Primitive Negro Sculpture PDF Download
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Author: Paul Guillaume
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 162
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Book Description
Author: Paul Guillaume
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 162
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Book Description
Author: Ladislas Segy
Publisher: Courier Corporation
ISBN: 9780486203966
Category : Art
Languages : en
Pages : 228
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Book Description
Includes a brief analysis and history of African sculpture followed by a pictorial survey of this art grouped according to region
Author: Carl Einstein
Publisher:
ISBN: 9789492027108
Category :
Languages : en
Pages :
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Book Description
Negro Sculpture (1915) was the first critical response to African sculpture, challenging prejudices and misconceptions around this subject. It quickly became a crucial text for the European avant-garde and today remains indispensable to understanding the shift in discussion towards non-European art taking place at the time.
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588390748
Category : Art
Languages : en
Pages : 138
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Book Description
The seventy-five masterpieces presented here, drawn from public and private American collections, are among the most celebrated icons of African art, works that are superb artistic creations as well as expressions of a society's most profound conceptions about its beginnings. All are reproduced in color and are accompanied by entries that illuminate the distinctive cultural contexts that inspired their creation and informed their appreciation."--BOOK JACKET.
Author: Joshua I. Cohen
Publisher: University of California Press
ISBN: 0520309685
Category : Art
Languages : en
Pages : 301
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Book Description
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Author: Peter Breunig
Publisher: Africa Magna Verlag
ISBN: 3937248463
Category : Social Science
Languages : en
Pages : 103
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Book Description
This book provides insights into the archaeological context of the Nok Culture in Nigeria (West Africa). It was first published in German accompanying the same-titled exhibition “Nok – Ein Ursprung afrikanischer Skulptur” at the Liebieghaus Skulpturensammlung in Frankfurt (30th October 2013 – 23rd March 2014) and has now been translated into English. A team of archaeologists from the Goethe University Frankfurt/Main has been researching the Nok Culture since 2005. The results are now presented to the public. The Nok Culture existed for about 1500 years – from around the mid-second millennium BCE to the turn of the Common Era. It is mainly known by the elaborate terracotta sculptures which were likewise the focus of the exhibition. The research of the archaeologists from Frankfurt, however, not only concerns the terracotta figures. They investigate the Nok Culture from a holistic perspective and put it into the larger context of the search for universal developments in the history of mankind. Such a development – important because it initiated a new era of the past – is the transition from small groups of hunters and gatherers to large communities with complex forms of human co-existence. This process took place almost everywhere in the world in the last 10,000 years, although in very different ways. The Nok Culture represents an African variant of that process. It belongs to a group of archaeological cultures or human groups, who in part subsisted on the crops they were growing and lived in mostly small but permanent settlements in the savanna regions south of the Sahara from the second millennium BCE onwards. The discovery of metallurgy is the next turning point in the development of the first farming cultures. In Africa the first metal used was not copper or bronze as in the Near East and Europe, but iron. The people of the Nok Culture were among the first that produced iron south of the Sahara. This happened in the first millennium BCE – about 1000 years after the agricultural beginning. While iron metallurgy spread rapidly across sub-Saharan Africa, the terracotta sculptures remained a cultural monopoly of the Nok Culture. Nothing comparable existed in Africa outside of Ancient Egypt and the Mediterranean coast. The oldest, securely dated clay figures date back to the early first millennium BCE. Currently, it seems as if they appeared in the Nok Culture before iron metallurgy, reaching their peak in the following centuries. At the end of the first millennium BCE they disappeared from the scene. There is hardly any doubt about the ritual character of the Nok sculptures. Yet, central questions remain unanswered: Why did such an apparently complex world of ritual practices develop in an early farming culture just before or at the beginning of the momentous invention of iron production? Why were the elaborate sculptures – as excavations show – intentionally destroyed? And why did they disappear as suddenly as they emerged?
Author: Jack D. Flam
Publisher: Univ of California Press
ISBN: 9780520212787
Category : Art
Languages : en
Pages : 514
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Book Description
"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Author: Charles C. Seifert
Publisher: Black Classic Press
ISBN: 9780933121119
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Sharon F. Patton
Publisher: Oxford University Press, USA
ISBN: 9780192842138
Category : Art
Languages : en
Pages : 328
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Book Description
Discusses African American folk art, decorative art, photography, and fine arts.
Author: Christina Hellmich
Publisher: Prestel
ISBN: 9783791354330
Category : Figure sculpture, African
Languages : en
Pages : 0
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Book Description
This volume, on a unique and wide-ranging collection of figural sculptures from sub-Saharan Africa, examines not only each distinctive piece, but also how these works of art express value systems and cultural relationships both inside and outside Africa. The geographical breadth of the collection and the variations in the depictions allow readers to explore both the histories and formal qualities of the genre. Texts by leading scholars enhance the understanding of 122 objects, alongside essays on major sculptures and themes.
