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Author: Wim Wenders
Publisher: Faber & Faber
ISBN: 9780571200764
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
Beyond The Clouds was Michaelangelo Antonioni's first film for 15 years, due to a stroke which left him bereft of speech. Director Wim Wender's account tells of how he helped bring Antonioni's final film into being.
Author: Wim Wenders
Publisher: Faber & Faber
ISBN: 9780571200764
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
Beyond The Clouds was Michaelangelo Antonioni's first film for 15 years, due to a stroke which left him bereft of speech. Director Wim Wender's account tells of how he helped bring Antonioni's final film into being.
Author: Seymour Chatman
Publisher: Taschen
ISBN: 9783822830895
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
"Containing many illustrations from Michelangelo Antonioni's own archives, this text explores his life and career from his earliest documentaries to his latest collaborations"--Publisher's description.
Author: Peter Brunette
Publisher: Cambridge University Press
ISBN: 9780521389921
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
An analysis of the life and work of the Italian director, Michelangelo Antonioni.
Author: Michelangelo Antonioni
Publisher: Oxford University Press, USA
ISBN: 9780195042245
Category : Motion picture producers and directors
Languages : en
Pages : 208
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Book Description
Gathers thirty-three story ideas for films by the Italian director noted for his use of silence, omission, and suggestion
Author: Sam Rohdie
Publisher: British Film Institute
ISBN:
Category : Performing Arts
Languages : it
Pages : 232
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Book Description
No Marketing Blurb
Author: Nardelli Matilde Nardelli
Publisher: Edinburgh University Press
ISBN: 1474444067
Category : Electronic books
Languages : en
Pages : 248
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Book Description
Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its 'new' or 'modern' incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni's aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works' crucial, yet overlooked, affinity with the new, 'impure', art practices - of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others - that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director's work with a new understanding of its critical significance across the modern visual arts and culture more broadly.
Author: Alberto Spadafora
Publisher:
ISBN: 9781502465870
Category :
Languages : en
Pages : 90
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Book Description
Luca Bigazzi is one of Italy's most acclaimed award-winning directors of photography (DOP). His life has been dedicated entirely to the best of independent Italian cinema (not counting his work with Abbas Kiarostami). He has worked with directors such as Mario Martone, Gianni Amelio, Cipri e Maresco, Silvio Soldini, Carlo Mazzacurati, Antonio Capuano, Leonardo Di Costanzo and Andrea Segre, and has been working with Paolo Sorrentino since The Consequences of Love in 2004. In this interview, edited by the photographer and film critic Alberto Spadafora, the Italian cinematographer talks about The Great Beauty, prizewinner of the Academy Award for Best Foreign Language Film of 2014. Although well-received abroad, the film hasn't had the same reaction in Italy. In the book Bigazzi explains his work using the camera and light, and describes Sorrentino's work methods and style. He also discusses the ethical and political issues in this harsh portrayal of Italy."
Author: Murray Pomerance
Publisher: Univ of California Press
ISBN: 0520948300
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Michelangelo Antonioni, who died in 2007, was one of cinema’s greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s—L’avventura, La Notte, L‘eclisse—are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni’s greatest works. Writing in an accessible style that evokes Antonioni’s expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery of Oberwald, Beyond the Clouds, and The Dangerous Thread of Things to analyze the director’s subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni’s signature.
Author: Bert Cardullo
Publisher: Univ. Press of Mississippi
ISBN: 9781934110669
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
Collected interviews with the Italian filmmaker who directed L'avventura, La notte, Blow Up, and Zabriskie Point
Author: Philippe Garner
Publisher:
ISBN: 9783869300238
Category : Blowup
Languages : en
Pages : 0
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Book Description
Michelangelo Antonioni's 1966 film Blow-Up is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image. Photography plays a key role at the very core of the film, providing the metaphorical site for the director's questioning of the relationship between reality and perceptions. This book provides a fresh and stimulating study of Antonioni's masterpiece. It reassembles and re-tells - through onset stills and the original blow-ups - the film's key narrative and pictorial strands in a focused visual investigation that is complemented by the authors' analytical essays. These texts draw on new research and effectively situate the film in the social and creative contexts that informed Antonioni's screenplay and art direction - on the one hand through an account of the milieu of fashionable photographers and models and the media through which they became so vivid a phenomenon, and on the other hand through the revelation of the artistic and literary reference points that so pervasively enrich the film.
