Music Notebook - Art Audio Aural Bass Chromatic - YELLOW PDF Download
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Author: Candle Inside The Book
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
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Book Description
Music Writing Notebook (Blank paper music notebook Blank manuscript paper for staff 12 staves per page Standard manuscript Paper notebook for staff) Perfect for all musicians, composers and songwriters who play musical and acoustic instruments! * 12 staves per page * 150 pages * Durable matte cover * High quality (blank) pages * Large (8.5 x 11 inches) blank music sheet This music notebook is perfect for all musicians, composers and songwriters who play instruments and vocals! The music notebook can be used as a blank music book for a private music lesson or for teaching music in the classroom. Each page contains 10 sticks. Perfect for music appreciation or music theory lessons. It can also be used as a training guide for daily music practices at home. The perfect size for beginner, intermediate and advanced musicians. Also, a great gift for the musician in your life. * Adults, teachers, grandparents, family and friends * Middle School High School * Home schooling, community college, university, graduate school
Author: Candle Inside The Book
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Get Book Here
Book Description
Music Writing Notebook (Blank paper music notebook Blank manuscript paper for staff 12 staves per page Standard manuscript Paper notebook for staff) Perfect for all musicians, composers and songwriters who play musical and acoustic instruments! * 12 staves per page * 150 pages * Durable matte cover * High quality (blank) pages * Large (8.5 x 11 inches) blank music sheet This music notebook is perfect for all musicians, composers and songwriters who play instruments and vocals! The music notebook can be used as a blank music book for a private music lesson or for teaching music in the classroom. Each page contains 10 sticks. Perfect for music appreciation or music theory lessons. It can also be used as a training guide for daily music practices at home. The perfect size for beginner, intermediate and advanced musicians. Also, a great gift for the musician in your life. * Adults, teachers, grandparents, family and friends * Middle School High School * Home schooling, community college, university, graduate school
Author: Eric Enno Tamm
Publisher: Da Capo Press
ISBN: 9780306806490
Category : Social Science
Languages : en
Pages : 246
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Book Description
Musician, composer, producer: Brian Eno is unique in contemporary music. Best known in recent years for producing U2's sensational albums, Eno began his career as a synthesizer player for Roxy Music. He has since released many solo albums, both rock and ambient, written music for film and television soundtracks, and collaborated with David Bowie, David Byrne, Robert Fripp, and classical and experimental composers. His pioneering ambient sound has been enormously influential, and without him today's rock would have a decidedly different sound. Drawing on Eno's own words to examine his influences and ideas, this book—featuring a new afterword and an updated discography and bibliography—will long remain provocative and definitive.
Author: David Miles Huber
Publisher: CRC Press
ISBN: 1136117989
Category : Music
Languages : en
Pages : 673
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Book Description
As the most popular and authoritative guide to recording Modern Recording Techniques provides everything you need to master the tools and day to day practice of music recording and production. From room acoustics and running a session to mic placement and designing a studio Modern Recording Techniques will give you a really good grounding in the theory and industry practice. Expanded to include the latest digital audio technology the 7th edition now includes sections on podcasting, new surround sound formats and HD and audio. If you are just starting out or looking for a step up in industry, Modern Recording Techniques provides an in depth excellent read- the must have book
Author: Jonathan Harnum
Publisher: Questions Ink. Publishing
ISBN: 9780970751287
Category : Music
Languages : en
Pages : 0
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Book Description
Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description.
Author: W. A. Mathieu
Publisher: Simon and Schuster
ISBN: 1620554011
Category : Music
Languages : en
Pages : 724
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Book Description
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Author: Tapio Lokki
Publisher: MDPI
ISBN: 3038429074
Category : Science
Languages : en
Pages : 621
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Book Description
This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences
Author: Douglas Kahn
Publisher: MIT Press
ISBN: 0262611724
Category : Design
Languages : en
Pages : 467
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Book Description
An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
Author: Kodwo Eshun
Publisher: Changing Media, Changing Europ
ISBN:
Category : Architecture
Languages : en
Pages : 248
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Book Description
This eagerly awaited book is the first to assess the oeuvre of the Black Audio Film Collective (BAFC), one of Britain's most influential artistic groups. It reconsiders the entire corpus of the seven-person London-based group from inception in 1982 to its disbandment in 1998.
Author: Andrey Smirnov
Publisher: Walther Konig Verlag
ISBN: 9783865607065
Category : Avant-garde (Music)
Languages : en
Pages : 0
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Book Description
Edited by David Rogerson, Matt Price. Foreword by Jeremy Deller. Text by Andrei Smirnov.
Author: MILES OKAZAKI
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 166
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Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique andthe exhaustive tables of melodic and rhythmic possibilities.It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing twosimultaneous tempos. The book concludes with a study of polyrhythm, playingone rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to beinclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else?s. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma,method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
