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Author: Jennifer Good
Publisher: Cambridge Scholars Publishing
ISBN: 1443869481
Category : Social Science
Languages : en
Pages : 195
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Book Description
The Vietnam War is evolving from contemporary memory into history. Fifty years on, it still serves as a benchmark in the history of war reporting and in the representation of conflict in popular culture and historical memory. However, as contemporary culture tries to come to terms with the events and their political, psychological and cultural implications, the ‘real’ Vietnam War has been appropriated and changed into a set of mythologies which implicate American and Vietnamese national identities specifically, and ideas of modern conflict more broadly, particularly in shaping the mediation of the twenty-first century ‘War on Terror’. This collection of interdisciplinary critical essays explores the cultural legacies of the US involvement in South East Asia, considering this process of ‘mythologising’ through the lenses of visual media and tracing the war’s evolution from contemporary reportage to subsequent interpretation and consumption. It reassesses the role of visual media in covering and remembering the war, its memorialisation, mediation and memory. The origin of this collection of essays was an international conference, titled “Considering Vietnam”, held at the Imperial War Museum, London, in February 2012, co-organised by the museum and the University of the Arts London Photography and the Archive Research Centre (PARC).
Author: Jennifer Good
Publisher: Cambridge Scholars Publishing
ISBN: 1443869481
Category : Social Science
Languages : en
Pages : 195
Get Book Here
Book Description
The Vietnam War is evolving from contemporary memory into history. Fifty years on, it still serves as a benchmark in the history of war reporting and in the representation of conflict in popular culture and historical memory. However, as contemporary culture tries to come to terms with the events and their political, psychological and cultural implications, the ‘real’ Vietnam War has been appropriated and changed into a set of mythologies which implicate American and Vietnamese national identities specifically, and ideas of modern conflict more broadly, particularly in shaping the mediation of the twenty-first century ‘War on Terror’. This collection of interdisciplinary critical essays explores the cultural legacies of the US involvement in South East Asia, considering this process of ‘mythologising’ through the lenses of visual media and tracing the war’s evolution from contemporary reportage to subsequent interpretation and consumption. It reassesses the role of visual media in covering and remembering the war, its memorialisation, mediation and memory. The origin of this collection of essays was an international conference, titled “Considering Vietnam”, held at the Imperial War Museum, London, in February 2012, co-organised by the museum and the University of the Arts London Photography and the Archive Research Centre (PARC).
Author: John Hellmann
Publisher: Columbia University Press
ISBN: 9780231515382
Category : History
Languages : en
Pages : 260
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Book Description
American Myth and the Legacy of Vietnam
Author: Dale Walton
Publisher: Routledge
ISBN: 1136339809
Category : History
Languages : en
Pages : 192
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Book Description
This book offers a dispassionate strategic examination of the Vietnam conflict that challenges the conventional wisdom that South Vietnam could not survive as an independent non-communist entity over the long term regardless of how the United States conducted its military- political effort in Indochina.
Author: Edwin Moïse
Publisher: University Press of Kansas
ISBN: 070062502X
Category : History
Languages : en
Pages : 288
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Book Description
Late in 1967, American officials and military officers pushed an optimistic view of the Vietnam War. Military Assistance Command, Vietnam (MACV) said that the war was being won, and that Communist strength in South Vietnam was declining. Then came the Tet Offensive of 1968. In its broadest and simplest outline, the conventional wisdom about the offensive—that it was a military defeat for the Communists but a political victory for them, because it undermined support for the war in the United States—is correct. But much that has been written about the Tet Offensive has been misleading. Edwin Moïse shows that the Communist campaign shocked the American public not because the American media exaggerated its success, but because it was a bigger campaign—larger in scale, much longer in duration, and resulting in more American casualties—than most authors have acknowledged. MACV, led by General William Westmoreland, issued regular estimates of enemy strength in South Vietnam. During 1967, intelligence officers at MACV were increasingly required to issue low estimates to show that the war was being won. Their underestimation of enemy strength was most extreme in January 1968, just before the Tet Offensive. The weak Communist force depicted in MACV estimates would not have been capable of sustaining heavy combat month after month like they did in 1968. Moïse also explores the errors of the Communists, using Vietnamese sources. The first wave of Communist attacks, at the end of January 1968, showed gross failures of coordination. Communist policy throughout 1968 and into 1969 was wildly overoptimistic, setting impossible goals for their forces. While acknowledging the journalists and historians who have correctly reported various parts of the story, Moïse points out widespread misunderstandings in regard to the strength of Communist forces in Vietnam, the disputes among American intelligence agencies over estimates of enemy strength, the actual pattern of combat in 1968, the effects of Tet on American policy, and the American media’s coverage of all these issues.
Author: Louis Harris and Associates
Publisher:
ISBN:
Category : Veterans
Languages : en
Pages : 580
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Book Description
Author: William W. Cobb (Jr.)
Publisher:
ISBN:
Category : History
Languages : en
Pages : 238
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Book Description
The American Foundation Myth in Vietnam deals with how the results of the Vietnam War challenged the long-standing belief in America's role in the world as a unique nation favored by God that carries a global responsibility with it. The author disputes the commonly held belief that America discarded this foundation myth, developed out of John Winthrop's idea of a "city on a hill," following Vietnam. He reexamines the myth in the context of American history to show that the country still firmly attaches itself to the rhetoric of the foundation myth. The analysis divides Americans into one group that believes America's mission cannot be fulfilled without active involvement on the global stage, and one that maintains that its mythic goals are fulfilled most effectively by developing itself as the world's model for freedom and democracy. The tension created between these perspectives creates a dynamic and durable quality that fuels the power of the foundation myth even after a seemingly destructive event such as the Vietnam War.
Author: Henrik Brendel
Publisher: GRIN Verlag
ISBN: 3656128782
Category : History
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2008 in the subject History - America, grade: 1,0, University of Cape Town (Department of Historical Studies ), course: Hollywood & the Vietnam War, language: English, abstract: In terms of methodology it will be worthwhile first to take a closer look at the theory of collective memory in order to understand its relevance for a nation's self-understanding and the way that society's individual members rely on it. In a next step, the concepts of Turner's frontier myth thesis as well as Kennedy's New Frontier will be outlined in order to point out the contents of the nation's mythology and to determine elements to look out for in films. As we will see, the figure of the individual frontier hero will be of paramount importance. Finally, the main part will focus on the way in which the U.S. frontier myth and particularly the frontier hero actually figure within some Hollywood representations of the war. What is the appearance of the frontier heroes and what experiences do they make on the New Frontier in Vietnam? How can these experiences be characterized and set against the traditional qualities of the frontier myth? Within the framework of this paper, the choice of films must necessarily be exemplary. The three films that will be discussed here are among the most widely distributed films dealing with the Vietnam War. Moreover, as I hope to demonstrate in this paper, they are exemplary for three different ways of responding to the threat that this war posed to the frontier myth: its assertion, its transformation and its dismissal.
Author: Caron Schwartz Ellis
Publisher:
ISBN:
Category : Landscapes in motion pictures
Languages : en
Pages : 209
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Book Description
Author: Edward S. Herman
Publisher:
ISBN:
Category : History
Languages : en
Pages : 138
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Book Description
Author: Howard Bruce Franklin
Publisher:
ISBN: 9781556521171
Category : Vietnam War, 1961-1975
Languages : en
Pages : 225
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Book Description
Almost two decades after the Vietnam War, most Americans remain convinced that U.S. prisoners are still being held captive in Southeast Asia, and many even accuse the government of concealing their existence. But as H. Bruce Franklin demonstrates in his startling investigation, there is no plausible basis for the belief in live POWs. Through scrupulous research, he shows for the first time how this illusion was fabricated and then converted into a powerful myth. Franklin reveals that in 1969 the Nixon administration, aided by militant pro-war forces, manufactured the POW/MIA issue to deflect attention from American atrocities in Vietnam, to undermine the burgeoning anti-war movement, and to stymie the Paris peace talks, resulting in the prolongation of the Vietnam War for another four years. Successive administrations, in an effort to mobilize public support for their continued economic and political warfare against Vietnam, asserted the possibility of live POWs at great emotional cost to both family members of the missing and countless Americans distressed about the fate of those supposedly left behind in Indochina. Born of political expediency, the POW/MIA issue was transformed in the 1980s into a potent myth. American culture was transfigured as movies and novels designed to reimage the Vietnam War turned the imagined post-war POWs into crucial symbols of betrayed American manhood and honor. Finally the myth began to turn against its creators when many Americans became convinced that the government itself was conspiring to betray the missing men. As he traces the evolution of the POW/MIA myth, Franklin not only exposes it as an elaborate hoax at the highest levels of government, but also explains why the myth has penetrated to the heart of American life. By confronting the "true tragedy of the missing in Vietnam," Franklin helps us to understand how to heal the terrible psychological and spiritual wounds of the Vietnam War.
