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Author: Neil Corcoran
Publisher: Liverpool University Press
ISBN: 1837646570
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This book, by the eminent poetry critic Neil Corcoran, examines the ways in which the work of significant modern Irish, British and American poets interacts with or ‘negotiates’ different contexts – historical, social, political, artistic and aesthetic. In Part 1 important work by David Jones, Robert Graves, Seamus Heaney and Bob Dylan is shown to negotiate poetic methods – both traditional and modernist – and also the work of major earlier writers to produce strikingly original new forms; and Derek Mahon’s prose is read in the light of these concerns. The books shows how, by negotiating in this way, their work engages profoundly with complex and sometimes terrible histories, including the First World War and the Northern Irish Troubles. Part 2 discusses the ways in which ‘ekphrastic’ work – poems which engage with visual art – by Elizabeth Bishop, W. S. Graham, John Ashbery, Sylvia Plath and Ciaran Carson negotiates comparable poetic and historical inheritances while also inventively responding to work by significant artists, notably Parmigianino, Poussin, de Chirico, Klee and members of the St Ives School. The book is a signal contribution to current critical debates about these poets, situating them in original or newly clarified contexts, and it offers exemplary close readings of noteworthy poems.
Author: Neil Corcoran
Publisher: Liverpool University Press
ISBN: 1837646570
Category : Literary Criticism
Languages : en
Pages : 272
Get Book Here
Book Description
This book, by the eminent poetry critic Neil Corcoran, examines the ways in which the work of significant modern Irish, British and American poets interacts with or ‘negotiates’ different contexts – historical, social, political, artistic and aesthetic. In Part 1 important work by David Jones, Robert Graves, Seamus Heaney and Bob Dylan is shown to negotiate poetic methods – both traditional and modernist – and also the work of major earlier writers to produce strikingly original new forms; and Derek Mahon’s prose is read in the light of these concerns. The books shows how, by negotiating in this way, their work engages profoundly with complex and sometimes terrible histories, including the First World War and the Northern Irish Troubles. Part 2 discusses the ways in which ‘ekphrastic’ work – poems which engage with visual art – by Elizabeth Bishop, W. S. Graham, John Ashbery, Sylvia Plath and Ciaran Carson negotiates comparable poetic and historical inheritances while also inventively responding to work by significant artists, notably Parmigianino, Poussin, de Chirico, Klee and members of the St Ives School. The book is a signal contribution to current critical debates about these poets, situating them in original or newly clarified contexts, and it offers exemplary close readings of noteworthy poems.
Author: Destiny O. Birdsong
Publisher: National Geographic Books
ISBN: 1951142136
Category : Poetry
Languages : en
Pages : 0
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Book Description
"Full of wonder." —Elizabeth Acevedo A Best Book of the Year at BuzzFeed, Refinery29, and Entropy Magazine What makes a self? In her remarkable debut collection of poems, Destiny O. Birdsong writes fearlessly towards this question. Laced with ratchetry, yet hungering for its own respectability, Negotiations is about what it means to live in this America, about Cardi B and top-tier journal publications, about autoimmune disease and the speaker’s intense hunger for her own body—a surprise of self-love in the aftermath of both assault and diagnosis. It’s a series of love letters to black women, who are often singled out for abuse and assault, silencing and tokenism, fetishization and cultural appropriation in ways that throw the rock, then hide the hand. It is a book about tenderness and an indictment of people and systems that attempt to narrow black women’s lives, their power. But it is also an examination of complicity—both a narrative and a black box warning for a particular kind of self-healing that requires recognizing culpability when and where it exists.
Author: Justin Quinn
Publisher: OUP Oxford
ISBN: 0191061867
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Between Two Fires is about the transnational movement of poetry during the Cold War. Beginning in the 1950s, it examines transnational engagements across the Iron Curtain, reassessing US poetry through a consideration of overlooked radical poets of the mid-century, and then asking what such transactions tell us about the way that anglophone culture absorbed new models during this period. The Cold War synchronized culture across the globe, leading to similar themes, forms, and critical maneuvers. Poetry, a discourse routinely figured as distant from political concerns, was profoundly affected by the ideological pressures of the period. But beyond such mirroring, there were many movements across the Iron Curtain, despite the barriers of cultural and language difference, state security surveillance, spies, traitors and translators. Justin Quinn shows how such factors are integral to transnational cultural movements during this period, and have influenced even postwar anglophone poetry that is thematically distant from the Cold War. For the purposes of the study, Czech poetry—its writers, its translators, its critics—stands on the other side of the Iron Curtain as receptor and, which has been overlooked, part creator, of the anglophone tradition in this period. By stepping outside the frameworks by which anglophone poetry is usually considered, we see figures such as Robert Lowell, Derek Walcott, Allen Ginsberg, and Seamus Heaney, in a new way, with respect to the ideological mechanisms that were at work behind the promotion of the aesthetic as a category independent of political considerations, foremost among these postcolonial theory.
Author: Sirène H. Harb
Publisher: Routledge
ISBN: 1000710947
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Using a theoretical framework located at the intersection of US ethnic studies, transnational studies, and postcolonial studies, Articulations of Resistance: Transformative Practices in Contemporary Arab-American Poetry maps an interdisciplinary model of critical inquiry to demonstrate the intimate link and multilayered connections between poetry and resistance. In this study of contemporary Arab-American poetry, Sirène Harb analyzes how resistance, defined as the force challenging the dominant, intervenes in ways of rethinking the local and the global vis-à-vis traditional paradigms of time, space, language and value.
Author: William Franke
Publisher: SUNY Press
ISBN: 1438468571
Category : Philosophy
Languages : en
Pages : 272
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Book Description
An encounter between Frankes philosophy of the unsayable and Eastern apophatic wisdom in the domains of poetry, thought, and culture. In Apophatic Paths from Europe to China, William Franke brings his original philosophy of the unsayable, previously developed from Western sources such as ancient Neoplatonism, medieval mysticism, and postmodern negative theology, into dialogue with Eastern traditions of thought. In particular, he compares the Daoist Way of Chinese wisdom with Western apophatic thought that likewise pivots on recognizing the nonexistent, the unthinkable, and the unsayable. Leveraging François Julliens exegesis of the Chinese classics challenge to rethink the very basis of life and consciousness, Franke proposes negative theology as an analogue to the Chinese model of thought, which has long been recognized for its special attunement to silence at the limits of language. Crucial to Frankes agenda is the endeavor to discern and renew the claim of universality, rethought and reconfigured within the predicament of philosophy today considered specifically as a cultural or, more exactly, intercultural predicament. Franke rethinks East-West philosophical traditions to show the subcurrents in Western thought that correspond to the centrality of apophasis in Chinese and Asian thought, whether it be the empty transcendent or the Way as indicator or allusion. He shows how apophatic thought confounds the transcendent-immanent duality and reworks it into an inseparability that can be consequential for our philosophical understanding of a natural universality. Prasenjit Duara, author of The Crisis of Global Modernity: Asian Traditions and a Sustainable Future The broad coverage of William Frankes book is impressive as it discusses many issues in philosophy, religion, and literature, but at the same time it also has a clear focus and a special apophatic approach to the various issues in the humanities. It is innovative, creative, and makes an important contribution to East-West comparative studies and cross-cultural understanding. Highly recommended. Zhang Longxi, author of From Comparison to World Literature Up to now François Julliens conception of Chinese thought has not had a full representation in English. This book responds to that gap and opens a dialogue with other traditions of apophasis. Haun Saussy, author of Great Walls of Discourse and Other Adventures in Cultural China By highlighting Western phenomena that are comparable to the Chinese, mainly in the apophatic tradition, Franke succeeds in exposing the biases and blind spots in Julliens as well as in Halls and Amess respective treatment of Chinese philosophy. This book will stand as an important resource for the future of scholarly debates in these areas. Karl-Heinz Pohl, editor of Chinese Thought in a Global Context: A Dialogue Between Chinese and Western Philosophical Approaches
Author: Kam Louie
Publisher: Hong Kong University Press
ISBN: 9888028413
Category : Social Science
Languages : en
Pages : 325
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Book Description
"Does Hong Kong culture still matter? This informative and interdisciplinary volume proves unmistakably so. It stands as an essential Hong Kong reader, a rich resource not only for those specialized in Hong Kong culture and history but also for students, teachers, and researchers interested in cosmopolitanism, postcolonial conditions, as well as cultural globalization."-Laikwan Pang, The Chinese University of Hong Kong "A very timely, ambitious and fascinating book. The essays are based on solid research, and full of theoretical or analytical insights illustrating the complexity of social and cultural life in Hong Kong. In addition to offering excellent essays on Hong Kong cinema, the book also surveys alternative performance art and documentary, which are undoubtedly the least researched aspects of Hong Kong's cultural scene."-Law Wing Sang, Lingnan University Hong Kong as a world city draws on a rich variety of foundational "texts" in film, fiction, architecture and other forms of visual culture. The city has been a cultural fault-line for centuries ù a translation space where Chinese-ness is interpreted for "Westerners" and Western-ness is translated for Chinese. Though constantly refreshed by its Chinese roots and global influences, this hub of Cantonese culture has flourished along cosmopolitan lines to build a modern, outward-looking character. Successfully managing this perpetual instability helps make Hong Kong a postmodern stepping-stone city, and helps make its citizens such prosperous and durable survivors in the modern world. This volume of essays engages many fields of cultural achievement. Several pieces discuss the tensions of English, closely associated with a colonial past, yet undeniably the key to Hong Kong's future. Hong Kong provides a vital point of contact, where cultures truly meet and a cosmopolitan traveler can feel at home and leave a sturdy mark. Contributors include John Carroll, Carolyn Cartier, David Clarke, Elaine Ho, Douglas Kerr, Michael Ingham, C. J.W.-L. Wee, Chu Yiu-Wai, Gina Marchetti, Esther M.K. Cheung, Pheng Cheah, Chris Berry, and Giorgio Biancorosso. Kam Louie is dean of the Faculty of Arts at the University of Hong Kong.
Author: Sarah Prescott
Publisher: University of Wales Press
ISBN: 1786837234
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Examines Welsh writing in English in the context of critical debates concerning the rise of cultural nationalism and the ‘invention’ of Great Britain as a nation in the eighteenth century. This study investigates the ways in which Anglophone literature from and about Wales imagines the nation and its culture in a range of genres.
Author: Dike Okoro
Publisher: Taylor & Francis
ISBN: 1000827801
Category : Literary Criticism
Languages : en
Pages : 149
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Book Description
This book examines the life and work of Mazisi Kunene, the only recognized poet laureate of Africa, a Nobel Prize nominee, and a key symbol of African cultural independence. Kunene is widely recognized for his epic poems that assert cultural identity and condemn the disruption of the growth and development of African culture through colonialism/postcolonialism. This book explores how ‘oraliterature’ and cultural traditions informed Kunene’s poetry, how Kunene’s poetry highlights African women and mothers, and how activism, mythology and transnational identities are depicted in his verse to promote cultural and generational continuities from Africa to the Diasporic Africans. Drawing on a range of interviews and comparative studies, the book situates Kunene’s work in a wider conversation about South African social struggles. This book is an important contribution to our understanding of one of the giants of African literary history. As such, it will be of interest to researchers across African literary and postcolonial studies.
Author: Professor Robert A Logan
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409489744
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends.
Author: Judith P. Saunders
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639764
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Throughout Charles Tomlinson's fifty-year career, borders have served him as setting, topic, theme, leitmotif, metaphor, and formal principle. Encompassing discussion of more than two hundred individual poems, this study offers a coherent framework for understanding the body of work created by a major, late twentieth-century poet. The borders he explores are spatial, temporal, perceptual, and ideological; thus they comprehend a wide range of concerns, from the ecological to the sociopolitical, the philosophical, the ethical, and the aesthetic. The poems focus on places, literal and figurative, where disparate realms converge, e.g., sites of political and cultural displacement, of theological or economic confrontation. Defining what lies on either side of a given boundary, Tomlinson's work invites a back-and-forth process of comparison and contrast; hence it fosters a dynamic and multifaceted awareness. A commitment to principles of juxtaposition and counterpoint influences the prosodical workings of the poetry as well, manifesting itself in structural patterns, in figurative usage, in deployment of rhyme, in line, in syntax, and in diction.
