NEW HEROES ON SCREEN PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download NEW HEROES ON SCREEN PDF full book. Access full book title NEW HEROES ON SCREEN by Rocío Carrasco Carrasco. Download full books in PDF and EPUB format.
Author: Rocío Carrasco Carrasco
Publisher: Servicio de Publicaciones de la Universidad de Huelva
ISBN: 841706673X
Category : Art
Languages : en
Pages : 226
Get Book Here
Book Description
This book analyses the representation of new models of masculinity in US recent science fiction cinema. By examining the figure of the new hero, a male protagonist with visible unconventional features, it explores new ways of gender representation on screen. Lynchs Dune (1984) and the Wachowsky brothers The Matrix (1999) share many traits concerning gender representation and offer the type of the androgynous hero who stands for innovative prototypes of masculinity. As a result of these films analysis, the book uncovers the tangible controversy in current US society about gender tolerance.
Author: Rocío Carrasco Carrasco
Publisher: Servicio de Publicaciones de la Universidad de Huelva
ISBN: 841706673X
Category : Art
Languages : en
Pages : 226
Get Book Here
Book Description
This book analyses the representation of new models of masculinity in US recent science fiction cinema. By examining the figure of the new hero, a male protagonist with visible unconventional features, it explores new ways of gender representation on screen. Lynchs Dune (1984) and the Wachowsky brothers The Matrix (1999) share many traits concerning gender representation and offer the type of the androgynous hero who stands for innovative prototypes of masculinity. As a result of these films analysis, the book uncovers the tangible controversy in current US society about gender tolerance.
Author: Rayna Denison
Publisher: Univ. Press of Mississippi
ISBN: 1626746745
Category : Social Science
Languages : en
Pages : 273
Get Book Here
Book Description
Superheroes such as Superman and Spider-Man have spread all over the world. As this edited volume shows, many national cultures have created or reimagined the idea of the superhero, while the realm of superheroes now contains many icons whose histories borrow from local folklore and legends. Consequently, the superhero needs reconsideration, to be regarded as part of both local and global culture as well as examined for the rich meanings that such broad origins and re-workings create. This collection stands out as the first concentrated attempt to think through the meanings and significance of the superhero, not only as a product of culture in the United States, but as a series of local, transnational, and global exchanges in popular media. Through analysis of mainly film, television, and computer screens, contributors offer three challenges to the idea of the "American" superhero: transnational reimagining of superhero culture, emerging local superheroes, and the use of local superheroes to undermine dominant political ideologies. The essays explore the shifting transnational meanings of Doctor Who, Thor, and the Phantom, as these characters are reimagined in world culture. Other chapters chart the rise of local superheroes from India, the Middle East, Thailand, and South Korea. These explorations demonstrate how far superheroes have traveled to inspire audiences worldwide.
Author: John Kenneth Muir
Publisher: McFarland
ISBN: 0786437553
Category : Literary Criticism
Languages : en
Pages : 705
Get Book Here
Book Description
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
Author: John E. O'Connor
Publisher: University Press of Kentucky
ISBN: 9780813123547
Category : Political Science
Languages : en
Pages : 404
Get Book Here
Book Description
Hollywood’s West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO’s 1931 classic Cimarron to Turner Network Television’s recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood’s West makes a significant contribution to the understanding of how Westerns have shaped our nation’s opinions and beliefs—often using the frontier as metaphor for contemporary issues.
Author: William Schoell
Publisher: Carol Publishing Corporation
ISBN:
Category : Performing Arts
Languages : en
Pages : 250
Get Book Here
Book Description
An in-depth, lively look at the favorite, larger-than-life hero movies and the comic books and strips which inspired them, this book covers film and television programs, old-time serials, comic books of the '30s and '40s, as well as the hip, controversial comics of today. Photographs and illustrations throughout.
Author: Antony Augoustakis
Publisher: Screening Antiquity
ISBN: 9781474454636
Category : Epic poetry, Classical
Languages : en
Pages : 0
Get Book Here
Book Description
Since 2000, numerous heroes of the ancient world have appeared on film and TV, from the mythical Hercules to leaders of the Greek and Roman worlds. This collection brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world.
Author: Eli Lederhendler
Publisher: Oxford University Press
ISBN: 0190646136
Category : Religion
Languages : en
Pages : 332
Get Book Here
Book Description
Volume XXIX of Studies in Contemporary Jewry takes its title from a joke by Groucho Marx: "I don't want to belong to any club that will accept me as a member." The line encapsulates one of the most important characteristics of Jewish humor: the desire to buffer oneself from potentially unsafe or awkward situations, and thus to achieve social and emotional freedom. By studying the history and development of Jewish humor, the essays in this volume not only provide nuanced accounts of how Jewish humor can be described but also make a case for the importance of humor in studying any culture. A recent survey showed that about four in ten American Jews felt that "having a good sense of humor" was "an essential part of what being Jewish means to them," on a par with or exceeding caring for Israel, observing Jewish law, and eating traditional foods. As these essays show, Jewish humor has served many functions as a form of "insider" speech. It has been used to ridicule; to unite people in the face of their enemies; to challenge authority; to deride politics and politicians; in America, to ridicule conspicuous consumption; in Israel, to contrast expectations of political normalcy and bitter reality. However, much of contemporary Jewish humor is designed not only or even primarily as insider speech. Rather, it rewards all those who get the punch line. A Club of Their Own moves beyond general theorizing about the nature of Jewish humor by serving a smorgasbord of finely grained, historically situated, and contextualized interdisciplinary studies of humor and its consumption in Jewish life in the modern world.
Author: Johannes Riis
Publisher: Routledge
ISBN: 0429749163
Category : Performing Arts
Languages : en
Pages : 316
Get Book Here
Book Description
Characters are central to our experiences of screened fictions and invite a host of questions. The contributors to Screening Characters draw on archival material, interviews, philosophical inquiry, and conceptual analysis in order to give new, thought-provoking answers to these queries. Providing multifaceted accounts of the nature of screen characters, contributions are organized around a series of important subjects, including issues of class, race, ethics, and generic types as they are encountered in moving image media. These topics, in turn, are personified by such memorable figures as Cary Grant, Jon Hamm, Audrey Hepburn, and Seul-gi Kim, in addition to avatars, online personalities, animated characters, and the ensembles of shows such as The Sopranos, Mad Men, and Breaking Bad.
Author: Robert Weisbrot
Publisher: Taylor Trade Publications
ISBN: 9781589791206
Category : Biography & Autobiography
Languages : en
Pages : 284
Get Book Here
Book Description
This book is a follow up to the author's successful first book on the show. In this, he writes about the final three seasons. The author's passionate introspection contains cast profiles and commentary from the stars on each episode.
Author: Gene D. Phillips
Publisher: Rowman & Littlefield
ISBN: 1442230762
Category : Performing Arts
Languages : en
Pages : 205
Get Book Here
Book Description
While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders. In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer’s notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese’s The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema.
