Narrative Subversion in Medieval Literature PDF Download
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Author: E.L. Risden
Publisher: McFarland
ISBN: 0786477784
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
A story that follows a simple trajectory is seldom worth telling. But the unexpected overturning of narrative progress creates complexity and interest, directing the reader's attention to the most powerful elements of a story. Exile, for example, upsets a protagonist's hopes for a happy earthly life, emphasizing spiritual perception instead. Waking life interrupts dreams, just as dreams may redirect how one lives. Focusing on medieval literature, this study explores how narrative subversion works in such well known stories as Beowulf, Piers Plowman, Le Morte D'Arthur, The Canterbury Tales, Troylus and Criseyde, "Voluspa" and other Old Norse sagas, Grail quest romances, and many others.
Author: E.L. Risden
Publisher: McFarland
ISBN: 0786477784
Category : Literary Criticism
Languages : en
Pages : 193
Get Book Here
Book Description
A story that follows a simple trajectory is seldom worth telling. But the unexpected overturning of narrative progress creates complexity and interest, directing the reader's attention to the most powerful elements of a story. Exile, for example, upsets a protagonist's hopes for a happy earthly life, emphasizing spiritual perception instead. Waking life interrupts dreams, just as dreams may redirect how one lives. Focusing on medieval literature, this study explores how narrative subversion works in such well known stories as Beowulf, Piers Plowman, Le Morte D'Arthur, The Canterbury Tales, Troylus and Criseyde, "Voluspa" and other Old Norse sagas, Grail quest romances, and many others.
Author: E.L. Risden
Publisher: McFarland
ISBN: 1476625867
Category : Literary Criticism
Languages : en
Pages : 193
Get Book Here
Book Description
A story that follows a simple trajectory is seldom worth telling. But the unexpected overturning of narrative progress creates complexity and interest, directing the reader's attention to the most powerful elements of a story. Exile, for example, upsets a protagonist's hopes for a happy earthly life, emphasizing spiritual perception instead. Waking life interrupts dreams, just as dreams may redirect how one lives. Focusing on medieval literature, this study explores how narrative subversion works in such well known stories as Beowulf, Piers Plowman, Le Morte D'Arthur, The Canterbury Tales, Troylus and Criseyde, "Voluspa" and other Old Norse sagas, Grail quest romances, and many others.
Author: Murray Roston
Publisher:
ISBN:
Category : History
Languages : en
Pages : 280
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Book Description
Deconstructionist critics have argued that literary works contain conflicting or contradictory meanings, thus creating an aporia, or impasse, that prevents readers from interpreting the work. Here, however, Murray Roston offers detailed and essentially new analyses of works by Shakespeare, Spenser, Jonson, and Donne, arguing that the seemingly contradictory presence of traditional and subversive elements in their major works actually creates the source of much of their literary achievement. Chapters explore The Merchant of Venice, Hamlet, Faerie Queene, Volpone, and the Meditations of John Donne, highlighting the creative tension between centripetal and centrifugal factors (borrowing Bakhtin's terms). As Roston demonstrates, this tension exists in a variety of genres, including poetry, epic and drama, and even in religious prose which, he acknowledges, might be thought to be exempt from such inner conflict because of its doctrinal and theological focus. The tension between tradition and subversion, both linguistic and cultural, then, can be seen to produce not aporia in any negative sense, but a positive complexity of response from the audience, animating and profoundly enriching each work. In The Merchant of Venice, for example, Shakespeare merges the previously despised figure of the merchant with a Christ-like figure, brilliantly reasserting the Christian condemnation of profiteering while simultaneously advocating its seeming opposite, a validation of the burgeoning mercantile activity of the Renaissance. Tradition and Subversion in Renaissance Literary Studies is a thoughtful study, rich in both historical scholarship and in its survey of modern criticism. Even those who are quite familiar with the texts discussed here will find Roston's focus on the tension between maintaining the expectations of the culture and pulling toward new ideas an illuminating way to freshly consider these literary works.
Author: Thomas A. Prendergast
Publisher: Cambridge University Press
ISBN: 1107192846
Category : Drama
Languages : en
Pages : 241
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Book Description
Brings 'new formalist' approaches to Chaucer, focusing on formal agency, bodies, disability, ethics, poetics, reception, and scale.
Author: E.L. Risden
Publisher: McFarland
ISBN: 1476694931
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Barring such illnesses as claustrophobia or agoraphobia, or situations such as medical isolation or incarceration, most people move naturally from smaller to larger spaces and back again without giving the process much thought. But paying attention to our own movement in space yields all sorts of sensory experiences from something relaxing to something terrifying or even astonishingly beautiful. Our sense of expandable/contractible space can influence how we process everything from Japanese gardens to mountain hikes and desert expanses. Writers often expand or contract spaces around their characters for dramatic effect, character building, and even thematic purposes. Marie de France used expanded spaces for adventure and travel and contracted spaces first for romance, and then for spiritual devotion. Chaucer used expanded spaces for adventure, pilgrimage, and danger and contracted spaces for conviviality and storytelling. Dante and Milton created expansive cosmologies but focused on small spaces for both suffering and incredible spiritual achievement. This study of literary spatiality yields fascinating results, reflects useful techniques for reading, and reminds us of the value of all sorts of different approaches to analysis and artistic enjoyment.
Author: Maren Lickhardt
Publisher: transcript Verlag
ISBN: 3839444004
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Is the pícaro, the roguish hero of early modern Spanish adventure fiction, a 'real man'? What position does he hold in the gender hierarchy of his fictional social context? Why is the pícara so 'non-female'? What effect has her gender constitution on her fictional social context? In terms of a gendered subject, the picaresque figure has hardly been analyzed so far. Although scholars have recognized it as a transgressive and subversive model, the 'queer' effect of the figure is yet to be examined. With regard to the categories of class, generation, topography, and gender, the contributions assembled in this volume explore Spanish, French, English, and German novels narratologically from the perspective of culture and gender theories.
Author:
Publisher: Penn State Press
ISBN: 9780271041902
Category : Animals, Mythical, in art
Languages : en
Pages : 216
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Book Description
Europe's Jewish minority culture was subjected to a barrage of public images proclaiming the dominance of the Christian majority. This book is the first to explore the Jewish response to this assault in the development of a visual culture through which Jews could affirmatively construct their identity as a people. It demonstrates how medieval Jews gave voice to messages of protest and dreams of subversion by actively appropriating and transforming the quintessential symbols of the dominant culture.
Author: Dorsey Armstrong
Publisher: Medieval Institute Publications
ISBN: 1580442293
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
The great corpus that is medieval literature contains, at its very center, the tale. These verse and prose fictional narratives, as well as stories that are grounded in some degree of historical truth, are the foundation of what readers, scholars, and enthusiasts often point to as signifiers of the medieval age. These tales - from the skillfully crafted to the more rudimentary and plain - often make familiar to modern readers what seems so distant and foreign about the Middle Ages. This volume of essays focuses on the tale and its ability to create "mirth," what modern audiences would often define as "happiness" or "joy," and the significance that the book has had on the transference of this mirth to audiences. This volume also celebrates the scholarship of Thomas H. Ohlgren, a medievalist whose work encompasses a number of different areas, but at its center lives the power of the tale and its ability to create a lasting impression on readers, both medieval and modern.
Author: Geraldine Hazbun
Publisher: Springer
ISBN: 1137514108
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
Exploring medieval literary representations of the Islamic conquest of Spain in 711, Hazbun discusses chronicles, epic and clerical poetry, and early historical novels. While material on the conquest of Spain is substantial, it is understudied and this book works to fill that gap.
Author: Victor Millet
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311036977X
Category : History
Languages : en
Pages : 719
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Book Description
By the early middle ages vernacular aristocratic traditions of heroic narration were firmly established in Western and Northern Europe. Although there are regional, linguistic and formal differences, one can observe a number of similarities. Oral literature disseminates a range of themes that are shared by narratives in most parts of the continent. In all the European regions, this tradition of heroic narration came into contact with Christianity, which led to modifications. Similar processes of adaptation and transformation can be traced everywhere in this field of early European vernacular narrative. But with the increasing specialization of academic fields over the last half century, inter-disciplinary dialogue has become increasingly difficult. The volume is a contribution to renew the inter-disciplinary dialogue about common themes, topics and motifs in Nordic, Roman, Anglo-Saxon and Germanic literature, and about the different methodologies to explore them.
