Author: Katelyn Barney
Publisher: Cambridge Scholars Publishing
ISBN: 1443810495
Category : Music
Languages : en
Pages : 486
Book Description
The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.
Musical Islands
Author: Katelyn Barney
Publisher: Cambridge Scholars Publishing
ISBN: 1443810495
Category : Music
Languages : en
Pages : 486
Book Description
The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.
Publisher: Cambridge Scholars Publishing
ISBN: 1443810495
Category : Music
Languages : en
Pages : 486
Book Description
The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.
Collecting Music in the Aran Islands
Author: Deirdre Ní Chonghaile
Publisher: University of Wisconsin Pres
ISBN: 0299332403
Category : History
Languages : en
Pages : 348
Book Description
Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a framework to fully contextualize and understand this process of music curation.
Publisher: University of Wisconsin Pres
ISBN: 0299332403
Category : History
Languages : en
Pages : 348
Book Description
Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a framework to fully contextualize and understand this process of music curation.
Island Songs
Author: Godfrey Baldacchino
Publisher: Scarecrow Press
ISBN: 0810881772
Category : Music
Languages : en
Pages : 340
Book Description
"Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration, and social change uncovering common patterns despite the diversity and local character of their subjects"--Page 4 of cover.
Publisher: Scarecrow Press
ISBN: 0810881772
Category : Music
Languages : en
Pages : 340
Book Description
"Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration, and social change uncovering common patterns despite the diversity and local character of their subjects"--Page 4 of cover.
The Islands of Divine Music
Author: John Addiego
Publisher: Unbridled Books
ISBN: 1936071258
Category : Fiction
Languages : en
Pages : 254
Book Description
The Islands of Divine Music is a novel of five generations of an Italian-American family finding its place in the New World. Against a backdrop of Immigration, Prohibition, the Cuban Missile Crisis, the Vietnam War, and the new millennium, five generations of the Verbicaro family make their way from Southern Italy to San Francisco as each character brushes up against some aspect of the divine. The family matriarch is Rosari, a little girl whose family flees Italy because her prodigality is exploited by illiterate kidnappers. After her beautiful, psychotic mother’s suicide, the girl and her despondent father come to San Francisco, where she meets the man she’ll marry, a handsome, fiercely strong peasant named Giuseppe Verbicaro. The twelve linked stories of The Islands of Divine Music are portraits of family members whose lives are interwoven in one narrative that spans 100 years. Rosari and Giuseppe’s oldest son, Narciso, a handsome and dim-witted dandy, barely evades death and the stain of organized crime by his simple-minded innocence and luck, while his passionate brother Ludovico, a talented third baseman in the old San Francisco minor leagues, falls prey to the illicit dreams of a wise guy from the Gambino family. His scheme to smuggle Cuban cigars to the San Francisco Bay nearly ends in drowning but leads to a kind of salvation. Their youngest brother, Joe, a brilliant child and shrewd businessman, is ashamed of his ethnicity and, in particular, his father. This is due in part to the fact that Giuseppe, wandering North Beach, believes that God directs him to marry a teen-aged, pregnant Mexican prostitute named Maria. Further senility, faith, or vermouth convinces the old man that Maria’s child, Jesus, is the product of an immaculate conception. The event is both a family disgrace and a bizarre blessing. The child’s life and tragic death come to have a profound effect on Giuseppe’s progeny, particularly Joe’s children: Penelope, who flees the country following involvement in deadly anti-Vietnam War activities, and her brothers Paulie and Angelo, who are inspired by the young Jesus to embark upon a quest of several thousand miles to recover the family’s lost and most prized spiritual treasures.
Publisher: Unbridled Books
ISBN: 1936071258
Category : Fiction
Languages : en
Pages : 254
Book Description
The Islands of Divine Music is a novel of five generations of an Italian-American family finding its place in the New World. Against a backdrop of Immigration, Prohibition, the Cuban Missile Crisis, the Vietnam War, and the new millennium, five generations of the Verbicaro family make their way from Southern Italy to San Francisco as each character brushes up against some aspect of the divine. The family matriarch is Rosari, a little girl whose family flees Italy because her prodigality is exploited by illiterate kidnappers. After her beautiful, psychotic mother’s suicide, the girl and her despondent father come to San Francisco, where she meets the man she’ll marry, a handsome, fiercely strong peasant named Giuseppe Verbicaro. The twelve linked stories of The Islands of Divine Music are portraits of family members whose lives are interwoven in one narrative that spans 100 years. Rosari and Giuseppe’s oldest son, Narciso, a handsome and dim-witted dandy, barely evades death and the stain of organized crime by his simple-minded innocence and luck, while his passionate brother Ludovico, a talented third baseman in the old San Francisco minor leagues, falls prey to the illicit dreams of a wise guy from the Gambino family. His scheme to smuggle Cuban cigars to the San Francisco Bay nearly ends in drowning but leads to a kind of salvation. Their youngest brother, Joe, a brilliant child and shrewd businessman, is ashamed of his ethnicity and, in particular, his father. This is due in part to the fact that Giuseppe, wandering North Beach, believes that God directs him to marry a teen-aged, pregnant Mexican prostitute named Maria. Further senility, faith, or vermouth convinces the old man that Maria’s child, Jesus, is the product of an immaculate conception. The event is both a family disgrace and a bizarre blessing. The child’s life and tragic death come to have a profound effect on Giuseppe’s progeny, particularly Joe’s children: Penelope, who flees the country following involvement in deadly anti-Vietnam War activities, and her brothers Paulie and Angelo, who are inspired by the young Jesus to embark upon a quest of several thousand miles to recover the family’s lost and most prized spiritual treasures.
A-Life for Music
Author: Eduardo Reck Miranda
Publisher: A-R Editions, Inc.
ISBN: 9780895796738
Category : Music
Languages : en
Pages : 334
Book Description
Artificial Life, or A-Life, aims at the study of all phenomena characteristic of natural living systems, through computational modeling, wetware-hardware hybrids, and other artificial media. Its scope ranges from the investigation of the emergence of cognitive processes in natural or artificial systems to the development of life or life-like properties from inorganic components. A number of musicians, in particular composers and musicologists, have started to turn to A-Life for inspiration and working methodology. This edited volume features thirteen chapters written by researchers and practitioners in this exciting emerging field of computer music, and includes a CD with various examples music related to A-Life.
Publisher: A-R Editions, Inc.
ISBN: 9780895796738
Category : Music
Languages : en
Pages : 334
Book Description
Artificial Life, or A-Life, aims at the study of all phenomena characteristic of natural living systems, through computational modeling, wetware-hardware hybrids, and other artificial media. Its scope ranges from the investigation of the emergence of cognitive processes in natural or artificial systems to the development of life or life-like properties from inorganic components. A number of musicians, in particular composers and musicologists, have started to turn to A-Life for inspiration and working methodology. This edited volume features thirteen chapters written by researchers and practitioners in this exciting emerging field of computer music, and includes a CD with various examples music related to A-Life.
The Floor Is Lava
Author: Ivan Brett
Publisher: Simon and Schuster
ISBN: 198211620X
Category : Games & Activities
Languages : en
Pages : 272
Book Description
With 100 games to start a party, ideas to trigger conversation, storytelling setups, and fiendish puzzles—no materials required—The Floor Is Lava is a how-to for turning screen-free time into quality time. Put down the phone and pick up the fun! Analog play is known to stimulate imaginative thinking, problem solving, and interpersonal connection. However, games only seem to exist on screen now and quality time spent together—in person—is rarer than ever. The Floor Is Lava is perfect for anyone looking to disconnect from technology and spend some time with family or friends. Packed with one hundred screen-free games, it’s the necessary antidote to digital overload and the answer to every occasion: - hosting a party - long car rides - cooling off on summer days - sitting around the dinner table - holiday gatherings - rainy days The best part is, you don’t need anything to play. So what are you waiting for? Jump up and get started—the floor is lava!
Publisher: Simon and Schuster
ISBN: 198211620X
Category : Games & Activities
Languages : en
Pages : 272
Book Description
With 100 games to start a party, ideas to trigger conversation, storytelling setups, and fiendish puzzles—no materials required—The Floor Is Lava is a how-to for turning screen-free time into quality time. Put down the phone and pick up the fun! Analog play is known to stimulate imaginative thinking, problem solving, and interpersonal connection. However, games only seem to exist on screen now and quality time spent together—in person—is rarer than ever. The Floor Is Lava is perfect for anyone looking to disconnect from technology and spend some time with family or friends. Packed with one hundred screen-free games, it’s the necessary antidote to digital overload and the answer to every occasion: - hosting a party - long car rides - cooling off on summer days - sitting around the dinner table - holiday gatherings - rainy days The best part is, you don’t need anything to play. So what are you waiting for? Jump up and get started—the floor is lava!
Musical Vitalities
Author: Holly Watkins
Publisher: University of Chicago Press
ISBN: 022659484X
Category : Music
Languages : en
Pages : 207
Book Description
Does it make sense to refer to bird song—a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate—as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as “the art of possibly animate things,” Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature—approaches that appear increasingly untenable in an era defined by human-generated climate change—Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music’s structural resemblances to the songs of nonhuman species, the intricacies of music’s physiological impact on listeners, and the many analogues between music’s formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share.
Publisher: University of Chicago Press
ISBN: 022659484X
Category : Music
Languages : en
Pages : 207
Book Description
Does it make sense to refer to bird song—a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate—as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as “the art of possibly animate things,” Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature—approaches that appear increasingly untenable in an era defined by human-generated climate change—Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music’s structural resemblances to the songs of nonhuman species, the intricacies of music’s physiological impact on listeners, and the many analogues between music’s formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share.
Curating Contemporary Music Festivals
Author: Brandon Farnsworth
Publisher: transcript Verlag
ISBN: 3839452430
Category : Business & Economics
Languages : en
Pages : 327
Book Description
Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
Publisher: transcript Verlag
ISBN: 3839452430
Category : Business & Economics
Languages : en
Pages : 327
Book Description
Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
Handbook of Musical Identities
Author: Raymond MacDonald
Publisher: Oxford University Press
ISBN: 0191092347
Category : Psychology
Languages : en
Pages : 1013
Book Description
Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of people's identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, be it from rock music, classical music, or jazz. Musical identities (MacDonald, Hargreaves and Miell, 2002) was unique in being in being one of the first books to explore this fascinating topic. This new book documents the remarkable expansion and growth in the study of musical identities since the publication of the earlier work. The editors identify three main features of current psychological approaches to musical identities, which concern their definition, development, and the identification of individual differences, as well as four main real-life contexts in which musical identities have been investigated, namely in music and musical institutions; specific geographical communities; education; and in health and well-being. This conceptual framework provides the rationale for the structure of the Handbook. The book is divided into seven main sections. The first, 'Sociological, discursive and narrative approaches', includes several general theoretical accounts of musical identities from this perspective, as well as some more specific investigations. The second and third main sections deal in depth with two of the three psychological topics described above, namely the development of and individual differences in musical identities. The fourth, fifth and sixth main sections pursue three of the real-life contexts identified above, namely 'Musical institutions and practitioners', 'Education', and 'Health and well-being'. The seventh and final main section of the Handbook - 'Case studies' - includes chapters which look at particular musical identities in specific times, places, or contexts. The multidisciplinary range and breadth of the Handbook's contents reflect the rapid changes that are taking place in music, in digital technology, and in their role in society as a whole, such that the study of musical identity is likely to proliferate even further in the future.
Publisher: Oxford University Press
ISBN: 0191092347
Category : Psychology
Languages : en
Pages : 1013
Book Description
Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of people's identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, be it from rock music, classical music, or jazz. Musical identities (MacDonald, Hargreaves and Miell, 2002) was unique in being in being one of the first books to explore this fascinating topic. This new book documents the remarkable expansion and growth in the study of musical identities since the publication of the earlier work. The editors identify three main features of current psychological approaches to musical identities, which concern their definition, development, and the identification of individual differences, as well as four main real-life contexts in which musical identities have been investigated, namely in music and musical institutions; specific geographical communities; education; and in health and well-being. This conceptual framework provides the rationale for the structure of the Handbook. The book is divided into seven main sections. The first, 'Sociological, discursive and narrative approaches', includes several general theoretical accounts of musical identities from this perspective, as well as some more specific investigations. The second and third main sections deal in depth with two of the three psychological topics described above, namely the development of and individual differences in musical identities. The fourth, fifth and sixth main sections pursue three of the real-life contexts identified above, namely 'Musical institutions and practitioners', 'Education', and 'Health and well-being'. The seventh and final main section of the Handbook - 'Case studies' - includes chapters which look at particular musical identities in specific times, places, or contexts. The multidisciplinary range and breadth of the Handbook's contents reflect the rapid changes that are taking place in music, in digital technology, and in their role in society as a whole, such that the study of musical identity is likely to proliferate even further in the future.
The Act of Musical Composition
Author: Dave Collins
Publisher: Routledge
ISBN: 1317045572
Category : Music
Languages : en
Pages : 340
Book Description
The study of musical composition has been marked by a didactic, technique-based approach, focusing on the understanding of musical language and grammar -harmony, counterpoint, orchestration and arrangement - or on generic and stylistic categories. In the field of the psychology of music, the study of musical composition, even in the twenty-first century, remains a poor cousin to the literature which relates to musical perception, music performance, musical preferences, musical memory and so on. Our understanding of the compositional process has, in the main, been informed by anecdotal after-the-event accounts or post hoc analyses of composition. The Act of Musical Composition: Studies in the Creative Process presents the first coherent exploration around this unique aspect of human creative activity. The central threads, or key themes - compositional process, creative thinking and problem-solving - are integrated by the combination of theoretical understandings of creativity with innovative empirical work.
Publisher: Routledge
ISBN: 1317045572
Category : Music
Languages : en
Pages : 340
Book Description
The study of musical composition has been marked by a didactic, technique-based approach, focusing on the understanding of musical language and grammar -harmony, counterpoint, orchestration and arrangement - or on generic and stylistic categories. In the field of the psychology of music, the study of musical composition, even in the twenty-first century, remains a poor cousin to the literature which relates to musical perception, music performance, musical preferences, musical memory and so on. Our understanding of the compositional process has, in the main, been informed by anecdotal after-the-event accounts or post hoc analyses of composition. The Act of Musical Composition: Studies in the Creative Process presents the first coherent exploration around this unique aspect of human creative activity. The central threads, or key themes - compositional process, creative thinking and problem-solving - are integrated by the combination of theoretical understandings of creativity with innovative empirical work.