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Author: Tom Dent
Publisher: University of New Orleans Press
ISBN: 9781608011490
Category : Literary Collections
Languages : en
Pages : 520
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Book Description
A mid-twentieth century African American writer and cultural activist, Tom Dent worked tirelessly to help cultivate the Black Arts Movement, mentoring numerous other artists and writers. Taken from his papers held at the Amistad Research Center in New Orleans, this vital collection brings together Dent's fiction, poetry, essays, interviews, and drama, including many previously unpublished works. With introductions by Kalamu ya Salaam, New Orleans Griot: A Tom Dent Reader showcases the remarkable life and writing of Tom Dent, from his early days in New York to working with the Free Southern Theatre in Mississippi to his astute observations of New Orleans and the black Mardi Gras Indians.
Author: Tom Dent
Publisher: University of New Orleans Press
ISBN: 9781608011490
Category : Literary Collections
Languages : en
Pages : 520
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Book Description
A mid-twentieth century African American writer and cultural activist, Tom Dent worked tirelessly to help cultivate the Black Arts Movement, mentoring numerous other artists and writers. Taken from his papers held at the Amistad Research Center in New Orleans, this vital collection brings together Dent's fiction, poetry, essays, interviews, and drama, including many previously unpublished works. With introductions by Kalamu ya Salaam, New Orleans Griot: A Tom Dent Reader showcases the remarkable life and writing of Tom Dent, from his early days in New York to working with the Free Southern Theatre in Mississippi to his astute observations of New Orleans and the black Mardi Gras Indians.
Author: Danny Barker
Publisher: Springer
ISBN: 1349099368
Category : Music
Languages : en
Pages : 247
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Book Description
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Author: Thomas Jessen Adams
Publisher: Duke University Press
ISBN: 1478003324
Category : Social Science
Languages : en
Pages : 431
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Book Description
Approached as a wellspring of cultural authenticity and historical exceptionality, New Orleans appears in opposition to a nation perpetually driven by progress. Remaking New Orleans shows how this narrative is rooted in a romantic cultural tradition, continuously repackaged through the twin engines of tourism and economic development, and supported by research that has isolated the city from comparison and left unquestioned its entrenched inequality. Working against this feedback loop, the contributors place New Orleans at the forefront of national patterns of urban planning, place-branding, structural inequality, and racialization. Nontraditional sites like professional wrestling matches, middle-class black suburbs, and Vietnamese gardens take precedence over clichéd renderings of Creole cuisine, voodoo queens, and hot jazz. Covering the city's founding through its present and highlighting changing political and social formations, this volume remakes New Orleans as a rich site for understanding the quintessential concerns of American cities. Contributors. Thomas Jessen Adams, Vincanne Adams, Vern Baxter, Maria Celeste Casati Allegretti, Shannon Lee Dawdy, Rien Fertel, Megan French-Marcelin, Cedric G. Johnson, Alecia P. Long, Vicki Mayer, Toby Miller, Sue Mobley, Marguerite Nguyen, Aaron Nyerges, Adolph Reed Jr., Helen A. Regis, Matt Sakakeeny, Heidi Schmalbach, Felipe Smith, Bryan Wagner
Author: T. R. Johnson
Publisher: Cambridge University Press
ISBN: 100907654X
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
The neighborhoods of New Orleans have given rise to an extraordinary outpouring of important writing. Over the last century and a half or so, these stories and songs have given the city its singular place in the human imagination. This book leads the reader along five thoroughfares that define these different parts of town – Royal, St. Claude, Esplanade, Basin, and St. Charles – to explore how the writers who have lived around them have responded in closely related ways to the environments they share. On the outskirts of New Orleans today, the city's precarious relation to its watery surroundings and the vexed legacies of race loom especially large. But the city's literature shows us that these themes have been near to hand for New Orleans writers for several generations, whether reflected through questions of masquerade, dreams of escape, the innocence of children, or the power of money or of violence or of memory.
Author: Kenaz Filan
Publisher: Simon and Schuster
ISBN: 1594777985
Category : Body, Mind & Spirit
Languages : en
Pages : 320
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Book Description
A guide to the practices, tools, and rituals of New Orleans Voodoo as well as the many cultural influences at its origins • Includes recipes for magical oils, instructions for candle workings, and directions to create gris-gris bags and Voodoo dolls to attract love, money, justice, and healing and for retribution • Explores the major figures of New Orleans Voodoo, including Marie Laveau and Dr. John • Exposes the diverse ethnic influences at the core of Voodoo, from the African Congo to Catholic immigrants from Italy, France, and Ireland One of America’s great native-born spiritual traditions, New Orleans Voodoo is a religion as complex, free-form, and beautiful as the jazz that permeates this steamy city of sin and salvation. From the French Quarter to the Algiers neighborhood, its famed vaulted cemeteries to its infamous Mardi Gras celebrations, New Orleans cannot escape its rich Voodoo tradition, which draws from a multitude of ethnic sources, including Africa, Latin America, Sicily, Ireland, France, and Native America. In The New Orleans Voodoo Handbook, initiated Vodou priest Kenaz Filan covers the practices, tools, and rituals of this system of worship as well as the many facets of its origins. Exploring the major figures of New Orleans Voodoo, such as Marie Laveau and Dr. John, as well as Creole cuisine and the wealth of musical inspiration surrounding the Mississippi Delta, Filan examines firsthand documents and historical records to uncover the truth behind many of the city’s legends and to explore the oft-discussed but little-understood practices of the root doctors, Voodoo queens, and spiritual figures of the Crescent City. Including recipes for magical oils, instructions for candle workings, methods of divination, and even directions to create gris-gris bags, mojo hands, and Voodoo dolls, Filan reveals how to call on the saints and spirits of Voodoo for love, money, retribution, justice, and healing.
Author: Ned Sublette
Publisher: Chicago Review Press
ISBN: 1569765138
Category : History
Languages : en
Pages : 369
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Book Description
STRONGNamed one of the Top 10 Books of 2008 by The Times-Picayune. STRONGWinner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities.STRONG STRONGAwarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008. New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance. The World That Made New Orleans offers a new perspective on this insufficiently understood city by telling the remarkable story of New Orleans's first century--a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti. It demonstrates that New Orleans already had its own distinct personality at the time of Louisiana's statehood in 1812. By then, important roots of American music were firmly planted in its urban swamp--especially in the dances at Congo Square, where enslaved Africans and African Americans appeared en masse on Sundays to, as an 1819 visitor to the city put it, &“rock the city.&” This book is a logical continuation of Ned Sublette's previous volume, Cuba and Its Music: From the First Drums to the Mambo, which was highly praised for its synthesis of musical, cultural, and political history. Just as that book has become a standard resource on Cuba, so too will The World That Made New Orleans long remain essential for understanding the beautiful and tragic story of this most American of cities.
Author: Arthur Tress
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 42
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Book Description
Author: James Smethurst
Publisher: UNC Press Books
ISBN: 1469663058
Category : Social Science
Languages : en
Pages : 245
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Book Description
In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s. Traveling across the South, he chronicles the movement's radical roots, its ties to interracial civil rights organizations on the Gulf Coast, and how it thrived on college campuses and in southern cities. He traces the movement's growing political power as well as its disruptive use of literature and performance to advance Black civil rights. Though recognition of its influence has waned, the Black Arts movement's legacy in the South endures through many of its initiatives and constituencies. Ultimately, Smethurst argues that the movement's southern strain was perhaps the most consequential, successfully reaching the grassroots and leaving a tangible, local legacy unmatched anywhere else in the United States.
Author: David Grundy
Publisher: Bloomsbury Publishing
ISBN: 1350061972
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
A vital hub of poetry readings, performance, publications and radical politics in 1960s New York, the Umbra Workshop was a cornerstone of the African American avant-garde. Bringing together new archival research and detailed close readings of poetry, A Black Arts Poetry Machine is a groundbreaking study of this important but neglected group of poets. David Grundy explores the work of such poets as Amiri Baraka, Lorenzo Thomas and Calvin Hernton and how their innovative poetic forms engaged with radical political responses to state violence and urban insurrection. Through this examination, the book highlights the continuing relevance of the work of the Umbra Workshop today and is essential reading for anyone interested in 20th-century American poetry.
Author: Kristen L. Buras
Publisher: Teachers College Press
ISBN: 0807770671
Category : Education
Languages : en
Pages : 209
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Book Description
In cities across the nation, communities of color find themselves resisting state disinvestment and the politics of dispossession. Students at the Center—a writing initiative based in several New Orleans high schools—takes on this struggle through a close examination of race and schools. The book builds on the powerful stories of marginalized youth and their teachers who contest the policies that are destructive to their communities: decentralization, charter schools, market-based educational choice, teachers union-busting, mixed-income housing, and urban redevelopment. Striking commentaries from the foremost scholars of the day explore the wider implications of these stories for pedagogy and educational policy in schools across the United States and the globe. Most importantly, this book reveals what must be done to challenge oppressive conditions and transform our schools for the benefit of all students.
