Author: Fionnuala Dillane
Publisher: Four Courts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Now in its fourth year, the 'New Voices' series has established itself as the principal forum for presenting the best work by emerging scholars of Irish literature and culture in Ireland today. New voices in Irish criticism 4 broadens the range of its predecessors: diverse essays on art history, linguistics, refugee narratives, and the media mingle with literary studies of new and established figures, including Medbh McGuckian, Oscar Wilde, Brian Friel, John Mitchel, Paul Durcan and Eva Gore-Booth. Innovative comparisons are made in the conjunction of Anton Chekhov, Fernando Pessoa, Katherine Mansfield, Muriel Rukeyser and Edmund Spenser with Irish writers. This diversity allows for an unexpected and illuminating degree of cross-over as all contributors are writing out of the moment, expressing contemporary concerns through historically-informed critical thought.
New Voices in Irish Criticism 4
Author: Fionnuala Dillane
Publisher: Four Courts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Now in its fourth year, the 'New Voices' series has established itself as the principal forum for presenting the best work by emerging scholars of Irish literature and culture in Ireland today. New voices in Irish criticism 4 broadens the range of its predecessors: diverse essays on art history, linguistics, refugee narratives, and the media mingle with literary studies of new and established figures, including Medbh McGuckian, Oscar Wilde, Brian Friel, John Mitchel, Paul Durcan and Eva Gore-Booth. Innovative comparisons are made in the conjunction of Anton Chekhov, Fernando Pessoa, Katherine Mansfield, Muriel Rukeyser and Edmund Spenser with Irish writers. This diversity allows for an unexpected and illuminating degree of cross-over as all contributors are writing out of the moment, expressing contemporary concerns through historically-informed critical thought.
Publisher: Four Courts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Now in its fourth year, the 'New Voices' series has established itself as the principal forum for presenting the best work by emerging scholars of Irish literature and culture in Ireland today. New voices in Irish criticism 4 broadens the range of its predecessors: diverse essays on art history, linguistics, refugee narratives, and the media mingle with literary studies of new and established figures, including Medbh McGuckian, Oscar Wilde, Brian Friel, John Mitchel, Paul Durcan and Eva Gore-Booth. Innovative comparisons are made in the conjunction of Anton Chekhov, Fernando Pessoa, Katherine Mansfield, Muriel Rukeyser and Edmund Spenser with Irish writers. This diversity allows for an unexpected and illuminating degree of cross-over as all contributors are writing out of the moment, expressing contemporary concerns through historically-informed critical thought.
New Voices in Irish Criticism
Author: P. J. Mathews
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Providing a snapshot of the current state of Irish studies, this collection testifies that a broad range of Irish cultural activity is now being analyzed by a diversity of scholars. Topics covered include: Politics and Revival, Theorizing the Novel, New Directions in Irish Studies, Women and Fiction, Imagining Northern Ireland, Literary Journalism, and Poetry and Nation. Many of these essays will usefully contribute to ongoing debates beyond the immediate concern of Irish studies in fields such as Marxist theory, historiography, feminism, postcolonial studies, genre theory, cultural studies, and history of science.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Providing a snapshot of the current state of Irish studies, this collection testifies that a broad range of Irish cultural activity is now being analyzed by a diversity of scholars. Topics covered include: Politics and Revival, Theorizing the Novel, New Directions in Irish Studies, Women and Fiction, Imagining Northern Ireland, Literary Journalism, and Poetry and Nation. Many of these essays will usefully contribute to ongoing debates beyond the immediate concern of Irish studies in fields such as Marxist theory, historiography, feminism, postcolonial studies, genre theory, cultural studies, and history of science.
Voice and Discourse in the Irish Context
Author: Diana Villanueva Romero
Publisher: Springer
ISBN: 3319660292
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Book Description
This book examines the intersection of culture and language in Ireland and Irish contexts. The editors take an interdisciplinary approach, exploring the ways in which culture, identity and meaning-making are constructed and performed through a variety of voices and discourses. This edited collection analyses the work of well-known Irish authors such as Beckett, Joyce and G. B. Shaw, combining new methodologies with more traditional approaches to the study of literary discourse and style. Over the course of the volume, the contributors also discuss how Irish voices are received in translation, and how marginal voices are portrayed in the Irish mediascape. This dynamic book brings together a multitude of contrasting perspectives, and is sure to appeal to students and scholars of Irish literature, migration studies, discourse analysis, traductology and dialectology.
Publisher: Springer
ISBN: 3319660292
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Book Description
This book examines the intersection of culture and language in Ireland and Irish contexts. The editors take an interdisciplinary approach, exploring the ways in which culture, identity and meaning-making are constructed and performed through a variety of voices and discourses. This edited collection analyses the work of well-known Irish authors such as Beckett, Joyce and G. B. Shaw, combining new methodologies with more traditional approaches to the study of literary discourse and style. Over the course of the volume, the contributors also discuss how Irish voices are received in translation, and how marginal voices are portrayed in the Irish mediascape. This dynamic book brings together a multitude of contrasting perspectives, and is sure to appeal to students and scholars of Irish literature, migration studies, discourse analysis, traductology and dialectology.
New Voices in Irish Criticism 5
Author: Ruth Connolly
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
The 'New Voices' series has established itself as the principal forum for presenting the best work by emerging scholars of Irish literature and culture in Ireland today.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
The 'New Voices' series has established itself as the principal forum for presenting the best work by emerging scholars of Irish literature and culture in Ireland today.
Remembering the Year of the French
Author: Guy Beiner
Publisher: Univ of Wisconsin Press
ISBN: 0299218236
Category : History
Languages : en
Pages : 490
Book Description
Remembering the Year of the French is a model of historical achievement, moving deftly between the study of historical events—the failed French invasion of the West of Ireland in 1798—and folkloric representationsof those events. Delving into the folk history found in Ireland’s rich oral traditions, Guy Beiner reveals alternate visions of the Irish past and brings into focus the vernacular histories, folk commemorative practices, and negotiations of memory that have gone largely unnoticed by historians. Beiner analyzes hundreds of hitherto unstudied historical, literary, and ethnographic sources. Though his focus is on 1798, his work is also a comprehensive study of Irish folk history and grass-roots social memory in Ireland. Investigating how communities in the West of Ireland remembered, well into the mid-twentieth century, an episode in the late eighteenth century, this is a “history from below” that gives serious attention to the perspectives of those who have been previously ignored or discounted. Beiner brilliantly captures the stories, ceremonies, and other popular traditions through which local communities narrated, remembered, and commemorated the past. Demonstrating the unique value of folklore as a historical source, Remembering the Year of the French offers a fresh perspective on collective memory and modern Irish history. Winner, Wayland Hand Competition for outstanding publication in folklore and history, American Folklore Society Finalist, award for the best book published about or growing out of public history, National Council on Public History Winner, Michaelis-Jena Ratcliff Prize for the best study of folklore or folk life in Great Britain and Ireland “An important and beautifully produced work. Guy Beiner here shows himself to be a historian of unusual talent.”—Marianne Elliott, Times Literary Supplement “Thoroughly researched and scholarly. . . . Beiner’s work is full of empathy and sympathy for the human remains, memorials, and commemorations of past lives and the multiple ways in which they actually continue to live.”—Stiofán Ó Cadhla, Journal of British Studies “A major contribution to Irish historiography.”—Maureen Murphy, Irish Literary Supplement "A remarkable piece of scholarship . . . . Accessible, full of intriguing detail, and eminently teachable.”?—Ray Casman, New Hibernia Review “The most important monograph on Irish history of the nineteenth and twentieth centuries to be published in recent years.”—Matthew Kelly, English Historical Review “A strikingly ambitious work . . . . Elegantly constructed, lucidly written and inspired, and displaying an inexhaustible capacity for research”—Ciarán Brady, History IRELAND “A closely argued, meticulously detailed and rich analysis . . . . providing such innovative treatment of a wide array of sources, his work will resonate with the concerns of many cultural and historical geographers working on social memory in quite different geographical settings and historical contexts.”—Yvonne Whelan, Journal of Historical Geography
Publisher: Univ of Wisconsin Press
ISBN: 0299218236
Category : History
Languages : en
Pages : 490
Book Description
Remembering the Year of the French is a model of historical achievement, moving deftly between the study of historical events—the failed French invasion of the West of Ireland in 1798—and folkloric representationsof those events. Delving into the folk history found in Ireland’s rich oral traditions, Guy Beiner reveals alternate visions of the Irish past and brings into focus the vernacular histories, folk commemorative practices, and negotiations of memory that have gone largely unnoticed by historians. Beiner analyzes hundreds of hitherto unstudied historical, literary, and ethnographic sources. Though his focus is on 1798, his work is also a comprehensive study of Irish folk history and grass-roots social memory in Ireland. Investigating how communities in the West of Ireland remembered, well into the mid-twentieth century, an episode in the late eighteenth century, this is a “history from below” that gives serious attention to the perspectives of those who have been previously ignored or discounted. Beiner brilliantly captures the stories, ceremonies, and other popular traditions through which local communities narrated, remembered, and commemorated the past. Demonstrating the unique value of folklore as a historical source, Remembering the Year of the French offers a fresh perspective on collective memory and modern Irish history. Winner, Wayland Hand Competition for outstanding publication in folklore and history, American Folklore Society Finalist, award for the best book published about or growing out of public history, National Council on Public History Winner, Michaelis-Jena Ratcliff Prize for the best study of folklore or folk life in Great Britain and Ireland “An important and beautifully produced work. Guy Beiner here shows himself to be a historian of unusual talent.”—Marianne Elliott, Times Literary Supplement “Thoroughly researched and scholarly. . . . Beiner’s work is full of empathy and sympathy for the human remains, memorials, and commemorations of past lives and the multiple ways in which they actually continue to live.”—Stiofán Ó Cadhla, Journal of British Studies “A major contribution to Irish historiography.”—Maureen Murphy, Irish Literary Supplement "A remarkable piece of scholarship . . . . Accessible, full of intriguing detail, and eminently teachable.”?—Ray Casman, New Hibernia Review “The most important monograph on Irish history of the nineteenth and twentieth centuries to be published in recent years.”—Matthew Kelly, English Historical Review “A strikingly ambitious work . . . . Elegantly constructed, lucidly written and inspired, and displaying an inexhaustible capacity for research”—Ciarán Brady, History IRELAND “A closely argued, meticulously detailed and rich analysis . . . . providing such innovative treatment of a wide array of sources, his work will resonate with the concerns of many cultural and historical geographers working on social memory in quite different geographical settings and historical contexts.”—Yvonne Whelan, Journal of Historical Geography
The Ulster Renaissance
Author: Heather Clark
Publisher: OUP Oxford
ISBN: 0191536946
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This is the first full-length study of the extraordinary period of intense poetic activity in Belfast known as the Ulster Renaissance - a time when young Northern Irish poets such as Seamus Heaney, Derek Mahon, Michael Longley, James Simmons, and Paul Muldoon began crafting their art, and tuning their voices through each other. Drawing extensively upon new archival material, as well as personal interviews and correspondence, The Ulster Renaissance argues that these poets' friendships and rivalries were crucial to their autonomous artistic development. The book also sheds new light on the idea of a collaborative Belfast coterie - often treated derisively by critics - and shows that the poets frequently engaged in efforts to promote a cohesive 'Northern' literary community, distinct from that which existed in London and Dublin. It suggests that it was this cohesion - at turns inclusive and confining - which ultimately challenged the Belfast poets to find their individual voices.
Publisher: OUP Oxford
ISBN: 0191536946
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This is the first full-length study of the extraordinary period of intense poetic activity in Belfast known as the Ulster Renaissance - a time when young Northern Irish poets such as Seamus Heaney, Derek Mahon, Michael Longley, James Simmons, and Paul Muldoon began crafting their art, and tuning their voices through each other. Drawing extensively upon new archival material, as well as personal interviews and correspondence, The Ulster Renaissance argues that these poets' friendships and rivalries were crucial to their autonomous artistic development. The book also sheds new light on the idea of a collaborative Belfast coterie - often treated derisively by critics - and shows that the poets frequently engaged in efforts to promote a cohesive 'Northern' literary community, distinct from that which existed in London and Dublin. It suggests that it was this cohesion - at turns inclusive and confining - which ultimately challenged the Belfast poets to find their individual voices.
Irish Feminist Futures
Author: Claire Bracken
Publisher: Routledge
ISBN: 1317451341
Category : Social Science
Languages : en
Pages : 189
Book Description
This book is about the future: Ireland’s future and feminism’s future, approached from a moment that has recently passed. The Celtic Tiger (circa 1995-2008) was a time of extraordinary and radical change, in which Ireland’s economic, demographic, and social structures underwent significant alteration. Conceptions of the future are powerfully prevalent in women’s cultural production in the Tiger era, where it surfaces as a form of temporality that is open to surprise, change, and the unknown. Examining a range of literary and filmic texts, Irish Feminist Futures analyzes how futurity structures representations of the feminine self in women’s cultural practice. Relationally connected and affectively open, these representations of self enable sustained engagements with questions of gender, race, sexuality, and class as they pertain to the material, social, and cultural realities of Celtic Tiger Ireland. This book will appeal to students and scholars of Irish studies, Irish feminist criticism, sociology, cultural studies, literature, women's studies, gender studies, neo-materialist and feminist theories.
Publisher: Routledge
ISBN: 1317451341
Category : Social Science
Languages : en
Pages : 189
Book Description
This book is about the future: Ireland’s future and feminism’s future, approached from a moment that has recently passed. The Celtic Tiger (circa 1995-2008) was a time of extraordinary and radical change, in which Ireland’s economic, demographic, and social structures underwent significant alteration. Conceptions of the future are powerfully prevalent in women’s cultural production in the Tiger era, where it surfaces as a form of temporality that is open to surprise, change, and the unknown. Examining a range of literary and filmic texts, Irish Feminist Futures analyzes how futurity structures representations of the feminine self in women’s cultural practice. Relationally connected and affectively open, these representations of self enable sustained engagements with questions of gender, race, sexuality, and class as they pertain to the material, social, and cultural realities of Celtic Tiger Ireland. This book will appeal to students and scholars of Irish studies, Irish feminist criticism, sociology, cultural studies, literature, women's studies, gender studies, neo-materialist and feminist theories.
Irish Literature in Transition, 1780–1830: Volume 2
Author: Claire Connolly
Publisher: Cambridge University Press
ISBN: 110863785X
Category : Literary Criticism
Languages : en
Pages : 795
Book Description
The years between 1780 and 1830 are vital decades in the history of Irish writing in English. This book charts the confluence of Enlightenment, antiquarian, and romantic energies within Irish literary culture and shows how different writers and genres absorbed, dispersed and remade those interests during five decades of political change. During those same years, literature made its own history. By the 1840s, Irish writing formed a recognizable body of work, which later generations would draw on, quote, anthologize and dispute. Questions raised by novels, poems and plays of the late eighteenth and early nineteenth centuries - the politics of language and voice; the relationship between literature and locality; the possibility of literature as a profession - resonated for many Irish writers over the centuries that followed and continue to matter today. This comprehensive volume will be a key reference for scholars and students of Irish literature and romantic literary studies.
Publisher: Cambridge University Press
ISBN: 110863785X
Category : Literary Criticism
Languages : en
Pages : 795
Book Description
The years between 1780 and 1830 are vital decades in the history of Irish writing in English. This book charts the confluence of Enlightenment, antiquarian, and romantic energies within Irish literary culture and shows how different writers and genres absorbed, dispersed and remade those interests during five decades of political change. During those same years, literature made its own history. By the 1840s, Irish writing formed a recognizable body of work, which later generations would draw on, quote, anthologize and dispute. Questions raised by novels, poems and plays of the late eighteenth and early nineteenth centuries - the politics of language and voice; the relationship between literature and locality; the possibility of literature as a profession - resonated for many Irish writers over the centuries that followed and continue to matter today. This comprehensive volume will be a key reference for scholars and students of Irish literature and romantic literary studies.
Thomas Keneally's Career and the Literary Machine
Author: Paul Sharrad
Publisher: Anthem Press
ISBN: 1785270982
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Booker Prize winner and Living National Treasure, Thomas Keneally still divides critical opinion: he is both a morally challenging stylist and a commercial hack, a wise commentator on society and a garrulous leprechaun. Such judgements are located in the cultural politics of Australia but also linked to ideas about what a literary career should look like. ‘Thomas Keneally’s Career and the Literary Machine’ charts Keneally’s production and reception across his three major markets, noting clashes between national interests and international reach, continuity of themes and variety of topics, settings and genres, the writer’s interests and the publishers’ push to create a brand, celebrity fame and literary reputation, and the tussle around fiction, history, allegory and the middlebrow. Keneally is seen as playing a long game across several events rather than honing one specialist skill, a strategy that has sustained for more than 50 years his ambition to earn a living from writing.
Publisher: Anthem Press
ISBN: 1785270982
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Booker Prize winner and Living National Treasure, Thomas Keneally still divides critical opinion: he is both a morally challenging stylist and a commercial hack, a wise commentator on society and a garrulous leprechaun. Such judgements are located in the cultural politics of Australia but also linked to ideas about what a literary career should look like. ‘Thomas Keneally’s Career and the Literary Machine’ charts Keneally’s production and reception across his three major markets, noting clashes between national interests and international reach, continuity of themes and variety of topics, settings and genres, the writer’s interests and the publishers’ push to create a brand, celebrity fame and literary reputation, and the tussle around fiction, history, allegory and the middlebrow. Keneally is seen as playing a long game across several events rather than honing one specialist skill, a strategy that has sustained for more than 50 years his ambition to earn a living from writing.
"The Yeats Circle, Verbal and Visual Relations in Ireland, 1880?939 "
Author: KarenE. Brown
Publisher: Routledge
ISBN: 1351539310
Category : Art
Languages : en
Pages : 332
Book Description
Focusing on W.B. Yeats's ideal of mutual support between the arts, Karen Brown sheds new light on how collaborations and differences between members of the Yeats family circle contributed to the metamorphosis of the Irish Cultural Revival into Irish Modernism. Making use of primary materials and fresh archival evidence, Brown delves into a variety of media including embroidery, print, illustration, theatre, costume design, poetry, and painting. Tracing the artistic relationships and outcome of W.B. Yeats's vision through five case studies, Brown explores the poet's early engagement with artistic tradition, contributions to the Dun Emer and Cuala Industries, collaboration between W.B. Yeats and Norah McGuinness, analysis of Thomas MacGreevy's pictorial poetry, and a study of literary influence and debt between Jack Yeats and Samuel Beckett. Having undertaken extensive archival research relating to word and image studies, Brown considers her findings in historical context, with particular emphasis on questions of art and gender and art and national identity. Interdisciplinary, this volume is one of the first full-length studies of the fraternit?es arts surrounding W.B. Yeats. It represents an important contribution to word and image studies and to debates surrounding Irish Cultural Revival and the formation of Irish Modernism.
Publisher: Routledge
ISBN: 1351539310
Category : Art
Languages : en
Pages : 332
Book Description
Focusing on W.B. Yeats's ideal of mutual support between the arts, Karen Brown sheds new light on how collaborations and differences between members of the Yeats family circle contributed to the metamorphosis of the Irish Cultural Revival into Irish Modernism. Making use of primary materials and fresh archival evidence, Brown delves into a variety of media including embroidery, print, illustration, theatre, costume design, poetry, and painting. Tracing the artistic relationships and outcome of W.B. Yeats's vision through five case studies, Brown explores the poet's early engagement with artistic tradition, contributions to the Dun Emer and Cuala Industries, collaboration between W.B. Yeats and Norah McGuinness, analysis of Thomas MacGreevy's pictorial poetry, and a study of literary influence and debt between Jack Yeats and Samuel Beckett. Having undertaken extensive archival research relating to word and image studies, Brown considers her findings in historical context, with particular emphasis on questions of art and gender and art and national identity. Interdisciplinary, this volume is one of the first full-length studies of the fraternit?es arts surrounding W.B. Yeats. It represents an important contribution to word and image studies and to debates surrounding Irish Cultural Revival and the formation of Irish Modernism.