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Author: Ronald L. Byrnside
Publisher: University of Georgia Press
ISBN: 9780820318530
Category : Music
Languages : en
Pages : 168
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Book Description
Rich in quality and diversity, the history of music in Georgia is a long one by American standards, spanning the better part of three centuries. This volume explores the musical landscape of Georgia's colonial period, from traditional ballads and operatic productions to John Wesley's first hymn book and New England fuging tunes that took root in south Georgia in the latter half of the century. Attention is also given to the musical and cultural contributions of the German-speaking Salzburgers who came to Georgia beginning in 1735, and to the manifold influences of African Americans in the late eighteenth century. By piecing together information drawn from court records, personal diaries and journals, newspaper notices, estate inventories, wills, and other historical documents, Ron Byrnside constructs a fascinating history of both the secular and sacred music of the colonial period with much of the material new to scholarship.
Author: Ronald L. Byrnside
Publisher: University of Georgia Press
ISBN: 9780820318530
Category : Music
Languages : en
Pages : 168
Get Book Here
Book Description
Rich in quality and diversity, the history of music in Georgia is a long one by American standards, spanning the better part of three centuries. This volume explores the musical landscape of Georgia's colonial period, from traditional ballads and operatic productions to John Wesley's first hymn book and New England fuging tunes that took root in south Georgia in the latter half of the century. Attention is also given to the musical and cultural contributions of the German-speaking Salzburgers who came to Georgia beginning in 1735, and to the manifold influences of African Americans in the late eighteenth century. By piecing together information drawn from court records, personal diaries and journals, newspaper notices, estate inventories, wills, and other historical documents, Ron Byrnside constructs a fascinating history of both the secular and sacred music of the colonial period with much of the material new to scholarship.
Author: Jack Wolf Broucek
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 534
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Book Description
Author: Anthony DelDonna
Publisher: Cambridge University Press
ISBN: 1108477615
Category : Music
Languages : en
Pages : 339
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Book Description
This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
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Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Author: Charles Morgan Little
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 166
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Book Description
Author: Joel Lester
Publisher: Harvard University Press
ISBN: 9780674155237
Category : Language Arts & Disciplines
Languages : en
Pages : 370
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Book Description
This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers.
Author: Georgia Historical Society
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 190
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Book Description
Author: Raoul F. Camus
Publisher: Chapel Hill : University of North Carolina Press
ISBN:
Category : History
Languages : en
Pages : 240
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Book Description
This book correlates early American history during the Revolutionary War with the musical tradition of America. The growth and topics of American colonial and Revolutionary era music, especially in the military, are used as insight to military trends and American culture.
Author: Ian J. Maddock
Publisher: Wipf and Stock Publishers
ISBN: 1498290671
Category : Religion
Languages : en
Pages : 275
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Book Description
John Wesley and George Whitefield were in many ways larger-than-life figures during their own lifetimes and continue to be so today. Yet our ability to appreciate their abiding influence on contemporary Evangelical theology and practice is lacking if we consider them in isolation from one another. Our understanding of Wesley and the legacy of his public ministry is impoverished apart from considering Whitefield (and vice versa). This collection of essays explores the complex dynamics at work in the Wesley-Whitefield relationship, spanning a variety of theological, historical, and pastoral facets of their full-orbed public ministries. They serve as an invitation to grow in our awareness of their undoubted affinities and significant differences, all the while resisting the potential allure of either uncritically ecumenical “Wesley and” or uncharitably partisan “Whitefield versus” narratives.
Author: Billy Coleman
Publisher: UNC Press Books
ISBN: 1469658887
Category : Political Science
Languages : en
Pages : 269
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Book Description
Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its diverse population. In this pathbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War. Based on deep archival research in sources such as music periodicals, songbooks, and manuals for musical instruction, Coleman argues that a particular ideal of musical power provided conservative elites with an attractive road map for producing the harmonious union they desired. He reassesses the logic behind the decision to compose popular patriotic anthems like "The Star-Spangled Banner," reconsiders the purpose of early American campaign songs, and brings to life a host of often forgotten but fascinating musical organizations and individuals. The result is not only a striking interpretation of music in American political life but also a fresh understanding of conflicts that continue to animate American democracy.
