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Author: Natya Shodh Sansthan (Kolkata, India)
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 92
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Book Description
Catalog of the activities of the Sansthan.
Author: Natya Shodh Sansthan (Kolkata, India)
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 92
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Book Description
Catalog of the activities of the Sansthan.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Library of Congress. Library of Congress Office, New Delhi
Publisher:
ISBN:
Category : South Asia
Languages : en
Pages : 1938
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Book Description
Author: Uddalak Dutta
Publisher: Springer Nature
ISBN: 9819921279
Category : Performing Arts
Languages : en
Pages : 211
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Book Description
This book offers the reader an in-depth understanding of Utpal Dutt’s entire career in drama. Covering Dutt’s career in proscenium, street theatre and Jatra, it analyzes the interesting exchange of dramatic art with politics in his theatre. Owing to a plethora of unsubstantiated opinions, Dutt is either revered by his followers or dismissed by his opponents, but hardly ever studied with necessary objectivity and intellectual rigour. The book attempts to bust the myth that Dutt was primarily a political propagandist who used theatre only as a means to achieve his political end. The remarkable range of Dutt’s subject matter makes him as internationally significant as he is loved by Indian theatre enthusiasts. His work has been discussed on various reputed international platforms. Yet there is a stark lacuna when it comes to intellectual attention devoted to Dutt’s theatre. This is the first book which attempts to introduce Dutt’s theatre comprehensively to an international readership. The book looks briefly at Dutt’s life, the impact of his politics on his theatre, the art of his characterization, his dramaturgy and stage technique, and the legacy of his work in theatre. It also offers the reader with a chronological list of the first performances of his original theatrical works and an exhaustive bibliography, which, it is hoped, shall prove especially useful for researchers. The book is designed for lay theatre enthusiasts as well as advanced students of theatre.
Author: Binodinī Dāsī
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 306
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Book Description
Autobiographical account of a 19th century Bengali stage actress.
Author: Rimli Bhattacharya
Publisher: Taylor & Francis
ISBN: 0429016557
Category : Social Science
Languages : en
Pages : 307
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Book Description
This book foregrounds the subjectivity of ‘acting women’ amidst violent debates on femininity and education, livelihood and labour, sexuality and marriage. It looks at the emergence of the stage actress as an artist and an ideological construct at critical phases of performance practice in British India. The focus here is on Calcutta, considered the ‘second city of the Empire’ and a nodal point in global trade circuits. Each chapter offers new ways of conceptualising the actress as a professional, a colonial subject, simultaneously the other and the model of the ‘new woman’. An underlying motif is the playing out of the idea of spiritual salvation, redemption and modernity. Analysing the dynamics behind stagecraft and spectacle, the study highlights the politics of demarcation and exclusion of social roles. It presents rich archival work from diverse sources, many translated for the first time. This book makes a distinctive contribution in intertwining performance studies with literary history and art practices within a cross-cultural framework. Interdisciplinary and innovative, it will appeal to scholars and researchers in South Asian theatre and performance studies, history and gender studies.
Author: Vasudha Dalmia
Publisher: Oxford University Press
ISBN: 0199087954
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This book addresses the political and aesthetic concerns of modern Indian theatre, tracing its genealogies, and looking in particular at its appropriation of 'folk' theatre. Starting with the plays of Bharatendu Harishchandra in 1870s Banaras, the book moves forward to Jayshankar Prasad and Mohan Rakesh, landmark figures in the history of modern Indian drama. Dalmia then focuses on the intense urban interaction with folk theatre forms, their politicization in the 1940s and later again in the 1970s. Finally the book maps some of the routes taken by avant-garde women directors since the last decades of the twentieth century. Theatre students, critics, cultural historians, scholars of South Asian theatre, as well as general readers will find the book inspiring.
Author: Arupjyoti Saikia
Publisher: Penguin Random House India Private Limited
ISBN: 9357082123
Category : History
Languages : en
Pages : 607
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Book Description
'A model work of historical scholarship'-Ramachandra Guha 'The most well-researched, comprehensive history of contemporary Assam ever written'-Partha Chatterjee The crucial battles of World War II fought in India's north-east-followed soon after by Independence and Partition-had a critical impact on the making of modern Assam. In the three decades following 1947, the state of Assam underwent massive political turmoil, geographical instability, and social and demographic upheaval, among others. Later, the truncated state suffered widespread unrest as various groups believed their cultural identity and political leverage were under threat. New social energies and political forces were unleashed and came to the fore. Definitive, comprehensive and unputdownable, The Quest for Modern Assam explores the interconnected layers of political, environmental, economic and cultural processes that shaped the development of Assam since the 1940s. It offers an authoritative account that sets new standards in the writing of regional political history. Not to be missed by any one keen on Assam, India, Asia or world history in the twentieth century.
Author: Manujendra Kundu
Publisher: Oxford University Press
ISBN: 0199089582
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
This is the first-ever, full-length study of Badal Sircar's Third Theatre. Sircar was a very prominent playwright of modern Bengali Theatre. It challenges some of the well-established notions of the Third Theatre. It brings to the fore the lost voices of some members of the Third Theatre. It has some rare photographs of Shatabdi, Sircar's Theatre group.
Author: Sharmistha Saha
Publisher: Springer
ISBN: 9811311773
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
