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Author: Neal D. Matherne
Publisher:
ISBN: 9781321088076
Category : Arts
Languages : en
Pages : 202
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Book Description
This work is a critical analysis of art, memory and prestige in the early twentieth- and late twenty-first-century Philippines. I am concerned with the creation of the Philippine nation by various acts of commemoration and recognition (awards, exhibits, and concerts) through which artists are valorized, immortalized and celebrated. I answer three broad questions: (1) how do patron-client and kinship systems determine the national recognition of artists in the post-colonial world? (2) how is music used in the nation-building project? and (3) how is national mythology created and contested through the commemoration of individual artists in the Philippines? I approach Philippine area studies through discussions of the past in ethnomusicology, borrowing theory from memory studies and methodology from historical anthropology while expanding both fields with a consideration of expressive culture. To describe this interaction between state and artist, I focus on the National Artist Award (NAA), the highest honor bestowed upon an artist by the Philippine government. I begin by recounting an aberration of the nominating process: the 2009 National Artist Award controversy. Then-President Gloria Macapagal Arroyo deleted a name from the prestigious NAA nominee list and added artists with suspiciously close ties to her administration. Then, I analyze the 2010 re-performance of National Artist for Music Jose Maceda's Ugnayan , a multi-spatial composition for 20 radio stations. This work was originally performed in 1974 with the explicit support of then-First Lady Imelda Marcos. Finally, I describe a 2012 exhibit featuring the materials of National Artist for Music Felipe De Leon Padilla Sr. I sort through clashing characterizations of De Leon of as a "crisis composer" who served the Philippines at times of foreign and domestic peril. Reading against the grain of these public acts of commemoration and recognition, I provide an account from the "ground up" and consider how the public construction of national artists renders the Philippines into a unified conceptual whole.
Author: Neal D. Matherne
Publisher:
ISBN: 9781321088076
Category : Arts
Languages : en
Pages : 202
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Book Description
This work is a critical analysis of art, memory and prestige in the early twentieth- and late twenty-first-century Philippines. I am concerned with the creation of the Philippine nation by various acts of commemoration and recognition (awards, exhibits, and concerts) through which artists are valorized, immortalized and celebrated. I answer three broad questions: (1) how do patron-client and kinship systems determine the national recognition of artists in the post-colonial world? (2) how is music used in the nation-building project? and (3) how is national mythology created and contested through the commemoration of individual artists in the Philippines? I approach Philippine area studies through discussions of the past in ethnomusicology, borrowing theory from memory studies and methodology from historical anthropology while expanding both fields with a consideration of expressive culture. To describe this interaction between state and artist, I focus on the National Artist Award (NAA), the highest honor bestowed upon an artist by the Philippine government. I begin by recounting an aberration of the nominating process: the 2009 National Artist Award controversy. Then-President Gloria Macapagal Arroyo deleted a name from the prestigious NAA nominee list and added artists with suspiciously close ties to her administration. Then, I analyze the 2010 re-performance of National Artist for Music Jose Maceda's Ugnayan , a multi-spatial composition for 20 radio stations. This work was originally performed in 1974 with the explicit support of then-First Lady Imelda Marcos. Finally, I describe a 2012 exhibit featuring the materials of National Artist for Music Felipe De Leon Padilla Sr. I sort through clashing characterizations of De Leon of as a "crisis composer" who served the Philippines at times of foreign and domestic peril. Reading against the grain of these public acts of commemoration and recognition, I provide an account from the "ground up" and consider how the public construction of national artists renders the Philippines into a unified conceptual whole.
Author: Mary Talusan
Publisher: Univ. Press of Mississippi
ISBN: 1496835689
Category : Music
Languages : en
Pages : 259
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Book Description
At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow South. And yet, one of the most popular musical acts was a band of “little brown men,” Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world’s fairs, held a place of honor in William Howard Taft’s presidential parade, and garnered praise by bandmaster John Philip Sousa—all the while facing beliefs and policies that Filipinos and African Americans were “uncivilized.” Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band’s own voices. She sounds out the meanings of Americans’ responses to the band and identifies a desire to mitigate racial and cultural anxieties during an era of overseas expansion and increasing immigration of nonwhites, and the growing “threat” of ragtime with its roots in Black culture. The spectacle of the band, its performance and promotion, emphasized a racial stereotype of Filipinos as “natural musicians” and the beneficiaries of benevolent assimilation and colonial tutelage. Unable to fit Loving’s leadership of the band into this narrative, newspapers dodged and erased his identity as a Black American officer. The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America’s racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.
Author: N. V. M. González
Publisher: University of Philippines Press
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
Author: MA. Lourdes S. Bautista
Publisher: Hong Kong University Press
ISBN: 9622099475
Category : Language Arts & Disciplines
Languages : en
Pages : 425
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Book Description
An overview and analysis of the role of English in the Philippines, the factors that led to its spread and retention, and the characteristics of Philippine English today.
Author: IBP, Inc
Publisher: Lulu.com
ISBN: 1438779666
Category : Law
Languages : en
Pages : 279
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Book Description
Philippines Constitution and Citizenship Laws Handbook - Strategic Information and Basic Laws
Author: Cultural Center of the Philippines
Publisher: Cultural Center of Philippines
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
Author: Ramon Pagayon Santos
Publisher: UP Press
ISBN: 9789715424882
Category : Music
Languages : en
Pages : 240
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Book Description
Intended to fill a void in critical writing on Philippine musical literature - reflective and analytical discussions of important markers in contemporary Filipino musical life.
Author: Elena Rivera Mirano
Publisher: UP Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 498
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Book Description
Marcelo Adonay (1848-1928) was a major Philippine composer and church musician. As maestro de capilla of the San Agustin church in Intramuros, Manila, he presided over the musical establishment of a powerful Augustinian Order that required the performance of elaborate instrumental and choral works. This pioneering work includes five major essays on Adonay's life, his milieu, an inventory of his extant and missing works, and musical and formal analyses of his magnum opus, Pequeña Misa Solemne sobre Motivos de la Missa Regia de Canto Gregoriano.
Author: Christi-Anne Castro
Publisher: OUP USA
ISBN: 0199746400
Category : History
Languages : en
Pages : 245
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Book Description
A cultural history of the Philippines during the 20th century, this title focuses on the relationships between music, performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 684
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Book Description
