Author: Sharon Packer, M.D.
Publisher: McFarland
ISBN: 0786472340
Category : Performing Arts
Languages : en
Pages : 298
Book Description
As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.
Neuroscience in Science Fiction Films
Author: Sharon Packer, M.D.
Publisher: McFarland
ISBN: 0786472340
Category : Performing Arts
Languages : en
Pages : 298
Book Description
As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.
Publisher: McFarland
ISBN: 0786472340
Category : Performing Arts
Languages : en
Pages : 298
Book Description
As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.
Blindsight
Author: Peter Watts
Publisher: Macmillan
ISBN: 1429955198
Category : Fiction
Languages : en
Pages : 388
Book Description
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Macmillan
ISBN: 1429955198
Category : Fiction
Languages : en
Pages : 388
Book Description
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Films from the Future
Author: Andrew Maynard
Publisher: Mango Media Inc.
ISBN: 1633539067
Category : Performing Arts
Languages : en
Pages : 246
Book Description
“Deftly shows how a seemingly frivolous film genre can guide us in shaping tomorrow’s world.” —Seth Shostak, senior astronomer, SETI Institute Artificial intelligence, gene manipulation, cloning, and interplanetary travel are all ideas that seemed like fairy tales but a few years ago. And now their possibilities are very much here. But are we ready to handle these advances? This book, by a physicist and expert on responsible technology development, reveals how science fiction movies can help us think about and prepare for the social consequences of technologies we don’t yet have, but that are coming faster than we imagine. Films from the Future looks at twelve movies that take us on a journey through the worlds of biological and genetic manipulation, human enhancement, cyber technologies, and nanotechnology. Readers will gain a broader understanding of the complex relationship between science and society. The movies mix old and new, and the familiar and unfamiliar, to provide a unique, entertaining, and ultimately transformative take on the power of emerging technologies, and the responsibilities they come with.
Publisher: Mango Media Inc.
ISBN: 1633539067
Category : Performing Arts
Languages : en
Pages : 246
Book Description
“Deftly shows how a seemingly frivolous film genre can guide us in shaping tomorrow’s world.” —Seth Shostak, senior astronomer, SETI Institute Artificial intelligence, gene manipulation, cloning, and interplanetary travel are all ideas that seemed like fairy tales but a few years ago. And now their possibilities are very much here. But are we ready to handle these advances? This book, by a physicist and expert on responsible technology development, reveals how science fiction movies can help us think about and prepare for the social consequences of technologies we don’t yet have, but that are coming faster than we imagine. Films from the Future looks at twelve movies that take us on a journey through the worlds of biological and genetic manipulation, human enhancement, cyber technologies, and nanotechnology. Readers will gain a broader understanding of the complex relationship between science and society. The movies mix old and new, and the familiar and unfamiliar, to provide a unique, entertaining, and ultimately transformative take on the power of emerging technologies, and the responsibilities they come with.
Rediscovering French Science-Fiction in Literature, Film and Comics
Author: Philippe Mather
Publisher: Cambridge Scholars Publishing
ISBN: 1443889806
Category : Fiction
Languages : en
Pages : 230
Book Description
French science-fiction (SF) is as old as the French language. Cyrano de Bergerac wrote about a trip to the moon that was published back in 1657, as did Jules Verne in 1865, this time using hard, scientific facts. The first movie showing a trip to the moon was made by Georges Méliès in 1902. In the comics’ format, Hergé had Tintin walk on the moon in 1954, 15 years before Neil Armstrong. These are just a few of the many unique French contributions to SF that rightly deserve to be better known. One of the purposes of this collection is to introduce French SF to an English-speaking audience. Rediscovering French Science Fiction... first revisits proto science-fiction from authors like Cyrano de Bergerac and Jules Verne, before delving into contemporary science-fiction works from authors such as René Barjavel and Jacques Spitz. A contribution from preeminent SF author Élisabeth Vonarburg, from Québec, helps to understand the constraints and advantages of writing SF in French. A third section is devoted to French SF in movies and graphic novels, media where French creators have been recognized worldwide. This collection explores many aspects of French SF, including the genre’s deep roots in popular culture, the influence of key authors on its historical development, and the form and function of science and fantasy, as well as the impact of films and graphic novels on the public perception of the genre’s nature.
Publisher: Cambridge Scholars Publishing
ISBN: 1443889806
Category : Fiction
Languages : en
Pages : 230
Book Description
French science-fiction (SF) is as old as the French language. Cyrano de Bergerac wrote about a trip to the moon that was published back in 1657, as did Jules Verne in 1865, this time using hard, scientific facts. The first movie showing a trip to the moon was made by Georges Méliès in 1902. In the comics’ format, Hergé had Tintin walk on the moon in 1954, 15 years before Neil Armstrong. These are just a few of the many unique French contributions to SF that rightly deserve to be better known. One of the purposes of this collection is to introduce French SF to an English-speaking audience. Rediscovering French Science Fiction... first revisits proto science-fiction from authors like Cyrano de Bergerac and Jules Verne, before delving into contemporary science-fiction works from authors such as René Barjavel and Jacques Spitz. A contribution from preeminent SF author Élisabeth Vonarburg, from Québec, helps to understand the constraints and advantages of writing SF in French. A third section is devoted to French SF in movies and graphic novels, media where French creators have been recognized worldwide. This collection explores many aspects of French SF, including the genre’s deep roots in popular culture, the influence of key authors on its historical development, and the form and function of science and fantasy, as well as the impact of films and graphic novels on the public perception of the genre’s nature.
Putting the Science in Fiction
Author: Dan Koboldt
Publisher: Penguin
ISBN: 1440353387
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Science and technology have starring roles in a wide range of genres--science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers. This book brings together scientists, physicians, engineers, and other experts to help you: • Understand the basic principles of science, technology, and medicine that are frequently featured in fiction. • Avoid common pitfalls and misconceptions to ensure technical accuracy. • Write realistic and compelling scientific elements that will captivate readers. • Brainstorm and develop new science- and technology-based story ideas. Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction. Putting the Science in Fiction collects articles from "Science in Sci-fi, Fact in Fantasy," Dan Koboldt's popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.
Publisher: Penguin
ISBN: 1440353387
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Science and technology have starring roles in a wide range of genres--science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers. This book brings together scientists, physicians, engineers, and other experts to help you: • Understand the basic principles of science, technology, and medicine that are frequently featured in fiction. • Avoid common pitfalls and misconceptions to ensure technical accuracy. • Write realistic and compelling scientific elements that will captivate readers. • Brainstorm and develop new science- and technology-based story ideas. Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction. Putting the Science in Fiction collects articles from "Science in Sci-fi, Fact in Fantasy," Dan Koboldt's popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.
Flicker
Author: Jeffrey M. Zacks
Publisher:
ISBN: 0199982872
Category : Performing Arts
Languages : en
Pages : 361
Book Description
How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.
Publisher:
ISBN: 0199982872
Category : Performing Arts
Languages : en
Pages : 361
Book Description
How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.
Neurocinema
Author: Eelco F. M. Wijdicks
Publisher: CRC Press
ISBN: 0429586213
Category : Medical
Languages : en
Pages : 204
Book Description
Film directors recognize that neurologic disease impacts mind and motility and often use it in a plot or defining scene. It should be informative and educational to deconstruct neurologic representation in film. Neurocinema: When Film Meets Neurology is a collection of film essays that summarize the portrayal of major neurologic syndromes and
Publisher: CRC Press
ISBN: 0429586213
Category : Medical
Languages : en
Pages : 204
Book Description
Film directors recognize that neurologic disease impacts mind and motility and often use it in a plot or defining scene. It should be informative and educational to deconstruct neurologic representation in film. Neurocinema: When Film Meets Neurology is a collection of film essays that summarize the portrayal of major neurologic syndromes and
I Find Your Lack of Faith Disturbing
Author: A. D. Jameson
Publisher: Farrar, Straus and Giroux
ISBN: 9780374538439
Category : Social Science
Languages : en
Pages : 300
Book Description
"Funny, incisive, and timely..." —Lawrence Kasdan, co-screenwriter of The Empire Strikes Back, Return of the Jedi, The Force Awakens, and Solo: A Star Wars Story A.D. Jameson celebrates the triumph of geekdom in I Find Your Lack of Faith Disturbing, an insightful and irreverent journey through the science fiction, fantasy, and superhero franchises that now dominate pop culture. From the rise of geekdom from its underground origins to the top of the box office and bestseller lists, A.D. Jameson explores the mainstream acceptance and cultural value of The Lord of the Rings, Guardians of the Galaxy, Harry Potter, Star Trek, and, in particular, Star Wars—as well as phenomena like fan fiction, cosplay, and YouTube parodies. Along the way, he blasts through the clichés surrounding geek culture: that its fans are mindless consumers who will embrace all things Spider-Man or Batman, regardless of quality; or that the popularity and financial success of Star Wars led to the death of ambitious filmmaking. A lifelong geek, Jameson shines a new light on beloved classics, explaining the enormous love—and hate—they are capable of inspiring in fan and non-fan alike, while exploding misconceptions as to how and why they were made. I Find Your Lack of Faith Disturbing tells the story of how the geeks have inherited the earth.
Publisher: Farrar, Straus and Giroux
ISBN: 9780374538439
Category : Social Science
Languages : en
Pages : 300
Book Description
"Funny, incisive, and timely..." —Lawrence Kasdan, co-screenwriter of The Empire Strikes Back, Return of the Jedi, The Force Awakens, and Solo: A Star Wars Story A.D. Jameson celebrates the triumph of geekdom in I Find Your Lack of Faith Disturbing, an insightful and irreverent journey through the science fiction, fantasy, and superhero franchises that now dominate pop culture. From the rise of geekdom from its underground origins to the top of the box office and bestseller lists, A.D. Jameson explores the mainstream acceptance and cultural value of The Lord of the Rings, Guardians of the Galaxy, Harry Potter, Star Trek, and, in particular, Star Wars—as well as phenomena like fan fiction, cosplay, and YouTube parodies. Along the way, he blasts through the clichés surrounding geek culture: that its fans are mindless consumers who will embrace all things Spider-Man or Batman, regardless of quality; or that the popularity and financial success of Star Wars led to the death of ambitious filmmaking. A lifelong geek, Jameson shines a new light on beloved classics, explaining the enormous love—and hate—they are capable of inspiring in fan and non-fan alike, while exploding misconceptions as to how and why they were made. I Find Your Lack of Faith Disturbing tells the story of how the geeks have inherited the earth.
Asylum Ways of Seeing
Author: Heather Murray
Publisher: University of Pennsylvania Press
ISBN: 0812298209
Category : Psychology
Languages : en
Pages : 273
Book Description
Asylum Ways of Seeing is a cultural and intellectual history of people with mental illnesses in the twentieth-century United States. While acknowledging the fraught, and often violent, histories of American psychiatric hospitals, Heather Murray also suggests that it is in these hospitals that patients became more intense observers: they gave more conscious consideration to institutional and broader kinds of citizenship, to the nature and needs of communities versus those of individuals, to scientific modernity, and to human rights and solidarities among the suffering. All of these ideas have animated twentieth-century America, and, as Murray shows, have not just flowed into psychiatric hospitals but outward from them as well. These themes are especially clear within patients' intimate, creative, and political correspondence, writings, and drawings, as well as in hospital publications and films. This way of thinking and imagining contrasts with more common images of the patient—as passive, resigned, and absented from the world in the cloistered setting of the hospital—that have animated psychiatry over the course of the twentieth century. Asylum Ways of Seeing traces how it is that patient resignation went from being interpreted as wisdom in the early twentieth century, to being understood as a capitulation in scientific and political sources by mid-century, to being seen as a profound violation of selfhood and individual rights by the century's end. In so doing, it makes a call to reconsider the philosophical possibilities within resignation.
Publisher: University of Pennsylvania Press
ISBN: 0812298209
Category : Psychology
Languages : en
Pages : 273
Book Description
Asylum Ways of Seeing is a cultural and intellectual history of people with mental illnesses in the twentieth-century United States. While acknowledging the fraught, and often violent, histories of American psychiatric hospitals, Heather Murray also suggests that it is in these hospitals that patients became more intense observers: they gave more conscious consideration to institutional and broader kinds of citizenship, to the nature and needs of communities versus those of individuals, to scientific modernity, and to human rights and solidarities among the suffering. All of these ideas have animated twentieth-century America, and, as Murray shows, have not just flowed into psychiatric hospitals but outward from them as well. These themes are especially clear within patients' intimate, creative, and political correspondence, writings, and drawings, as well as in hospital publications and films. This way of thinking and imagining contrasts with more common images of the patient—as passive, resigned, and absented from the world in the cloistered setting of the hospital—that have animated psychiatry over the course of the twentieth century. Asylum Ways of Seeing traces how it is that patient resignation went from being interpreted as wisdom in the early twentieth century, to being understood as a capitulation in scientific and political sources by mid-century, to being seen as a profound violation of selfhood and individual rights by the century's end. In so doing, it makes a call to reconsider the philosophical possibilities within resignation.
Beta-Life
Author: Martyn Bedford
Publisher: Comma Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 439
Book Description
Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O'Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).
Publisher: Comma Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 439
Book Description
Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O'Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).