New Light on Sweeney Todd, Thomas Peckett Prest, James Malcolm Rymer and Elizabeth Caroline Grey PDF Download
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Author: Helen R. Smith
Publisher:
ISBN:
Category : Horror tales, English
Languages : en
Pages : 44
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Book Description
Author: Helen R. Smith
Publisher:
ISBN:
Category : Horror tales, English
Languages : en
Pages : 44
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Book Description
Author: Rebecca Nesvet
Publisher: Taylor & Francis
ISBN: 104009371X
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre’s creator James Malcolm Rymer (1814–1884). It argues that Rymer wrote his so-called ‘penny bloods’ and ‘dreadfuls’ for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer wrote for and edited family magazines early in that genre’s history, deployed Chartist domesticity to liberal ends, and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s–1860s penny serials published by George W.M. Reynolds, John Dicks, and Lloyd, Rymer showed how families might sustain Empire and advocated for patriarchal family dynamics in response to literary and political change. During the fin-de-siècle, Rymer’s penny fiction was demonised as hyper-masculine ‘bloods’ and ‘dreadfuls’, a reputation it retains today. Reading Victorian penny fiction’s most indicative author’s works as a corpus and with attention to their original textual, cultural, and political contexts reveals it as the family-oriented phenomenon it in fact was.
Author: Nicole C. Dittmer
Publisher: University of Wales Press
ISBN: 1786839725
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
• Penny Dreadfuls and the Gothic uncovers neglected Gothic texts of the nineteenth century which are crucial in understanding working-class popular culture. • The approach of this study of penny dreadfuls is vast and eclectic, ranging from data-driven publication data to close textual analysis of these texts to adaptations of penny fiction. • This title covers a broad range of penny texts, some of which have never before been written on.
Author: Robert L. Mack
Publisher: OUP Oxford
ISBN: 0191607827
Category : Fiction
Languages : en
Pages : 553
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Book Description
'Ladies and Gentlemen...I have to state that Mrs Lovett's pies are made of human flesh!' This shocking announcement provides the stunning dénouement to a narrative first published over a period of four months in the winter of 1846-7. The revelation marked only the beginning, however, of the notorious career of Sweeney Todd, soon known to legend as the 'Demon Barber' of London's Fleet Street. The story of Todd's entrepreneurial partnership with neighbouring pie-maker Margery Lovett - at once inconceivably unpalatable and undeniably compelling - has subsequently provided the substance for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, is an early classic of British horror writing. It combines the story of Todd's grisly method of robbing and dispatching his victims with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavoury streets. This edition provides an authoritative text of the first version of the story ever to be published, as well as a lively introduction to its history and reputation.
Author: James Malcolm Rymer
Publisher: Courier Dover Publications
ISBN: 0486797392
Category : Fiction
Languages : en
Pages : 305
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Book Description
The inspiration for a long-running Broadway musical, this Victorian novel in the penny dreadful tradition recounts the nefarious doings of a murderous barber and baker who recycle their victims into meat pies.
Author: Raymond Knapp
Publisher: Princeton University Press
ISBN: 1400832683
Category : Music
Languages : en
Pages : 489
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Book Description
The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin' in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz. Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike.
Author: Nicole C. Dittmer
Publisher: Rowman & Littlefield
ISBN: 166690080X
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Nicole C. Dittmer offers a reimagining of the popular Gothic female “monster” figure in early-to-mid-Victorian literature. Regardless of the extensive scholarship concerning monstrosities, these pre-fin-de-siècle figurations have often been neglected by critical studies or interpreted as fragments of mind and body which create a division between culture and nature. In Monstrous Women and Ecofeminism, Dittmer deploys monism to delineate from and contest such dualism, unifies the material-immaterial aspects of fictional women, and blurs the distinction between nature-culture. Blending intertextual disciplines of medical sciences, ecofeminism, and fiction, she exposes female monstrosities as material and semiotic figurations. This book, then, identifies how women in the Victorian Gothic are informed by the entanglement of both immaterial discourses and material conditions. When repressed by social customs, the monistic mind-body of the material-semiotic figure reacts to and disrupts processes of ontology, transforming women into “wild” and “monstrous” (re)presentations.
Author:
Publisher: Oxford University Press
ISBN: 0191566306
Category : Fiction
Languages : en
Pages : 340
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Book Description
Ladies and Gentlemen...I have to state that Mrs Lovett' s pies are made OF human flesh ! ' This shocking announcement provides the stunning d' enouement TO a narrative first published OVER a period OF four months IN the winter OF 1846 - 7. The revelation marked ONLY the beginning, however, OF the notorious career OF Sweeney Todd, soon known TO legend AS the ' Demon Barber ' OF London ' s Fleet Street.The story OF Todd ' s entrepreneurial partnership WITH neighbouring pie - maker Margery Lovett - at ONCE inconceivably unpalatable AND undeniably compelling - has subsequently provided the substance FOR a seemingly endless series OF successful dramatic adaptations, popular songs AND ballads, novellas, radio plays, graphic novels, ballets, films, AND musicals.Both gleeful AND ghoulish, the original tale OF Sweeney Todd, first published under the title The String OF Pearls, IS an early classic OF British horror writing.It combines the story OF Todd 's grisly method of robbing and dispatching his victims with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London' s dark AND unsavoury streets.This edition provides an authoritative text OF the first version OF the story ever TO be published, AS well AS a lively introduction TO its history AND reputation.
Author: Simon Young
Publisher: Univ. Press of Mississippi
ISBN: 1496839455
Category : Social Science
Languages : en
Pages : 219
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Book Description
Winner of the 2023 Brian McConnell Book Award from the International Society for Contemporary Legend Research In the last fifty years, folklorists have amassed an extraordinary corpus of contemporary legends including the “Choking Doberman,” the “Eaten Ticket,” and the “Vanishing Hitchhiker.” But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s. Young introduces seventy Victorian urban legends ranging from “Beetle Eyes” to the “Shoplifter’s Dilemma” and from “Hands in the Muff” to the “Suicide Club.” While a handful of these stories are already known, the vast majority have never been identified, and they have certainly never received scholarly treatment. Young begins the volume with a lengthy introduction assessing nineteenth-century media, emphasizing the importance of the written word to the perpetuation and preservation of these myths. He draws on numerous nineteenth-century books, periodicals, and ephemera, including digitized newspaper archives—particularly the British Newspaper Archive, an exciting new hunting ground for folklorists. The Nail in the Skull and Other Victorian Urban Legends will appeal to an academic audience as well as to anyone who is interested in urban legends.
Author: Rosalind Crone
Publisher: Manchester University Press
ISBN: 184779470X
Category : History
Languages : en
Pages : 448
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Book Description
By drawing attention to the wide range of gruesome, bloody and confronting amusements patronised by ordinary Londoners this book challenges our understanding of Victorian society and culture. From the turn of the nineteenth century, graphic, yet orderly, ‘re-enactments’ of high level violence flourished in travelling entertainments, penny broadsides, popular theatres, cheap instalment fiction and Sunday newspapers. This book explores the ways in which these entertainments siphoned off much of the actual violence that had hitherto been expressed in all manner of social and political dealings, thus providing a crucial accompaniment to schemes for the reformation of manners and the taming of the streets, while also serving as a social safety valve and a check on the growing cultural hegemony of the middle class.
