Music as a Science of Mankind in Eighteenth-century Britain PDF Download
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Author: Maria Semi
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409428699
Category : Music
Languages : en
Pages : 197
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Book Description
Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. A particularly rich field of investigation, developed between the seventeenth and eighteenth centuries, was the British philosophy of the mind and of human understanding which looked at music and found in its realm a way of understanding human experience. Maria Semi sheds light on how these reflections moved towards a Science of Music: the discipline that was later to be known as 'musicology'.
Author: Maria Semi
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409428699
Category : Music
Languages : en
Pages : 197
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Book Description
Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. A particularly rich field of investigation, developed between the seventeenth and eighteenth centuries, was the British philosophy of the mind and of human understanding which looked at music and found in its realm a way of understanding human experience. Maria Semi sheds light on how these reflections moved towards a Science of Music: the discipline that was later to be known as 'musicology'.
Author: Stephen E. Hefling
Publisher: MacMillan Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 264
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Book Description
Notes inegales is the historical name of the French practice, prevalent from 1690 to 1780, of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. "Overdotting" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables, including tempo, articulation, and national musical styles.
Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
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Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Author: Susan McClary
Publisher: Univ of California Press
ISBN: 0520952065
Category : Music
Languages : en
Pages : 239
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Book Description
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
Author: Anthony DelDonna
Publisher: Cambridge University Press
ISBN: 1108477615
Category : Music
Languages : en
Pages : 339
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Book Description
This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
Author: Alden Cavanaugh
Publisher: University of Delaware Press
ISBN: 0874139708
Category : Art
Languages : en
Pages : 153
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Book Description
This interdisciplinary anthology explores the representation of everyday life across several disciplines in a century known for its interest in individual experience of the mundane as well as the heroic. Comprised of essays by established and emerging scholars of literature, art, and music history, the volume explores not merely the range of performances under the banner of the everyday, but also the meanings inherent in these attempts to create art out of the experience of the real. In this collection, the authors attempt to provide a wide-ranging picture of the many ways in which the notion of the everyday is a valuable conceptual frame through which the eighteenth century may be apprehended, as this critical term allows for issues of gender, race, and class to come into focus. Alden Cavanaugh is Associate Professor of Art History at Indiana State University.
Author: George Houle
Publisher: Indiana University Press
ISBN: 9780253213914
Category : Music
Languages : en
Pages : 192
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Book Description
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music " . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators Journal The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Author: Thomas Christensen
Publisher: Routledge
ISBN: 135153940X
Category : History
Languages : en
Pages : 647
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Book Description
This collection brings together an anthology of articles by Thomas Christensen, one of the leading historians of music theory active today. Published over the span of the past 25 years, the selected articles provide a historical conspectus about a range of vital topics in the history of music theory, focusing in particular upon writings from the seventeenth and eighteenth centuries. Christensen examines a variety of theorists and their arguments within the intellectual and musical contexts of their time, in the process highlighting the diverse and idiosyncratic nature of the discipline of music theory itself. In the first section of the book Christensen offers general reflections on the meaning and interpretation of historical music theories, with especial attention paid to their value for music theorists today. The second section of the book contains a number of articles that consider the catalytic role of the thorough bass in the development of harmonic theory during the seventeenth and eighteenth centuries. In the final two sections of the anthology, focus turns to the writings of several individual music theorists, including Marin Mersenne, Seth Calvisius, Johann Mattheson, Johann Nicolaus Bach, Denis Diderot and Johann Nichelmann. The volume includes essays from hard-to-find publications as well as newly-translated material and the articles are prefaced by a new, wide-ranging autobiographical essay by the author that offers a broad re-assessment of his historical project. This book is essential reading for music theorists and seventeenth- and eighteenth-century musicologists.
Author: Alessandro Parisotti
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 172
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Book Description
Author: Amanda Eubanks Winkler
Publisher: Indiana University Press
ISBN: 0253027942
Category : Music
Languages : en
Pages : 248
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Book Description
A multidisciplinary study of the uses of music and the portrayal of characters with mental disorder in seventeenth-century English opera and theater. In the seventeenth century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects—those who presented either a direct or metaphorical threat to the health of the English kingdom in seventeenth -century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies. “In a world centered on notions of order and harmony, witchcraft, melancholia, and madness inhabit the margins of society. However, in this impressive and wide-ranging study, Amanda Eubanks Winkler skillfully relocates this trinity of disorder close to the center of our understanding of seventeenth-century English theater. Musically insightful, historically illuminating, and interpretatively rich, O Let Us Howle Some Heavy Note will amply reward scholars of music and theater alike.” —Steven Plank, Oberlin College “Winkler has crafted an extraordinarily useful and well-informed study that fills significant gaps in the existing musicological and theatrical scholarship on this period. With its interpretive subtlety, its approachable style, and its detailed exploration of a wide range of examples—from little-known stage works to such staples of the genre as Hamlet, The Duchess of Malfi, and Dido and Aeneas—this engaging book will be of interest to any scholar or non-specialist seeking to understand the seventeenth-century’s fascination with, and ambivalence toward, portrayals of witchcraft and madness on the theatrical stage.” —Dr. Andrew Walkling, Department of History, SUNY Binghamton “Seventeenth-century England provides an outstanding backdrop for this study, which focuses on theatrical characters generally associated with mental disorder. . . . Opera scholars should find this work helpful, and specialists in gender studies will gain much from Winkler’s discussion of stereotypes, role reversals, pathological diagnoses, and so on. . . . Recommended.” —Choice
