Author: Keith Garebian
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 136
Get Book Here
Book Description
The common lament was Broadway will never be the same! when My Fair Lady finally ended its stellar run the night of Sunday, September 30, 1962. Millions of people had seen the show over six years and had helped break box-office records, even though Rex Harrison, Julie Andrews, Stanley Holloway, and Robert Coote did not stay with the cast throughout the six-year run. MyFair Lady used the substance and wit of George Bernard Shaw to add a new dimension to the Broadway libretto.
Author: George Bernard Shaw
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 136
Get Book Here
Book Description
Confessions of a Young Man is a memoir by Irish novelist George Moore who spent about 15 years in his teens and 20s in Paris and later London as a struggling artist. The book is notable as being one of the first English writings which named important emer
Author: Frederick Loewe
Publisher: Penguin
ISBN: 9780451138903
Category : Drama
Languages : en
Pages : 132
Get Book Here
Book Description
The text of the Broadway musical adapted from George Bernard Shaw's Pygmalion.
Author: Dominic McHugh
Publisher: Oxford University Press
ISBN: 0199968144
Category : Music
Languages : en
Pages : 286
Get Book Here
Book Description
Few musicals have had the impact of Lerner and Loewe's timeless classic My Fair Lady. Sitting in the middle of an era dominated by such seminal figures as Rodgers and Hammerstein, Frank Loesser, and Leonard Bernstein, My Fair Lady not only enjoyed critical success similar to that of its rivals but also had by far the longest run of a Broadway musical up to that time. From 1956 to 1962, its original production played without a break for 2,717 performances, and the show went on to be adapted into one of the most successful movie musicals of all time in 1964, when it won eight Academy Awards. Internationally, the show also broke records in London, and the original production toured to Russia at the height of the Cold War in an attempt to build goodwill. It remains a staple of the musical theater canon today, an oft-staged show in national, regional, and high school theaters across the country. Using previously-unpublished documents, author Dominic McHugh presents a completely new, behind-the-scenes look at the five-year creation of the show, revealing the tensions and complex relationships that went into its making. McHugh charts the show from the aftermath of the premiere of Shaw's Pygmalion and the playwright's persistent refusal to allow it to be made into a musical, through to the quarrel that led lyricist Alan Jay Lerner and composer Frederick Loewe to part ways halfway through writing the show, up to opening night and through to the present. This book is the first to shed light on the many behind-the-scenes creative discussions that took place from casting decisions all the way through the final months of frantic preparation leading to the premiere in March 1956. McHugh also traces sketches for the show, looking particularly at the lines cut during the rehearsal and tryout periods, to demonstrate how Lerner evolved the relationship between Higgins and Eliza in such a way as to maintain the delicate balance of ambiguity that characterizes their association in the published script. He looks too at the movie version, and how the cast album and subsequent revivals have influenced the way in which the show has been received. Overall, this book explores why My Fair Lady continues to resonate with audiences worldwide more than fifty years after its premiere.
Author: Douglas Garrett Winston
Publisher: Rutherford [N.J.] : Fairleigh Dickinson University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 256
Get Book Here
Book Description
Author: J. P. Reedman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537506821
Category :
Languages : en
Pages : 146
Get Book Here
Book Description
Eleanor of Provence, child bride, loving wife, loving mother of Edward Longshanks. Eleanor, hated queen, despised for her spendthrift ways, pelted by the mob. Eleanor, foe of the unnerving, unsettling warrior Simon de Montfort and his barons, who threaten her husband's reign...and life Eleanor, taking vows in a convent in Amesbury, where she vanished from history, even her grave lost in time....
Author: Aviya Kushner
Publisher: Random House
ISBN: 0679645268
Category : Religion
Languages : en
Pages : 274
Get Book Here
Book Description
For readers of Bruce Feiler’s Walking the Bible and Kathleen Norris’s The Cloister Walk comes a powerful exploration of the Bible in translation. Aviya Kushner grew up in a Hebrew-speaking family, reading the Bible in the original Hebrew and debating its meaning over the dinner table. She knew much of it by heart—and was therefore surprised when, while getting her MFA at the University of Iowa, she took the novelist Marilynne Robinson’s class on the Old Testament and discovered she barely recognized the text she thought she knew so well. From differences in the Ten Commandments to a less ambiguous reading of the creation story to a new emphasis on the topic of slavery, the English translation often felt like another book entirely from the one she had grown up with. Kushner began discussing the experience with Robinson, who became a mentor, and her interest in the differences between the ancient language and the modern one gradually became an obsession. She began what became a ten-year project of reading different versions of the Hebrew Bible in English and traveling the world in the footsteps of the great biblical translators, trying to understand what compelled them to take on a lifetime project that was often considered heretical and in some cases resulted in their deaths. In this eye-opening chronicle, Kushner tells the story of her vibrant relationship to the Bible, and along the way illustrates how the differences in translation affect our understanding of our culture’s most important written work. A fascinating look at language and the beliefs we hold most dear, The Grammar of God is also a moving tale about leaving home and returning to it, both literally and through reading. Praise for The Grammar of God “The highest praise for a book, perhaps, is tucking it into a slot on your bookshelf where you’ll always be able to effortlessly slide it out, lay it across your lap and soak it up for a minute or a long afternoon’s absorption. The Grammar of God: A Journey into the Words and Worlds of the Bible, Aviya Kushner’s poetic and powerful plumbing of both the Hebrew and English translations of the Bible, now rests in just such an easy-to-grab spot in my library. In a word, it’s brilliant. And beautiful.”—Barbara Mahany, Chicago Tribune “Aviya Kushner has written a passionate, illuminating essay about meaning itself. The Grammar of God is also a unique personal narrative, a family story with the Bible and its languages as central characters.”—Robert Pinsky “Kushner is principally interested in the meanings and translations of key Biblical passages, and she pursues this interest with a fierce passion. . . . A paean, in a way, to the rigors and frustrations—and ultimate joys—of trying to comprehend the unfathomable.”—Kirkus Reviews “A remarkable and passionately original book of meditation, exegesis, and memoir. In Kushner’s redemptive vision, the Bible in its many translations is a Noah’s ark, and her book, too, does a work of saving. When I put it down, I wept.”—Rosanna Warren, author of Stained Glass “What a glorious book! From Sarah’s laughter to the idea of Jewish law being a dialogue and not a rigid set of rules, this is a book not only to learn from but to savor.”—Peter Orner, author of Love and Shame and Love “In this splendid book, each page is a wonder.”—Willis Barnstone, author of The Restored New Testament
Author: Keith Garebian
Publisher: Routledge
ISBN: 1317337093
Category : Drama
Languages : en
Pages : 104
Get Book Here
Book Description
"An Englishman's way of speaking absolutely classifies him, The moment he talks he makes some other Englishman despise him." - Henry George Bernard Shaw famously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending. Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life. Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.
Author: George Bernard Shaw
Publisher: BoD - Books on Demand
ISBN:
Category : Poetry
Languages : en
Pages : 44
Get Book Here
Book Description
"The Man of Destiny" is a comedic play written by George Bernard Shaw, first performed in 1897. Set in Italy in 1796, the play is a fictionalized account of an encounter between Napoleon Bonaparte and a mysterious woman known as the Lady. The plot revolves around Napoleon, who is depicted as a young and ambitious military leader on the brink of greatness. He finds himself ensnared in a battle of wits with the Lady, a cunning and enigmatic figure who challenges his perception of himself and his place in history. As the play unfolds, Napoleon and the Lady engage in a series of verbal sparring matches, revealing their true characters and motivations. Through their interactions, Shaw explores themes of power, ego, and the nature of destiny, questioning whether individuals truly have control over their own fates.
Author: Alan Jay Lerner
Publisher: Alfred Publishing Company
ISBN: 9780757981005
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
The great Lerner and Loewe stage show was jam packed with fascinating songs. This Carl Strommen medley brings these classic Broadway hits alive again. Audiences and choirs will thrill to hear this one! Nine minutes in length.
