Babes in Arms

Babes in Arms PDF Author: Michael Lefferts
Publisher: Hal Leonard Corporation
ISBN: 0881880590
Category : Music
Languages : en
Pages : 48

Get Book Here

Book Description
Musical Theatre Vocal Solo

Babes in Arms

Babes in Arms PDF Author: Michael Lefferts
Publisher: Hal Leonard Corporation
ISBN: 0881880590
Category : Music
Languages : en
Pages : 48

Get Book Here

Book Description
Musical Theatre Vocal Solo

My Funny Valentine: from Babes in Arms

My Funny Valentine: from Babes in Arms PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

Get Book Here

Book Description


A Ship Without A Sail

A Ship Without A Sail PDF Author: Gary Marmorstein
Publisher: Simon and Schuster
ISBN: 1416594264
Category : Biography & Autobiography
Languages : en
Pages : 545

Get Book Here

Book Description
Lorenz Hart, together with Richard Rodgers, created some of the most beautiful and witty songs ever written. Here is the story of the strikingly unromantic life of this songwriting genius. His lyrics spin with brilliance and sophistication, yet at their core is an unmistakable wistfulness. Rodgers and Hart, who wrote approximately thirty Broadway musicals and dozens of songs for Hollywood films, were an odd couple. Rodgers was precise, punctual, heterosexual, handsome, and eager to be accepted by society. Hart was barely five feet tall, alcoholic, homosexual, and more comfortable in a bar or restaurant than anywhere else. His lyrics are all the more remarkable considering that he never sustained a romantic relationship, living his entire life with his mother, who died only months before his own death at 48. Biographer Marmorstein superbly portrays the life of this exuberant yet troubled artist.--From publisher description.

A Rock Guitarist's Gate Way to Jazz

A Rock Guitarist's Gate Way to Jazz PDF Author: Glen Rose
Publisher:
ISBN: 9780981806952
Category : Guitar
Languages : en
Pages : 44

Get Book Here

Book Description
This study shows rock and folk guitarist's how to make the most useful jazz chords and jazz progressions in the easiest way possible without reading music.

Wynton Marsalis - Omnibook

Wynton Marsalis - Omnibook PDF Author: Wynton Marsalis
Publisher: Hal Leonard Corporation
ISBN: 1495079333
Category : Music
Languages : en
Pages : 236

Get Book Here

Book Description
(Jazz Transcriptions). 35 Marsalis songs transcribed for B-flat instruments exactly from his recorded solos, with solo analysis sections and a complete discography. Includes: Au Privave * Black Bottom Stomp * Caravan * Cherokee (Indian Love Song) * Donna Lee * Embraceable You * Free to Be * Honeysuckle Rose * In Walked Bud * Johnny Come Lately * La Vie En Rose * Loose Duck * My Funny Valentine * Rubber Bottom * Stardust * A Train, a Banjo, and a Chicken Wing * Union Pacific Big Boy * When It's Sleepy Time down South * You Don't Hear No Drums * and more.

Lorenz Hart

Lorenz Hart PDF Author: Frederick Nolan
Publisher: Oxford University Press
ISBN: 019535611X
Category : Music
Languages : en
Pages : 417

Get Book Here

Book Description
Lorenz Hart singlehandedly changed the craft of lyric writing. When Larry Hart first met Dick Rodgers in 1919, the commercial song lyric consisted of tired cliches and cloying Victorian sentimentality. Hart changed all that, always avoiding the obvious, aiming for the unexpected phrase that would twang the nerve or touch the heart. Endowed with both a buoyant wit and a tender, almost raw sincerity, Hart brought a poetic complexity to his art, capturing the everyday way people talk and weaving it into his lyrics. Songs had never been written like that before, and afterwards it seemed impossible that songs would ever be written any other way. Lorenz Hart: A Poet on Broadway presents the public triumphs of a true genius of the American musical theatre, and the personal tragedies of a man his friend the singer Mabel Mercer described as "the saddest man I ever knew." Author Frederick Nolan began researching this definitive biography in 1968, tracking down and interviewing Hart's friends and collaborators one by one, including a remarkable conversation with Richard Rodgers himself. A veritable who's who of Broadway's golden age, including Joshua Logan, Gene Kelly, George Abbott and many more, recall their uncensored and often hilarious, sometimes poignant memories of the cigar-chomping wordsmith who composed some of the best lyrics ever concocted for the Broadway stage, but who remained forever lost and lonely in the crowds of hangers-on he attracted. A portrait of Hart emerges as a Renaissance and endearing bon vivant conflicted by his homosexuality and ultimately torn apart by alcoholism. Nolan skillfully pulls together the chaotic details of Hart's remarkable life, beginning with his bohemian upbringing in turn of the century Harlem. Here are his first ventures into show business, and the 24-year-old Hart's first meeting with the 16-year-old Richard Rodgers. "Neither of us mentioned it," Rodgers later recalled, "but we evidently knew we would work together, and I left Hart's house having acquired in one afternoon a career, a best friend, and a source of permanent irritation." Nolan captures it all: the team's early setbacks, the spectacular hour long standing ovation for their hit song, "Manhattan," the Hollywood years (which inspired Hart to utter the undying line, "Just because you're paranoid doesn't mean the bastards aren't out to get you"), and the unforgettable string of hit shows that included "On Your Toes," "The Boys from Syracuse," and their masterpiece, "Pal Joey." But while success made Rodgers more confident, more musically daring, and more disciplined, for Hart the rounds of parties, wisecracks, and most of all drinking began to take more and more of a toll on his work. When Hart's unreliability forced Rodgers to reluctantly seek out another lyricist, Oscar Hammerstein II, and their collaboration resulted in the unprecedented artistic and commercial success of "Oklahoma," Hart never truly recovered. Meticulously researched and rich with anecdotes that capture the excitement, the hilarity, the dizzying heights, and the crushing lows of a life on Broadway, Lorenz Hart is the story of an American original.

Big Book of Alto Sax Songs

Big Book of Alto Sax Songs PDF Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458428966
Category : Music
Languages : en
Pages : 150

Get Book Here

Book Description
(Instrumental Folio). Instrumentalists will love these collections of 130 popular solos, including: Another One Bites the Dust * Any Dream Will Do * Bad Day * Beauty and the Beast * Breaking Free * Clocks * Edelweiss * God Bless the U.S.A. * Heart and Soul * I Will Remember You * Imagine * Na Na Hey Hey Kiss Him Goodbye * Satin Doll * United We Stand * You Raise Me Up * and more.

Song of the Season

Song of the Season PDF Author: Thomas Hischak
Publisher: Bloomsbury Publishing
ISBN: 1350423742
Category : Drama
Languages : en
Pages : 441

Get Book Here

Book Description
What links the popular songs "You'll Never Walk Alone", "Send in the Clowns", "Memory" and "I Am What I Am"? They all originated in Broadway musicals. Song of the Season is for those who believe that the score is at the heart of a musical and is the essential building block on which the rest of a show is built. Through a systematic historical survey from 1891 to 2023 it argues that the best musicals survive because of their songs, from early 20th century classics such as Show Boat and Oklahoma! through to the contemporary sound of Dear Evan Hansen and Hamilton. looking at outstanding songs from each Broadway season, the development and history of the musical is illustrated with a fresh perspective. As song styles and popular music tastes changed throughout the decades this structure charts the progress of American showtunes alongside popular music forms as songs evolved from the waltz and ragtime to jazz, rock, rap and hip-hop. Factual analysis and historical context combine to offer a rich picture of the American songbook from Irving Berlin to Elton John. Song of the Season paints a fresh picture for musical theatre students and fans alike, illustrating significant changes in the form through the music. Analyzed in an accessible and engaging way that doesn't rely on music theory knowledge, and including a link to playlist where all the 'songs of the seasons' can be listened to, it is a must-have for those looking to expand their knowledge of the form and trace the social history of the American showtune.

The Songs of Richard Rodgers

The Songs of Richard Rodgers PDF Author: Richard Rodgers
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Music
Languages : en
Pages : 240

Get Book Here

Book Description
(Vocal Collection). The most accomplished composer in the history of the American musical theatre was Richard Rodgers (1902-1979), with a professional career on Broadway that spanned more than 50 years. In an edition designed especially for singers, 45 songs have been carefully chosen from both the Rodgers & Hart and Rodgers & Hammerstein output. Contents: Bewitched (PAL JOEY) * Climb Ev'ry Mountain (THE SOUND OF MUSIC) * Do I Love You Because You're Beautiful? (CINDERELLA) * Edelweiss (THE SOUND OF MUSIC) * Falling in Love with Love (THE BOYS FROM SYRACUSE) * Hello, Young Lovers (THE KING AND I) * I Could Write a Book (PAL JOEY) * I Didn't Know What Time It Was (TOO MANY GIRLS) * I Have Dreamed (THE KING AND I) * I Wish I Were in Love Again (BABES IN ARMS) * If I Loved You (CAROUSEL) * Isn't It Romantic? (LOVE ME TONIGHT) * It Might as Well Be Spring (STATE FAIR) * It Never Entered My Mind (HIGHER AND HIGHER) * The Lady Is a Tramp (BABES IN ARMS) * Love, Look Away (FLOWER DRUM SONG) * Manhattan (THE GARRICK GAIETIES) * My Favorite Things (THE SOUND OF MUSIC) * My Funny Valentine (BABES IN ARMS) * My Heart Stood Still (ONE DAM THING AFTER ANOTHER) * My Lord and Master (THE KING AND I) * My Romance (JUMBO) * No Other Love (ME AND JULET) * Nobody's Heart (BY JUPITER) * Oh, What a Beautiful Mornin' (OKLAHOMA!) * People Will Say We're in Love (OKLAHOMA!) * Some Enchanted Evening (SOUTH PACIFIC) * Something Wonderful (THE KING AND I) * The Sound of Music (THE SOUND OF MUSIC) * The Surrey with the Fringe on Top (OKLAHOMA!) * The Sweetest Sounds (NO STRINGS) * Ten Cents a Dance (SIMPLE SIMON) * There's a Small Hotel (ON YOUR TOES) * This Can't Be Love (THE BOYS FROM SYRACUSE) * This Nearly Was Mine (SOUTH PACIFIC)* Thou Swell (A CONNECTICUT YANKEE) * To Keep My Love Alive (A CONNECTICUT YANKEE) * Where or When (BABES IN ARMS) * With a Song in My Heart (SPRING IS HERE) * A Wonderful Guy (SOUTH PACIFIC) * You Are Never Away (ALLEGRO) * You Took Advantage of Me (PRESENT ARMS) * You'll Never Walk Alone (CAROUSEL) * You're Nearer (TOO MANY GIRLS) * Younger Than Springtime (SOUTH PACIFIC)

The Oxford Handbook of Musical Theatre Screen Adaptations

The Oxford Handbook of Musical Theatre Screen Adaptations PDF Author: Dominic McHugh
Publisher: Oxford Handbooks
ISBN: 0190469994
Category : Music
Languages : en
Pages : 690

Get Book Here

Book Description
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.