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Author: Jason Berry
Publisher: University of Louisiana
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Up from the Cradle of Jazz is the inside story of New Orleans music from the rise of rhythm and blues through the post-Hurricane Katrina resurrection.
Author: Jason Berry
Publisher: University of Louisiana
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Up from the Cradle of Jazz is the inside story of New Orleans music from the rise of rhythm and blues through the post-Hurricane Katrina resurrection.
Author: Herlin Riley
Publisher: Alfred Music Publishing
ISBN: 9780897249218
Category : Drum
Languages : en
Pages : 124
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Book Description
This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.
Author: Jan Clifford
Publisher: E Prime
ISBN: 9780976615408
Category : Jazz
Languages : en
Pages : 0
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Book Description
SUPERANNO The first full history of the New Orleans Jazz & Heritage Festival, with over 400 photographs, many in full color. Includes quotes from musicians with a listing of bands and the times and stages on which they performed. The colorful history of WWOZ-radio, chapters on the bountiful food and crafts heritage, and how the posters, and T-shirt
Author: Charles B. Hersch
Publisher: University of Chicago Press
ISBN: 0226328694
Category : Music
Languages : en
Pages : 304
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Book Description
Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune
Author: Danny Barker
Publisher: Springer
ISBN: 1349099368
Category : Music
Languages : en
Pages : 247
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Book Description
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Author: Samuel Charters
Publisher: Univ. Press of Mississippi
ISBN: 1604733187
Category : Biography & Autobiography
Languages : en
Pages : 394
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Book Description
Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages--African American, white, and Creole--in jazz's formative years. Charters also maps the inroads blazed by the city's Italian immigrant musicians, who left their own imprint on the emerging styles. The study is based on the author's own interviews, begun in the 1950s, on the extensive material gathered by the Oral History Project in New Orleans, on the recent scholarship of a new generation of writers, and on an exhaustive examination of related newspaper files from the jazz era. The book extends the study area of his earlier book Jazz: New Orleans, 1885-1957, and breaks new ground with its in-depth discussion of the earliest New Orleans recordings. A Trumpet around the Corner for the first time brings the story up to the present, describing the worldwide interest in the New Orleans jazz revival of the 1950s and 1960s, and the exciting resurgence of the brass bands of the last decades. The book discusses the renewed concern over New Orleans's musical heritage, which is at great risk after the catastrophe of Hurricane Katrina's floodwaters. Samuel Charters, eminent historian of jazz and blues music, is author of the award-winning The Roots of the Blues and numerous other titles. A resident of Storrs, Connecticut, and Stockholm, Sweden, he is also a Grammy-winning record producer, musician, poet, and fiction writer and was inducted into the Blues Hall of Fame in 1994.
Author: Richard Brent Turner
Publisher: Indiana University Press
ISBN: 0253025125
Category : Social Science
Languages : en
Pages : 240
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Book Description
This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
Author: Dennis Alexander
Publisher: Alfred Music Publishing
ISBN: 9780739037034
Category : Music
Languages : en
Pages : 36
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Book Description
The appealing repertoire with charming lyrics further reinforces and enhances the learning of new musical concepts introduced in the Lesson Book. Includes attractive music created by internationally acclaimed composers in a variety of styles, plus tips on how to perform more musically. Each piece on the CD was recorded at a performance tempo and a slower practice tempo The audio for this book is also available for download here The music from this book is available in the Piano Maestro app that's downloadable here. Learn more About JoyTunes, the maker of Piano Maestro here.
Author: Wynton Marsalis
Publisher: Alfred Publishing Company
ISBN: 9781931908061
Category : Music
Languages : en
Pages : 33
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Book Description
Author: Thomas W. Jacobsen
Publisher: LSU Press
ISBN: 0807157007
Category : Music
Languages : en
Pages : 296
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Book Description
In 1966, journalist Charles Suhor wrote that New Orleans jazz was "ready for its new Golden Age." Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene. Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.
