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Author:
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Category : Arts
Languages : en
Pages : 94
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Category :
Languages : en
Pages : 318
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Category :
Languages : en
Pages : 100
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Category :
Languages : en
Pages :
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Category : Literature
Languages : en
Pages : 232
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Author: Susan George
Publisher: Pluto Press
ISBN: 9780745322063
Category : Business & Economics
Languages : en
Pages : 234
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This is a new edition of Susan George's acclaimed satire on capitalism. Fictional experts recruited by world leaders to discuss the future of global capitalism provide their assessment of the dire state of the current economy and put forward new ideas for ensuring the survival of the system. But at what cost? Susan George provides a brilliant and chilling vision of the way the winners in the globalisation game profit from poverty and reveals, with relentless logic, the dark future that lies ahead under capitalism. This new edition features a new introduction from the author.
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Category : Periodicals
Languages : en
Pages : 1700
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A union list of serials commencing publication after Dec. 31, 1949.
Author: Robert Smithson
Publisher: Univ of California Press
ISBN: 9780520244092
Category : Art
Languages : en
Pages : 288
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Author: Rhodri Jeffreys-Jones
Publisher: Yale University Press
ISBN: 9780300099485
Category : History
Languages : en
Pages : 370
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This third edition of Rhodri Jeffreys-Jones's engrossing history of the Central Intelligence Agency includes a new prologue that discusses the history of the CIA since the end of the Cold War, focusing in particular on the intelligence dimensions of the terrorist attacks on 9/11. Praise for the earlier editions: "I have read many books on the CIA, but none more searching and still dispassionate. Nor would I have believed that a book of such towering scholarship could still be so lucid and exciting to read."--Daniel Schorr "This is one of the best short histories of the CIA in print, up-to-date and based on a wide range of sources."--Walter Laqueur "Judicious and reasonable. . . . A sophisticated study that should challenge us to take a more serious view about how our democracy formulates its foreign policy."--David P. Calleo, New York Times Book Review A brief, yet subtle and penetrating, account of the Central Intelligence Agency."--Leonard Bushkoff, Christian Science Monitor "Subtle and crisply written. . . . A book remarkable for its clarity and lack of bias."--William W. Powers, Jr., International Herald Tribune, Paris
Author: Ruth Bernard Yeazell
Publisher: Princeton University Press
ISBN: 0691165270
Category : Art
Languages : en
Pages : 348
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How the practice of titling paintings has shaped their reception throughout modern history A picture's title is often our first guide to understanding the image. Yet paintings didn’t always have titles, and many canvases acquired their names from curators, dealers, and printmakers—not the artists. Taking an original, historical look at how Western paintings were named, Picture Titles shows how the practice developed in response to the conditions of the modern art world and how titles have shaped the reception of artwork from the time of Bruegel and Rembrandt to the present. Ruth Bernard Yeazell begins the story with the decline of patronage and the rise of the art market in the seventeenth and eighteenth centuries, as the increasing circulation of pictures and the democratization of the viewing public generated the need for a shorthand by which to identify works at a far remove from their creation. The spread of literacy both encouraged the practice of titling pictures and aroused new anxieties about relations between word and image, including fears that reading was taking the place of looking. Yeazell demonstrates that most titles composed before the nineteenth century were the work of middlemen, and even today many artists rely on others to name their pictures. A painter who wants a title to stick, Yeazell argues, must engage in an act of aggressive authorship. She investigates prominent cases, such as David’s Oath of the Horatii and works by Turner, Courbet, Whistler, Magritte, and Jasper Johns. Examining Western painting from the Renaissance to the present day, Picture Titles sheds new light on the ways that we interpret and appreciate visual art.
Author: George Monteiro
Publisher: University Press of Kentucky
ISBN: 9780813132709
Category : Literary Criticism
Languages : en
Pages : 216
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