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Author: Jaime López-Díez
Publisher: ESIC
ISBN: 8411220567
Category : Education
Languages : en
Pages : 150
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Book Description
Los Carmelitas Descalzos no pudieron estudiar grados académicos hasta el Concilio Vaticano II (1962-1965), circunstancia que impidió su ejercicio como profesores universitarios, al contrario que el resto de integrantes de las demás Órdenes Mendicantes. No obstante, su labor docente fue variada y próspera como se comprueba y se detalla a lo largo de los diversos capítulos del libro, aunque siempre bajo el carisma de una finalidad concreta: que nacieran y se consolidaran vocaciones religiosas. Esta monografía ofrece un recorrido completo sobre la historia de los Colegios Carmelitanos desde la fundación de la Orden en el siglo XVI hasta la actualidad. Es el resultado de un trabajo de investigación serio y riguroso a partir de fuentes documentales y bibliográficas inéditas o de difícil acceso, cuyo objetivo es dar a conocer la acción pedagógica desarrollada por la Orden del Carmen Descalzo. Un libro de referencia para profundizar en la Historia de la Educación en España y en la Historia de la Iglesia en los últimos cinco siglos. ÓscarIgnacio Aparicio Ahedo (Burgos, 1970) es Doctor en Humanidades por la Universidad Rey Juan Carlos (2020). Asimismo, es Licenciado en Ciencias Eclesiásticas (1995), en Historia (2003), y en Teología, Historia de la Iglesia (2009). Pertenece a la Orden del Carmen Descalzo. En la actualidad es director del Archivo Silveriano de Burgos, tras haberlo sido del Archivo General de Roma (2009-2015). También es Profesor en la Facultad de Teología del Norte de España (sede Burgos).
Author: Jaime López-Díez
Publisher: ESIC
ISBN: 8411220567
Category : Education
Languages : en
Pages : 150
Get Book Here
Book Description
Los Carmelitas Descalzos no pudieron estudiar grados académicos hasta el Concilio Vaticano II (1962-1965), circunstancia que impidió su ejercicio como profesores universitarios, al contrario que el resto de integrantes de las demás Órdenes Mendicantes. No obstante, su labor docente fue variada y próspera como se comprueba y se detalla a lo largo de los diversos capítulos del libro, aunque siempre bajo el carisma de una finalidad concreta: que nacieran y se consolidaran vocaciones religiosas. Esta monografía ofrece un recorrido completo sobre la historia de los Colegios Carmelitanos desde la fundación de la Orden en el siglo XVI hasta la actualidad. Es el resultado de un trabajo de investigación serio y riguroso a partir de fuentes documentales y bibliográficas inéditas o de difícil acceso, cuyo objetivo es dar a conocer la acción pedagógica desarrollada por la Orden del Carmen Descalzo. Un libro de referencia para profundizar en la Historia de la Educación en España y en la Historia de la Iglesia en los últimos cinco siglos. ÓscarIgnacio Aparicio Ahedo (Burgos, 1970) es Doctor en Humanidades por la Universidad Rey Juan Carlos (2020). Asimismo, es Licenciado en Ciencias Eclesiásticas (1995), en Historia (2003), y en Teología, Historia de la Iglesia (2009). Pertenece a la Orden del Carmen Descalzo. En la actualidad es director del Archivo Silveriano de Burgos, tras haberlo sido del Archivo General de Roma (2009-2015). También es Profesor en la Facultad de Teología del Norte de España (sede Burgos).
Author: S. Theodore Baskaran
Publisher: UN
ISBN:
Category : Performing Arts
Languages : en
Pages : 144
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Book Description
THEODORE BASKARAN weaves the magic and matter of South Indian films into a rich tapestry of readable essays. They cover such topics as early cinema in the south, trade unionism in South Indian film industry, and the need for historicizing southern cinema. Baskaran also investigates how Tamil cinema is struggling to get free from the legacy of company drama and the persistence of stage features. While his sharper focus rests on Tamil cinema, this collection will interest historians and students of Indian film, and the general readers who look for a sprightly introduction to the world of South Indian films. Chapter titles include.
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1351254243
Category : Performing Arts
Languages : en
Pages : 403
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Book Description
This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.
Author: Priya Joshi
Publisher: Columbia University Press
ISBN: 023153907X
Category : Art
Languages : en
Pages : 214
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Book Description
Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970s as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.
Author: Omar Ahmed
Publisher: Liverpool University Press
ISBN: 0993238491
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
Author: Tejaswini Ganti
Publisher: Routledge
ISBN: 1134442238
Category : Education
Languages : en
Pages : 265
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Book Description
In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including composers, directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include: history of Indian cinema main themes and characteristics of Hindi cinema significant films, directors and stars production and distribution of Bollywood films interviews with actors, directors and screenwriters. Anyone interested in, or studying Bollywood cinema will find this a valuable purchase.
Author: Kai Khiun Liew
Publisher: Routledge
ISBN: 1317407474
Category : Social Science
Languages : en
Pages : 269
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Book Description
This book outlines and discusses the very wide range of cinema which is to be found in Singapore. Although Singapore cinema is a relatively small industry, and relatively new, it has nevertheless made an impact, and continues to develop in interesting ways. The book shows that although Singapore cinema is often seen as part of diasporic Chinese cinema, it is in fact much more than this, with strong connections to Malay cinema and the cinemas of other Southeast Asian nations. Moreover, the themes and subjects covered by Singapore cinema are very wide, ranging from conformity to the regime and Singapore’s national outlook, with undesirable subjects overlooked or erased, to the sympathetic depiction of minorities and an outlook which is at odds with the official outlook. The book will be useful to readers coming new to the subject and wanting a concise overview, while at the same time the book puts forward many new research findings and much new thinking.
Author: V. L. V. N. Narendra Kumar
Publisher:
ISBN:
Category : Indic literature
Languages : en
Pages : 142
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Book Description
In The Post-Independence Era, Indian English Poetry And Fiction Have Won Universal Recognition. Ezekiel, Ramanujan And Kamala Das In Poetry, And M.R. Anand, Raja Rao, R.K. Narayan, Anita Desai And Salman Rushdie In Fiction Are Being Assessed Both At Home And Abroad. The Novels Of Promising Writers Like Shashi Tharoor, Vikram Seth, Indira Ganesan And Firdaus Kanga Offer Fresh Perspectives.
Author: Vijay Mishra
Publisher: Routledge
ISBN: 1135310920
Category : Social Science
Languages : en
Pages : 321
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Book Description
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
Author: Biswal, Santosh Kumar
Publisher: IGI Global
ISBN: 1799835138
Category : Social Science
Languages : en
Pages : 401
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Book Description
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
