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Author: Oscar Julius Falnes
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 410
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Book Description
Author: Oscar Julius Falnes
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 410
Get Book Here
Book Description
Author: Oscar Julius Falnes
Publisher: New York : Columbia University Press ; London : P.S. King & son, Limited
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 410
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Book Description
"This book is devoted to an investigation of Norwegian nationalism during the period of romanticism. In seeking to present the nationalist and romanticist views that were characteristic of the scholars and publicists of that period, the writer has examined not only their larger works but also most of their contributions to the newspaper and periodical literature of the mid-century." -- Preface, page 7.
Author:
Publisher: BRILL
ISBN: 9004433457
Category : History
Languages : en
Pages : 387
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Book Description
Peasants, Lords, and State: Comparing Peasant Conditions in Scandinavia and the Eastern Alpine Region, 1000-1750 compares peasant self-determination in relation to manorial and territorial power structures in Scandinavia and the eastern Alpine region between 1000 and 1750.
Author: Michelle Facos
Publisher: Univ of California Press
ISBN: 9780520206267
Category : Art
Languages : en
Pages : 280
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Book Description
Taking an interdisciplinary approach, Michelle Facos links the social and cultural dynamics in turn-of-the-century Sweden to the discourses of primitivism, nationalism, and symbolism. In the process, she sheds new light on a major area of study, the manifestation of modernism in Sweden. These painters - among them Carl Larsson, Anders Zorn, Bruno Liljefors, and Prince Eugen - sought to produce a specifically national Swedish art. They focused on indigenous history, legends, and folk tales as well as customs, values, geography, and ethnography - anything they perceived as uniquely or typically Swedish. Politically progressive and culturally conservative, the National Romantic artists protested against the dangers they perceived in capitalist industrialism and urban expansion and promoted an egalitarian ideology centered on the Swedish/Nordic native culture.
Author: Angela Esterhammer
Publisher: John Benjamins Publishing
ISBN: 9789027234506
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Author: Hildor Arnold Barton
Publisher: SIU Press
ISBN: 9780809324415
Category : History
Languages : en
Pages : 284
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Book Description
H. Arnold Barton investigates Norwegian political and cultural influences in Sweden during the period of the Swedish-Norwegian dynastic union from 1814 to 1905. After a proud medieval past, Norway had come under the Danish crown in the fourteenth century and had been reduced to virtually a Danish province by the sixteenth. In 1814 Denmark relinquished Norway, which became a separate kingdom, dynastically united with Sweden with its own constitutional government. Disputes during the next ninety-one years caused Norway unilaterally to dissolve the tie in 1905. Barton is the first historian to look beyond the cultural conflicts and examine the impact of the union on internal developments, particularly in Sweden. Prior to 1814, Norway, unlike Sweden, had no constitution and only the rudiments of higher culture, yet paradoxically, Norway exerted a greater direct influence on Sweden. Reflecting a society lacking a native nobility, Norway's 1814 constitution was - with the exception of that of the United States - the most democratic in the world. It became the guiding star of Swedish liberals and radicals striving to reform the antiquated system of representation in their parliament. Norway's cultural void was filled with a stellar array of artists, writers, and musicians, led by Bjoornsjerne Boornson, Henrik Ibsen, and Edvard Grieg. From the 1850s through the late 1880s, this wave of Norwegian creativity had an immense impact on literature, art, and music in Sweden. By the 1880s, however, August Strindberg led a revolt against an exaggerated ""Norvegomania"" in Sweden. Barton sees this reaction as a fundamental inspiration to Sweden's intense search for its own cultural character in the highly creative Swedish National Romanticism of the 1890s and early twentieth century.
Author: Jon Røyne Kyllingstad
Publisher: Open Book Publishers
ISBN: 1909254541
Category : History
Languages : en
Pages : 278
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Book Description
The notion of a superior ‘Germanic’ or ‘Nordic’ race was a central theme in Nazi ideology. But it was also a commonly accepted idea in the early twentieth century, an actual scientific concept originating from anthropological research on the physical characteristics of Europeans. The Scandinavian Peninsula was considered to be the historical cradle and the heartland of this ‘master race’. Measuring the Master Race investigates the role played by Scandinavian scholars in inventing this so-called superior race, and discusses how the concept stamped Norwegian physical anthropology, prehistory, national identity and the eugenics movement. It also explores the decline and scientific discrediting of these ideas in the 1930s as they came to be associated with the genetic cleansing of Nazi Germany. This is the first comprehensive study of Norwegian physical anthropology. Its findings shed new light on current political and scientific debates about race across the globe.
Author: Christian Norberg-Schulz
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 164
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Book Description
Beginning with the first decade of the 20th century, Professor Norberg-Schulz traces the development of modern Norwegian architecture in relation to general trends such as the International Style and the Postmodernism of the 1980s. The book includes a short historical introduction and provides a reliable account of this largely unexplored field.
Author: Mikulas Teich
Publisher: Cambridge University Press
ISBN: 9780521498814
Category : History
Languages : en
Pages : 424
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Book Description
A collection of essays describing the historical connection between nature and society.
Author: Ann Schmiesing
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641071
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.
