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Author: Walter Kaufmann
Publisher: Detroit : Information Coordinators
ISBN:
Category : Music
Languages : en
Pages : 274
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Book Description
Author: Walter Kaufmann
Publisher: Detroit : Information Coordinators
ISBN:
Category : Music
Languages : en
Pages : 274
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Book Description
Author: Rulan Chao Pian
Publisher: Chinese University Press
ISBN: 9789629960629
Category : History
Languages : en
Pages : 304
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Book Description
This book is a standard reference on Sonq dynasty music, and a model of meticulous scholarship. In the book Professor Pian surveys the theoretical and practical treatises on music, the historical and encyclopedic compilations, the song collections, and various other related materials. She comments on available editions of the musical works themselves, the origin of each piece, and its value for scholarly research. She also explains in detail the intricacies of the Sonq dynasty modal system and forms of notation, an understanding of which is essential for reading Sonq music. Originally published in 1967, this title is now reprinted with a new foreword and an introductory essay. Book jacket.
Author: Alan Thrasher
Publisher: BRILL
ISBN: 9047432770
Category : Music
Languages : en
Pages : 236
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Book Description
According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examination of Confucian theory, the ancient corpus of behavioral doctrine which promoted music as a means of achieving social harmony and which, together with Daoist belief, exercised unusually strong influence over common-practice music and aesthetics. This is followed by a rigorous analysis of the music itself, focusing upon linear and modal structures and performance styles which reflect a fascinating mix of ancient ideologies and more recent influences.
Author: Yu Hui
Publisher: Oxford University Press
ISBN: 0190661984
Category : Music
Languages : en
Pages : 569
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Book Description
In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies. Each contribution develops a theoretical model to illuminate new insights into a key musical genre or context. This handbook is categorized into three parts. In Part One, authors explore the extensive, remarkable, and polyvocal historical legacies of Chinese music. Ranging from archaeological findings to the creation of music history, chapters address enduring historical practices and emerging cultural expressions. Part Two focuses on evolving practice across a spectrum of key instrumental and vocal genres. Each chapter provides a portrait of musical change, tying musical transformations to the social dimensions underpinning that change. Part Three responds to the role that prominent issues, including sexuality, humanism, the amateur, and ethnicity, play in the broad field of Chinese music studies. Scholars present systematic orientations for researchers in the third decade of the twenty-first century. This volume incorporates extensive input from researchers based in China, Taiwan, and among Chinese communities across the world. Using a model of collaborative inquiry, The Oxford Handbook of Music in China and the Chinese Diaspora features diverse insider voices alongside authors positioned across the anglophone world.
Author: Arnd Adje Both
Publisher: Ekho Verlag
ISBN: 3944415256
Category : Music
Languages : en
Pages : 207
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Book Description
Reprint of the journal of the ICTM Study Group on Music Archaeology, edited in 6 volumes by Catherine Homo-Lechner, published between 1987 and 1990 by Moeck Verlag, Celle.
Author: Elizabeth May
Publisher: Univ of California Press
ISBN: 0520340574
Category : Music
Languages : en
Pages : 456
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Book Description
The foremost authorities in the field of music from around the world have contributed twenty original essays for this volume, edited by Elizabeth May. Only European musics have been omitted, except insofar as they affect other musics discussed here. North American music is represented by the musics of the Native Americans and the Alaskan Eskimos. The essays are profusely illustrated with maps, drawings, diagrams, photographs, and music examples. There are extensive glossaries, bibliographies, and annotated film lists. The book is directed to readers seriously interested in acquainting themselves with musics beyond the confines of Western musicology. Contributors include Bruno Nettl, Kuo-huang Han and Lindy Li Mark, Kang-sook Lee, William P. Malm, David Morton, Bonnie C. Wade, Margaret J. Kartomi, Adrienne L. Kaeppler, Trevor A. Jones, Atta Annan Mensah, John Blacking, Alfred Kwashie Ladzekpo and Kobla Ladzekpo, Cynthia Tse Kimberlin, Jozef M. Pacholczyk, Ella Zonis, Abraham A. Schwadron, David P. McAllester, Lorraine D. Koranda, and Dale A. Olsen. Please note: this book was originally published with records. The edition available now does not include the records. We are hoping to make the original recordings available in some other way.
Author: Chen Zhi
Publisher: Taylor & Francis
ISBN: 1000942791
Category : History
Languages : en
Pages : 381
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Book Description
The present work is a study on the formation of the Shih-ching. The author poses the hypothesis that this collection of poems, as the standard music and literature passed down to later generations, initially incorporated different cultural heritages through a process which moved from ritualization to secularization, as well as standardization to localization. In aiming to find the origins of the division of the Shih-ching into sections and subsections and their titles, as "Nan," "Feng," "Ya," and "Sung," the author employs an interdisciplinary methodology, combining ethno-musicological methods with paleography, philology, and archaeology. He draws on new archaeological data of the past two decades that has shed new light on the Shih-ching.
Author: Dagmar Schäfer
Publisher: University of Chicago Press
ISBN: 0226735842
Category : History
Languages : en
Pages : 353
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Book Description
The chapters in this book cover 'Asian Studies: East Asia' 'Biography and Letters', 'History: Asian History', 'History European History', 'History of Science', 'Literature and Literary Criticism: Asian Languages', and much more.
Author: Vincent Harris Duckles
Publisher: New York : Schirmer Books ; London ; Toronto : Prentice Hall International
ISBN:
Category : Education
Languages : en
Pages : 840
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Book Description
This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.
Author: Richard J. Smith
Publisher: Rowman & Littlefield
ISBN: 1442221941
Category : History
Languages : en
Pages : 625
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Book Description
The Qing dynasty (1636–1912)—a crucial bridge between “traditional” and “modern” China—was remarkable for its expansiveness and cultural sophistication. This engaging and insightful history of Qing political, social, and cultural life traces the complex interaction between the Inner Asian traditions of the Manchus, who conquered China in 1644, and indigenous Chinese cultural traditions. Noted historian Richard J. Smith argues that the pragmatic Qing emperors presented a “Chinese” face to their subjects who lived south of the Great Wall and other ethnic faces (particularly Manchu, Mongolian, Central Asian, and Tibetan) to subjects in other parts of their vast multicultural empire. They were attracted by many aspects of Chinese culture, but far from being completely “sinicized” as many scholars argue, they were also proud of their own cultural traditions and interested in other cultures as well. Setting Qing dynasty culture in historical and global perspective, Smith shows how the Chinese of the era viewed the world; how their outlook was expressed in their institutions, material culture, and customs; and how China’s preoccupation with order, unity, and harmony contributed to the civilization’s remarkable cohesiveness and continuity. Nuanced and wide-ranging, his authoritative book provides an essential introduction to late imperial Chinese culture and society.
