Author:
Publisher: TheBookEdition
ISBN:
Category :
Languages : en
Pages :

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Author: Serge Bahuchet
Publisher: Peeters Publishers
ISBN: 9782877230254
Category : Social Science
Languages : en
Pages : 452

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(Peeters 1992)

Author:
Publisher:
ISBN:
Category : Infantry
Languages : en
Pages : 56

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Author: Jillian Lerner
Publisher: Routledge
ISBN: 1000214826
Category : Art
Languages : en
Pages : 165

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This book explores a range of experimental self-portraits made in France between 1840 and 1870, including remarkable images by Hippolyte Bayard, Nadar, Duchenne de Boulogne, and Countess de Castiglione. Adapting photography for different social purposes, each of these pioneers showcased their own body as a living artifact and iconic attraction. Jillian Lerner considers performative portraits that exhibit uncanny transformations of identity and embodiment. She highlights the tactical importance of photographic demonstrations, promotions, conversations, and the mongrel forms of montage, painted photographs, and captioned specimens. The author shows how photographic practices are mobilized in diverse cultural contexts and enmeshed with the histories of art, science, publicity, urban spectacle, and private life in nineteenth-century France. Tracing calculated and creative approaches to a new medium, this research also contributes to an archaeology of the present. It furnishes a prehistory of the “selfie” and offers historical perspectives on the forces that reshape human perception and social experience. This interdisciplinary study will appeal to readers interested in the history of photography, art, visual culture, and media studies.

Author: AUDIBERT Pierre
Publisher: Lavoisier
ISBN: 2746295032
Category : Pavements
Languages : en
Pages : 418

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Des fresques de l’Antiquité romaine aux pavages de Durer et Kepler, des mosaïques de l’art arabo-persan aux pavages de Penrose, l’art décoratif est illuminé de motifs géométriques foisonnants. Soumis à des régularités lancinantes ou à des symétries kaléidoscopiques, ils forment un trait d’union privilégié entre l’art et les mathématiques. S’adressant aux enseignants et étudiants en mathématiques ou informatique comme aux amateurs d’art, Géométrie des pavages propose différentes clés permettant de mieux comprendre la beauté cachée des formes, mais également de devenir les artisans constructeurs des pavages sur ordinateur. Il détaille les trois types de conception géométrique (surface plane, sphérique ou géométrie non euclidienne hyperbolique) et les concepts théoriques qui les fondent. La compréhension des mécanismes internes de la fabrication des pavages permet ainsi d’accéder aux programmes de réalisation sur ordinateur, donnant accès à des visualisations instantanées et à un grand nombre de variations possibles.

Author: Edgar A. Barnett
Publisher: Lulu.com
ISBN: 1365998126
Category : Science
Languages : en
Pages : 178

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This is French translation of Dr. Barnett's book "The Rapid Reintegration Procedure" describing his updated and effective approach to ego state therapy originally published in English in 2005.

Author: Morton Ann Gernsbacher
Publisher: Psychology Press
ISBN: 9780805832310
Category : Education
Languages : en
Pages : 1308

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This volume of proceedings contains papers, posters, and summaries of symposia presented at the leading conference that brings cognitive scientists together to discuss issues of theoretical and applied concern. For researchers and educators in the field.

Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 1443884375
Category : Art
Languages : en
Pages : 302

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With the increasing loss of biological diversity in this Sixth Age of Mass Extinction, it is timely to show that devolutionary paranoia is not new, but rather stretches back to the time of Charles Darwin. It is also an opportune moment to show how human-driven extinction, as designated by the term, Anthropocene, has long been acknowledged. The halcyon days of European industrial progress, colonial expansion and scientific revolution trumpeted from the Great Exhibition of 1851 until the Dresden International Hygiene Exhibition of 1930 were constantly marred by fears of rampant degeneration, depopulation, national decline, environmental devastation and racial extinction. This is demonstrated by the discourses of catastrophism charted in this book that percolated across Europe in response to the theories of Darwin and Jean Baptiste Lamarck, as well as Marcellin Berthelot, Camille Flammarion, Ernst Haeckel, Louis Landouzy, Félix Le Dantec, Cesare Lombroso, Thomas Huxley, Bénédite-Augustin Morel, Louis Pasteur, Élisée Reclus, Rudolf Steiner and Wilhelm Wundt, among others. This book presents pioneering explorations of the interrelationship between these discourses and modern visual cultures and the ways in which the “picturing of evolution and extinction” by artists as diverse as Roger Broders, Albert Besnard, Fernand Cormon, Hélène Dufau, Émile Gallé, František Kupka, Pablo Picasso, Carles Mani y Roig, Sophie Taeuber and Vasilii Vatagin betrayed anxieties subliminally festering over degeneration alongside latent hopes of regeneration. Following Darwin’s concept of evolution as Janus-faced, the dialectical interplay of evolution and extinction and degeneration and regeneration is explored in modern visual cultures in Australia, America, Britain, France, Germany, Russia, Spain and Switzerland at significant spatio-temporal junctures between 1860 and 1930. By unravelling the “picturing” of the dread of alcoholism, cholera, dysentery, tuberculosis, typhoid and rabies, alongside phobias of animalism, criminality, hysteria, impotency and ecological disaster, each chapter makes an original contribution to this new field of scholarship. By locating these discourses and visual cultures within the “golden age of Neo-Lamarckism”, they also reveal how regeneration was pictured as the Janus-face of degeneration able to facilitate evolution through the inheritance of beneficial characteristics in propitious environments. In striking such an uplifting note amidst the dissonant cacophony of catastrophism, this book reveals why the art and science of Transformism proved so appealing in France as elsewhere, and why visual cultures of regeneration became as dominant in the twentieth century as the picturing of degeneration had been in the nineteenth century. It also illuminates the paradoxical inversion that occurred in the twentieth century when devolution became equivalent to evolution for many Modernists. Hence, whilst this book opens with the picturing of indigenous people in Australia and North America as “doomed races” by the first publication of Darwin’s On The Origin of Species, it closes with the quest by 1930 for a regenerative suntan as dark as the skin of those indigenous people.

Author:
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 486

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Author:
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 348

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