Music Publishing in the British Isles PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Music Publishing in the British Isles PDF full book. Access full book title Music Publishing in the British Isles by Charles Humphries. Download full books in PDF and EPUB format.
Author: Charles Humphries
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 434
Get Book Here
Book Description
Author: Charles Humphries
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 434
Get Book Here
Book Description
Author: Charles HUMPHRIES (and SMITH (William Charles))
Publisher:
ISBN: 9780631123309
Category : Music publishers
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Charles Humphries
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Ch./W. C. Smith Humphries
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Charles Humphries
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Hans Lenneberg
Publisher: Pendragon Press
ISBN: 9781576470787
Category : Juvenile Nonfiction
Languages : en
Pages : 198
Get Book Here
Book Description
Here published for the first time, is the final book written by the late Hans Lenneberg, respected scholar and longtime head of the music library at the University of Chicago. In it, the author pursues the impact of printing technologies, methods of distribution, government regulations, and evolving business practices as they affect music and musical life. Written with insight and humor, this book surveys a changing industry, century by century, pulling together information from many specialized studies and pointing out previously unnoticed trends and remaining puzzles.
Author: Susan Wollenberg
Publisher: Routledge
ISBN: 1351541579
Category : Music
Languages : en
Pages : 297
Get Book Here
Book Description
Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century.
Author: Fitzwilliam Museum
Publisher: Cambridge University Press
ISBN: 9780521415354
Category : Music
Languages : en
Pages : 216
Get Book Here
Book Description
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1527545059
Category : Music
Languages : en
Pages : 259
Get Book Here
Book Description
This study examines Thomas Arne’s solo cantatas and Italian odes from musical, literary and social perspectives. Arne composed these works between 1740 and 1774. As such, they provide a means of evaluating the evolving aspects of his musical style throughout his compositional career. The Italian odes have been little-studied, but provide an important gloss on Charles Burney’s comments on Arne’s inability to set the Italian language. Study of the cantata texts that Arne set reveals that they are often pastiches which make use of the words of William Congreve, Alexander Pope, Christopher Smart and others. The resulting process of adaptation and recombination re-contextualizes the borrowed material, resulting in differing emphases and changed meanings. Arne was restricted in his career opportunities because of his Catholic faith. The cantata genre provided Arne with an important creative outlet in the hedonistic atmosphere of the concerts of London’s pleasure gardens.
