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Author: Judith Fletcher
Publisher:
ISBN: 0198767099
Category : History
Languages : en
Pages : 237
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Book Description
Examining a range of contemporary fictional works that adapt Greco-Roman myths of the descent into the underworld, from novels and comics to children's culture, this volume reveals the ways in which the catabasis narrative can be manipulated by storytellers to reflect upon postmodern culture, feminist critiques, and postcolonial appropriations.
Author: Judith Fletcher
Publisher:
ISBN: 0198767099
Category : History
Languages : en
Pages : 237
Get Book Here
Book Description
Examining a range of contemporary fictional works that adapt Greco-Roman myths of the descent into the underworld, from novels and comics to children's culture, this volume reveals the ways in which the catabasis narrative can be manipulated by storytellers to reflect upon postmodern culture, feminist critiques, and postcolonial appropriations.
Author: Judith Fletcher
Publisher: Oxford University Press
ISBN: 0191079804
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.
Author: Virgil
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Book Description
Author: George Alexander Gazis
Publisher: Oxford University Press
ISBN: 019878726X
Category : History
Languages : en
Pages : 266
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Book Description
This unique approach to the Iliad and the Odyssey explores the role and function of Hades as a poetic environment in which traditional exposition of heroic values may be subverted in favour of a more personally inflected approach to the epic past, giving rise to a different kind of poetics: the 'poetics of Hades'.
Author: Roger D. Woodard
Publisher: Cambridge University Press
ISBN: 1107495113
Category : History
Languages : en
Pages : 516
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Book Description
Professor Roger Woodard brings together a group of the world's most authoritative scholars of classical myth to present a thorough treatment of all aspects of Greek mythology. Sixteen original articles guide the reader through all aspects of the ancient mythic tradition and its influence around the world and in later years. The articles examine the forms and uses of myth in Greek oral and written literature, from the epic poetry of 8th century BC to the mythographic catalogues of the early centuries AD. They examine the relationship between myth, art, religion and politics among the ancient Greeks and its reception and influence on later society from the Middle Ages to present day literature, feminism and cinema. This Companion volume's comprehensive coverage makes it ideal reading for students of Greek mythology and for anyone interested in the myths of the ancient Greeks and their impact on western tradition.
Author: Rachel D. Friedman
Publisher: Oxford University Press
ISBN: 0192523465
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Derek Walcott's Encounter with Homer puts Derek Walcott's epic poem Omeros in conversation with Homer, especially the Odyssey, to show how reading them against each other changes our understanding of the poems of both poets. It explores Walcott's conscious use of the Odyssey and the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet. Walcott's ability to serve as the vessel of history for his people and their landscapes rests on his transformation into (and self-perception as) Homer's contemporary and equal. Central to the project of Omeros is thus an account of his shift from a diachronic to synchronic relationship with Homer: over the course of the poem his poetic persona, the "Poet", and Homer come to occupy the same temporality and creative space. By locating the poems of Walcott and Homer in a zone of vibrant and unexpected encounter, Rachel Friedman demonstrates how they can be seen as mutually informing texts, each made richer in the presence of the other. The argument follows two intertwined thematic threads. The first focuses on the poems' landscapes and seascapes and the ways in which Omeros reworks the Odyssey's affective geography. While the Odyssey represents the sea as a dangerous space and valorizes life on land, Walcott reverses this trajectory from sea to land, bearing witness to the painful histories carried in the St Lucian soil and relocating homecoming to the space of the Caribbean Sea, a space which accommodates diasporic histories and the imagining of fluid forms of emplacement. The second thread focuses on Walcott's poetic persona: his journey in and out of the poem and his positioning of himself as a "tribal poet" like Homer. Central to the project of Omeros is the Poet's account of the processes by which he becomes the poet who can adequately give voice to the histories of his people and the archipelago they inhabit.
Author: Stephen Harrison
Publisher: Oxford University Press
ISBN: 0192862987
Category : Art
Languages : en
Pages : 311
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Book Description
This incisive entry in the Classical Presences series explores the afterlife and influence of Apuleius' tale of Cupid and Psyche in European literature and art from 1650 to the present.
Author: J.R. O'Neill
Publisher: Routledge
ISBN: 1000538826
Category : History
Languages : en
Pages : 288
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Book Description
This collection of essays from a diverse group of scholars represents a multidisciplinary redeployment of the Aeneid that aims to illuminate its importance to our present moment. It provides a rigorous and multifaceted answer to the question, "Why should we still think about the Aeneid?" The book contains chapters detailing previously undocumented modern literary receptions of Vergil’s epic, addressing the Aeneid’s relevance to understanding modern political discourse, explaining how the Aeneid assists in making sense of the pressing current issues of trauma and damage to one’s sense of identity, and even looking at how the epic can shape our future. The chapters build upon and extend beyond reception studies to provide the most current and complete answer to the question of the epic’s current relevance. The primary audiences for this collection are undergraduate students, graduate students, and professional academics from all disciplines. This collection should be of interest to readers whose academic interests include textual and cultural studies, classics, comparative literature, pedagogy, medical humanities, veterans studies, trauma studies, immigration studies, young adult fiction, world literature, communication and political discourse, citizenship studies, and ethnic studies.
Author: Mark William Padilla
Publisher: Lexington Books
ISBN: 1666915920
Category : Art
Languages : en
Pages : 339
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Book Description
Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.
Author: Sheila L. Ager
Publisher: Bloomsbury Publishing
ISBN: 1350102768
Category : History
Languages : en
Pages : 337
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Book Description
A Cultural History of Peace presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of peace throughout history. This volume, A Cultural History of Peace in Antiquity, explores peace in the period from 500 BC to 800 AD. As with all the volumes in the illustrated Cultural History of Peace set, this volume presents essays on the meaning of peace, peace movements, maintaining peace, peace in relation to gender, religion and war and representations of peace. A Cultural History of Peace in Antiquity is the most authoritative and comprehensive survey available on peace in the classical era.
