. Messes, like modern identities, happen by accident; their representation, in painting and fiction, made it possible to think boldly and inventively about chance. Ranging widely-from Turner to Courbet, Cezanne, and Degas,and from Melville to Maupassant, Chekhov, Gissing, and the New Woman writers-this book outlines a style of commentary on modern life in which the ancient dichotomy of order and chaos (culture and anarchy) was supplanted, at least temporarily, by a distinction between different kinds and qualities ofmess.
Author: Lisa Rodensky
Publisher: OUP Oxford
ISBN: 0191652512
Category : Literary Criticism
Languages : en
Pages : 829
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Book Description
Much has been written about the Victorian novel, and for good reason. The cultural power it exerted (and, to some extent, still exerts) is beyond question. The Oxford Handbook of the Victorian Novel contributes substantially to this thriving scholarly field by offering new approaches to familiar topics (the novel and science, the Victorian Bildungroman) as well as essays on topics often overlooked (the novel and classics, the novel and the OED, the novel, and allusion). Manifesting the increasing interdisciplinarity of Victorian studies, its essays situate the novel within a complex network of relations (among, for instance, readers, editors, reviewers, and the novelists themselves; or among different cultural pressures - the religious, the commercial, the legal). The handbook's essays also build on recent bibliographic work of remarkable scope and detail, responding to the growing attention to print culture. With a detailed introduction and 36 newly commissioned chapters by leading and emerging scholars — beginning with Peter Garside's examination of the early nineteenth-century novel and ending with two essays proposing the 'last Victorian novel' — the handbook attends to the major themes in Victorian scholarship while at the same time creating new possibilities for further research. Balancing breadth and depth, the clearly-written, nonjargon -laden essays provide readers with overviews as well as original scholarship, an approach which will serve advanced undergraduates, graduate students, and established scholars. As the Victorians get further away from us, our versions of their culture and its novel inevitably change; this Handbook offers fresh explorations of the novel that teach us about this genre, its culture, and, by extension, our own.
Author: Carole Gerson
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582393
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
Canadian Women in Print, 1750—1918 is the first historical examination of women’s engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women’s published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women’s work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada’s cultural history than has heretofore been recognized.
Author: M. Schaub
Publisher: Springer
ISBN: 1137276967
Category : Fiction
Languages : en
Pages : 172
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Book Description
This is a feminist study of a recurring character type in classic British detective fiction by women - a woman who behaves like a Victorian gentleman. Exploring this character type leads to a new evaluation of the politics of classic detective fiction and the middlebrow novel as a whole.
Author: T. Foster
Publisher: Springer
ISBN: 0230510000
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Transformations of Domesticity in Modern Women's Writing makes new connections between feminist criticism of domestic ideology in the nineteenth century, modernist women's experiments with literary form, contemporary feminist debates about the politics of location, and postmodern theories of social space. The book identifies a coherent transition of women's writing that transforms domestic ideologies of 'woman's place' by redefining the ideas about space that underlie that ideology. The result is to open the space of gender identity to new relations of class and race.
