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Author: Buster Keaton
Publisher: Pickle Partners Publishing
ISBN: 1786254964
Category : Biography & Autobiography
Languages : en
Pages : 413
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Book Description
Over half century ago the society for the Prevention of Cruelty to Children complained to Mayor Van Wyck, of New York, that Joe Keaton, a vaudeville actor, was brutally mistreating his five-year old son. At each afternoon and evening performance the child, billed as “The Human Mop”, was slammed on the floor, hurled into the wings, and sometimes banged into bass drums. Unable to find a bruise or scratch on the lad, Mayor Van Wyck refused to ban the act. The “Human Mop” bounced on to worldwide fame as Buster Keaton, one of this century’s greatest comedians. In this intimate autobiography Buster Keaton tells his whole personal and professional story, beginning with his colourful and exciting childhood as the undentable tot in the “Three Keatons” whose proudest boast was having the rowdiest, roughest act in vaudeville. Buster has played with all the great ones, from George M. Cohen and Bojangles Robinson and Al Jolson to Jack Paar and Ed Sullivan and Red Skelton, during his sixty years as a star in vaudeville, silent and talking pictures, night clubs and television. Roscoe (Fatty) Arbuckle got him into the movies and taught him how to throw a custard pie. Buster could not even keep slapstick out of his eleven months as a draftee in our World War I army. He came out to help create the Golden Age of Comedy with his friends Charlie Chaplin, Harold Lloyd, Arbuckle, Mack Sennett and the Keystone Cops. Marital troubles and alcoholism once got Buster down, but could not keep him down. MY WONDERFUL WORLD OF SLAPSTICK was written with the collaboration of Charles Samuels, co-author of His Eye Is On the Sparrow, Ethel Waters’ best-selling autobiography. Buster Keaton’s Life Story will enchant and thrill all those who enjoy looking past the glitter and the grease paint into a magnificent performer’s mind and heart.
Author: Buster Keaton
Publisher: Pickle Partners Publishing
ISBN: 1786254964
Category : Biography & Autobiography
Languages : en
Pages : 413
Get Book Here
Book Description
Over half century ago the society for the Prevention of Cruelty to Children complained to Mayor Van Wyck, of New York, that Joe Keaton, a vaudeville actor, was brutally mistreating his five-year old son. At each afternoon and evening performance the child, billed as “The Human Mop”, was slammed on the floor, hurled into the wings, and sometimes banged into bass drums. Unable to find a bruise or scratch on the lad, Mayor Van Wyck refused to ban the act. The “Human Mop” bounced on to worldwide fame as Buster Keaton, one of this century’s greatest comedians. In this intimate autobiography Buster Keaton tells his whole personal and professional story, beginning with his colourful and exciting childhood as the undentable tot in the “Three Keatons” whose proudest boast was having the rowdiest, roughest act in vaudeville. Buster has played with all the great ones, from George M. Cohen and Bojangles Robinson and Al Jolson to Jack Paar and Ed Sullivan and Red Skelton, during his sixty years as a star in vaudeville, silent and talking pictures, night clubs and television. Roscoe (Fatty) Arbuckle got him into the movies and taught him how to throw a custard pie. Buster could not even keep slapstick out of his eleven months as a draftee in our World War I army. He came out to help create the Golden Age of Comedy with his friends Charlie Chaplin, Harold Lloyd, Arbuckle, Mack Sennett and the Keystone Cops. Marital troubles and alcoholism once got Buster down, but could not keep him down. MY WONDERFUL WORLD OF SLAPSTICK was written with the collaboration of Charles Samuels, co-author of His Eye Is On the Sparrow, Ethel Waters’ best-selling autobiography. Buster Keaton’s Life Story will enchant and thrill all those who enjoy looking past the glitter and the grease paint into a magnificent performer’s mind and heart.
Author: Buster Keaton
Publisher: Univ. Press of Mississippi
ISBN: 9781578069637
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Sweeney collects interviews from the beginning of Buster Keatons career in the 1920s and concludes with his 1950s and 60s television work. The pieces here provide a critical perspective on Keatons acting and cinematic techniques.
Author: James Curtis
Publisher: Knopf
ISBN: 0385354215
Category : Biography & Autobiography
Languages : en
Pages : 833
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Book Description
**One of Literary Hub’s Five “Most Critically Acclaimed” Biographies of 2022** From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. "It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, "ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.
Author: Kurt Vonnegut
Publisher: Dial Press Trade Paperback
ISBN: 0385334230
Category : Fiction
Languages : en
Pages : 290
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Book Description
“Some of the best and most moving Vonnegut.”—San Francisco Chronicle Slapstick presents an apocalyptic vision as seen through the eyes of the current King of Manhattan (and last President of the United States), a wickedly irreverent look at the all-too-possible results of today’s follies. But even the end of life-as-we-know-it is transformed by Kurt Vonnegut’s pen into hilarious farce—a final slapstick that may be the Almighty’s joke on us all. “Both funny and sad . . . just about perfect.”—Los Angeles Times “Imaginative and hilarious . . . a brilliant vision of our wrecked, wacked-out future.”—Hartford Courant
Author: Edward McPherson
Publisher: Faber & Faber
ISBN: 0571278809
Category : Biography & Autobiography
Languages : en
Pages : 237
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Book Description
'Tracing Keaton's beginnings in vaudeville and how he eventually applied that form's traits to cinema, McPherson creates an excellent portrait of a formidable talent, also addressing the private demons that accelerated his eventual slide.' Empire'The author, rather like his subject, has the knack of sketching a poignant moment using minimum of sentimental flannel.' Sunday Telegraph 'McPherson wins one over because of his loving fan's attention to, and lively evocation of, the core of Keaton's achievement.' Telegraph'Graceful and charming... McPherson's account is animated by the same sort of colour and vitality as Buster's best work.' Scotsman
Author: James Curtis
Publisher: Knopf
ISBN: 0385354223
Category : Biography & Autobiography
Languages : en
Pages : 832
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Book Description
From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. "It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, "ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.
Author: Tom Dardis
Publisher: Hal Leonard Corporation
ISBN: 9780879101176
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Explores the complex nature of the enigmatic silent-film star through the eyes of his close friends and associates, recreating his vaudeville days, his great successes in the 1920s, and the years of decline
Author: Kevin Brownlow
Publisher: Univ of California Press
ISBN: 9780520030688
Category : Performing Arts
Languages : en
Pages : 614
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Book Description
Well illustrated book on history of silent movies
Author: Tom Dardis
Publisher:
ISBN: 9780816640010
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
Dardis is a genuine film historian and his careful research & skilled narration pay off in this biography of the master comedian with the tragic mask who was all but forgotten at the end of the 1930s but is now on the curricula of film schools.
Author: Deborah Diesen
Publisher: Abrams
ISBN: 1613125275
Category : Juvenile Fiction
Languages : en
Pages : 44
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Book Description
It’s picture day, and the boy at the center of this charming story wants to make sure his picture is perfect. It seems as though everything’s going wrong for him—he has bedhead, a stained shirt, and a big scowl on his face. But when he goes up for his picture, he thinks about his terrible appearance, and he smiles—because he secretly wants his picture to be the worst ever taken! But just as he smiles, the photo is snapped, and his plan is ruined when he takes a totally adorable picture. Perfectly paired with the larger-than-life silliness of Dan Santat’s illustrations, this is a sweet and funny picture book about a classic school moment. Praise"The narrator’s over-the-top voice makes reading aloud a must . . . high-energy comedy that involves only minor destruction."— Publishers Weekly
