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Author: Frederick Brigden
Publisher:
ISBN: 9780665860607
Category : Artists
Languages : en
Pages : 8
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![My Acquaintance with Ruskin [microform] PDF](https://books.google.com/books/content/images/frontcover/f_lAzQEACAAJ?fife=w80-h100)
Author: Frederick Brigden
Publisher:
ISBN: 9780665860607
Category : Artists
Languages : en
Pages : 8
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Book Description
Author: Frederick H. Brigden
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Author: Frederick Henry Brigden
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Author: Frederick Brigden
Publisher: Forgotten Books
ISBN: 9780260595393
Category : Literary Collections
Languages : en
Pages : 20
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Book Description
Excerpt from My Acquaintance With Ruskin His enthusiasm was obviously sincere. His pleas ure in being amongst us. Was simple and direct. And his interest in our poor little exercises lively. None of us did anything beyond studies from natural objects. And my impression is. That drawing from the figure received minor attention. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Ruskin Bond
Publisher: Penguin UK
ISBN: 8184754353
Category : Literary Collections
Languages : en
Pages : 304
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Book Description
This collection brings together the best of Ruskin Bond's cameos, all beautifully imagined and crafted, inspired by people who have left a lasting impression on him. In addition, there are a host of characters culled from Bond's numerous short stories. Taken together, they constitute a magnificent evocation of the small-town India by one of the country's best storytellers.
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
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Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 842
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 844
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Author: Paul Thomas Murphy
Publisher: Simon and Schuster
ISBN: 1639364927
Category : Art
Languages : en
Pages : 322
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Book Description
The untold story of the artistic battle between James Abbot MacNeill Whistler and John Ruskin over Whistler’s controversial, ground-breaking Nocturne in Black and Gold: The Falling Rocket. In November 1878, America’s greatest painter sued England’s greatest critic for a bad review. The painter won—but ruined himself in the process. The painter: James Abbot MacNeill Whistler, whose combination of incredible talent, unflagging energy, and relentless self-promotion had by that time brought him to the very edge of artistic preeminence. The critic: John Ruskin, Slade Professor of Art at Oxford University, whose four-decades’ worth of prolific and highly respected literary output on aesthetics had made him England’s unchallenged and seemingly unchallengeable arbiter of art. Though Whistler and Ruskin both lived in London and moved in the same artistic world, they had, until June, 1877, managed to remain entirely clear of one another. This was unusual because Whistler had a mercurial temperament, a belligerent personality, and seemed to thrive on opposition: he once challenged a man to a duel because the man accused the painter of sleeping with his wife. (Whistler had, in fact, slept with the man’s wife.) That November, John Ruskin walked into the Grosvenor Gallery’s new exhibition of art and gazed with horror upon Whistler’s Nocturne in Black and Gold: The Falling Rocket. The painting was Whistler’s interpretation of a fireworks display at a local pleasure garden. But to Ruskin it was nothing more than a chaotic, incomprehensible mess of bright spots upon dark masses: not art but its antithesis—a disturbing and disgusting assault upon everything he had ever written or taught on the subject. He quickly channeled that anger into a seething review. The internationally-reported, widely discussed, and hugely-entertaining trial that followed was a titanic battle between the opposing ideas and ideals of two larger-than-life personalities. For these two protagonists, Whistler v Ruskin was the battle of a lifetime—or more accurately, a battle of their two lifetimes. Paul Thomas Murphy’s Falling Rocket also recounts James Whistler’s turbulent but triumphant development from artistic oblivion in the 1880s to artistic deification in the 1890s, and also Ruskin’s isolated, befogged, silent final years after his public humiliation. The story of Whistler v Ruskin has a dramatic arc of its own, but this riveting new book also vividly evokes an artistic world in energetic motion, culturally and socially, in the last decades of the nineteenth century.
