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Author: Christopher Sharrett
Publisher: Wayne State University Press
ISBN: 9780814327425
Category : Violence in motion pictures
Languages : en
Pages : 460
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Book Description
This anthology examines a number of issues related to violence within the media landscape.
Author: Christopher Sharrett
Publisher: Wayne State University Press
ISBN: 9780814327425
Category : Violence in motion pictures
Languages : en
Pages : 460
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Book Description
This anthology examines a number of issues related to violence within the media landscape.
Author: Steven Jay Schneider
Publisher: Manchester University Press
ISBN: 9780719067235
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
Exploring the depiction of violence and related issues in Hollywood productions, this book focuses on the motivations and cultural politics of violence on the big screen, as well as its effects on viewers and society as a whole.
Author: Carter, Cynthia
Publisher: McGraw-Hill Education (UK)
ISBN: 0335205054
Category : Social Science
Languages : en
Pages : 222
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Book Description
Why is there so much violence portrayed in the media? What meanings are attached to representations of violence in the media? Can media violence encourage violent behaviour and desensitize audiences to real violence? Does the 'everydayness' of media violence lead to the 'normalization' of violence in society? Violence and the Media is a lively and indispensable introduction to current thinking about media violence and its potential influence on audiences.Adopting a fresh perspective on the 'media effects' debate, Carter and Weaver engage with a host of pressing issues around violence in different media contexts - including news, film, television, pornography, advertising and cyberspace.The book offers a compelling argument that the daily repetition of media violence helps to normalize and legitimize the acts being portrayed. Most crucially, the influence of media violence needs to be understood in relation to the structural inequalities of everyday life. Using a wide range of examples of media violence primarily drawn from the American and British media to illustrate these points, Violence and the Media is a distinctive and revealing exploration of one of the most important and controversial subjects in cultural and media studies today.
Author: Paul Mason
Publisher: Routledge
ISBN: 1135990905
Category : Social Science
Languages : en
Pages : 325
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Book Description
Media representations of law and order are matters of keen public interest and have been the subject of intense debate amongst those with an interest in the media, crime and criminal justice. Despite being an increasingly high profile subject few publications address this subject head on. This book aims to meet this need by bringing together an important range of papers from leading researchers in the field, addressing issues of fictional, factual and hybrid representations in the media -the so called 'docu-dramas' and 'faction'.
Author: Asbjørn Grønstad
Publisher: Amsterdam University Press
ISBN: 908964010X
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
Author: J. David Slocum
Publisher: Routledge
ISBN: 1135204918
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.
Author: John D. Carlson
Publisher: Univ of California Press
ISBN: 0520271653
Category : History
Languages : en
Pages : 318
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Book Description
"From Jeremiad to Jihad is an ambitious volume. The selections here introduce new perspectives on the intersection of religious institutions and American culture. Whereas the subject of just war has largely been the provenance of religious and philosophical studies, with some input from international relations and political science, the authors of this volume have brought methods and questions from the study of history to bear on the discussion. Carlson and Ebel have pulled together a significant work that fosters new conversations between scholars interested in just war and American religious history." - John Kelsay, author of Arguing the Just War in Islam “Why is America, one of the world’s most religious societies, also one of the most violent? In a sophisticated, thoughtful and accessible manner, the essays in this collection provide an important examination of the complexities of American character that sees the sacred as sanctioning violence and allows violence to be sanctified.” - Mark Juergensmeyer, author of Terror in the Mind of God: The Global Rise of Religious Violence “This is a stunning collection of essays—the single most comprehensive and wide-ranging set yet prepared. With “jeremiad” and “jihad” as their guiding tropes, the contributors brilliantly trace the life of this rhetorical strain. This volume is ideally suited for courses in religion and history as well as anyone interested in the role of religious violence in American culture and life.” - Harry S. Stout, author of Upon the Altar of the Nation: A Moral History of the Civil War
Author: Kathryn Hume
Publisher: Cornell University Press
ISBN: 0801462878
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers—or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers—and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy. In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion.
Author: Nicola Rehling
Publisher: Lexington Books
ISBN: 1461633427
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
Extra-Ordinary Men analyzes popular cinematic representations of white heterosexual masculinity as the 'ordinary' form of male identity, one that enjoys considerable economic, social, political, and representational strength. Nicola Rehling argues that while this normative position affords white heterosexual masculinity ideological and political dominance, such 'ordinariness' also engenders the anxiety that it is a depthless, vacuous, and unstable identity. At a time when the neutrality of white heterosexual masculinity has been challenged by identity politics, this insightful volume offers lucid accounts of contemporary theoretical debates on masculinity in popular cinema, and explores the strategies deployed in popular films to reassert white heterosexual male hegemony through detailed readings of films as diverse as Fight Club, Boys Don't Cry, and The Matrix. Accessible to undergraduates, but also of interest to film scholars, the book makes a distinctive contribution to our understanding of the ways in which popular film helps construct and maintain many unexamined assumptions about masculinity, gender, race, and sexuality.
Author: Kyle A. Hammonds
Publisher: Rowman & Littlefield
ISBN: 1666930873
Category : Social Science
Languages : en
Pages : 243
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Book Description
Interpreting and Transmitting Kynicism in Joker: The Dark Side of Film Fandom focuses on fan discourse and discussion surrounding Todd Phillips’s Joker (2019), analyzing how white nationalist movie fans code racist, sexist, ableist, and otherwise marginalizing logics into seemingly innocuous speech. Kyle A. Hammonds posits that, by arguing that their communication is “just their interpretation” of a movie, rather than explicitly political speech, white nationalists can communicate bigoted, extremist rhetoric under the pretext of good-faith film criticism. Hammonds leverages hermeneutic traditions often overlooked in communication and fan studies research to argue that interpretation is the key element of fan communication processes in struggles for authority over the meaning of texts—and that fan communities have a civic duty to identify and delegitimize exclusionary interpretations of pop culture in their fandom.
