Author: Claude V. Palisca
Publisher: Yale University Press
ISBN: 0300058187
Category : Music
Languages : en
Pages : 160
Book Description
A complete English translation of these early music theory texts, both written in the late-9th century and which have influenced subsequent medieval authors. The two treatises are most famous for providing the earliest descriptions of organum, the oldest form of Western polyphony.
Musica Enchiriadis
Author: Claude V. Palisca
Publisher: Yale University Press
ISBN: 0300058187
Category : Music
Languages : en
Pages : 160
Book Description
A complete English translation of these early music theory texts, both written in the late-9th century and which have influenced subsequent medieval authors. The two treatises are most famous for providing the earliest descriptions of organum, the oldest form of Western polyphony.
Publisher: Yale University Press
ISBN: 0300058187
Category : Music
Languages : en
Pages : 160
Book Description
A complete English translation of these early music theory texts, both written in the late-9th century and which have influenced subsequent medieval authors. The two treatises are most famous for providing the earliest descriptions of organum, the oldest form of Western polyphony.
Source Readings in Music History
Author: William Oliver Strunk
Publisher: W. W. Norton & Company
ISBN: 9780393037524
Category : Music
Languages : en
Pages : 1584
Book Description
The definitive collection of great writings on music from ancient Greece through the twentieth century.
Publisher: W. W. Norton & Company
ISBN: 9780393037524
Category : Music
Languages : en
Pages : 1584
Book Description
The definitive collection of great writings on music from ancient Greece through the twentieth century.
A Performer's Guide to Medieval Music
Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618
Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618
Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Music in the Mirror
Author: Andreas Giger
Publisher: U of Nebraska Press
ISBN: 9780803232198
Category : Music
Languages : en
Pages : 354
Book Description
In Music in the Mirror, thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another?whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays, in their reconsideration of the relationships among music, theory, and literature, offer new approaches and articulate compelling visions for future research.
Publisher: U of Nebraska Press
ISBN: 9780803232198
Category : Music
Languages : en
Pages : 354
Book Description
In Music in the Mirror, thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another?whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays, in their reconsideration of the relationships among music, theory, and literature, offer new approaches and articulate compelling visions for future research.
The Notation of Medieval Music
Author: Carl Parrish
Publisher: Pendragon Press
ISBN: 9780918728081
Category : Music
Languages : en
Pages : 318
Book Description
Publisher: Pendragon Press
ISBN: 9780918728081
Category : Music
Languages : en
Pages : 318
Book Description
Musica Naturalis
Author: Philipp Jeserich
Publisher: JHU Press
ISBN: 1421411245
Category : Literary Criticism
Languages : en
Pages : 564
Book Description
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.
Publisher: JHU Press
ISBN: 1421411245
Category : Literary Criticism
Languages : en
Pages : 564
Book Description
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.
The Cambridge History of Medieval Music
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
The Critical Nexus
Author: Charles M. Atkinson
Publisher: Oxford University Press
ISBN: 0195148886
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
Publisher: Oxford University Press
ISBN: 0195148886
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
The Musica Enchiriadis and Scholia Enchiriadis
Author: Richard L. Holladay
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 558
Book Description
The Renaissance Reform of Medieval Music Theory
Author: Stefano Mengozzi
Publisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305
Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Publisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305
Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.