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Author: Keith Getty
Publisher: B&H Publishing Group
ISBN: 146274267X
Category : Religion
Languages : en
Pages : 107
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Book Description
Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.
Author: Keith Getty
Publisher: B&H Publishing Group
ISBN: 146274267X
Category : Religion
Languages : en
Pages : 107
Get Book Here
Book Description
Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.
Author: Wilma A. Bailey
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 244
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Book Description
"A collection of essays from experts (in music, philosophy, theology, and history) who write from the perspective that music for liturgical worship must be approached in an interdisciplinary manner, with attention to faithful theology, musical quality, accessibility to worshipers, and pastoral sensitivity"--Provided by publisher.
Author: Bryan J. Sirchio
Publisher:
ISBN: 9781477249574
Category : Music
Languages : en
Pages : 198
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Book Description
Speaking to pastors and musicians in traditional or "mainline" Protestant (and some Catholic) churches that use contemporary music in their worship services, Sirchio explains to church musicians why many mainline and/or progressive pastors and church members often struggle with the language and theology of "praise and worship" music.
Author: Thomas Craig Alexander
Publisher:
ISBN: 9780892255726
Category : Religion
Languages : en
Pages : 130
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Book Description
Does the Bible justify instrumental music for Christian worship?In 2006, advocates for the use of instrumental music in worship presented a three-part series titled "The Both/And Church," suggesting that people should read old texts in fresh, new ways. These advocates proposed that their understanding of biblical texts justifies instruments in church worship. Since that time, some churches have followed their lead.Ironically, this misreading of the relevant biblical texts is not new. The arguments made by these proponents are the arguments that have been made since the late 1800s among advocates of instrumental music in worship.Thomas Alexander answers these "new" arguments in a caring, biblical way in Music in Worship. He carefully evaluates each of the reasons given by "both/and church" proponents and shows that the facts about what God wants in worship have not changed - human attitudes have.
Author: Robert E. Webber
Publisher:
ISBN: 9781565631892
Category : Christian dance
Languages : en
Pages : 0
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Book Description
"The opening section of "Music and the Arts in Christian Worship" offers an overview of the current worship practices of most of the major denominations in this country, each prepared by a person active in that particular church. Read individually, they furnish a wealth of fresh ideas; collectively, they give evidence that, while each denomination remains theologically focused on its tradition and centers its worship on the familiar, there is hardly one which is not actively re-examining its worship philosophy and experimenting with new forms, music, and visual art. Style is becoming more and more eclectic, and there is a healthy regard for the special contribution that every individual may make. Worship, once almost the property of the officiating clergyman rigorously hewing to a prescribed pattern, has rightly become the responsibility of every person." " Philip Beggrov Peters, Professor Emeritus, University of Michigan
Author: C. Richard Wells
Publisher: B&H Publishing Group
ISBN: 1433671786
Category : Religion
Languages : en
Pages : 258
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Book Description
Christian scholars write to inspire renewed interest in actively praying, reciting, and singing the Psalms in personal and corporate times of worship, citing its biblical basis and historical emphasis.
Author: Monique M. Ingalls
Publisher: Oxford University Press
ISBN: 0190499656
Category : Music
Languages : en
Pages : 273
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Book Description
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
Author: Monique M. Ingalls
Publisher: Penn State Press
ISBN: 0271070641
Category : Religion
Languages : en
Pages : 286
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Book Description
In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
Author: Daniel I. Block
Publisher: Baker Academic
ISBN: 1441245634
Category : Religion
Languages : en
Pages : 485
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Book Description
Christianity Today Book Award Winner One of Worship Leader Magazine's Editor's Picks Current discussions about worship are often driven by pragmatics and personal preferences rather than by the teaching of Scripture. True worship, however, is our response to God's gracious revelation; in order to be acceptable to God, worship must be experienced on God's terms. Respected Old Testament scholar Daniel Block examines worship in the Bible, offering a comprehensive biblical foundation and illuminating Old Testament worship practices and principles. He develops a theology of worship that is consistent with the teachings of Scripture and is applicable for the church today. He also introduces readers to a wide range of issues related to worship. The book, illustrated with diagrams, charts, and pictures, will benefit professors and students in worship and Bible courses, pastors, and church leaders.
Author: Harold Best
Publisher: Harper Collins
ISBN: 0062337394
Category : Religion
Languages : en
Pages : 244
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Book Description
"Christian musicians know of the obligation to make music as agents of God's grace. They make music graciously, whatever its kind or style, as ambassadors of Christ, showing love, humility, servanthood, meekness, victory, and good example . . . Music is freely made, by faith, as an act of worship, in direct response to the overflowing grace of God in Christ Jesus." Co-sponsored by the Christian College Coalition, this thought-provoking study of music-as-worship leads both students and experienced musicians to a better understanding of the connections between music making and Christian faith. "Christian music makers have to risk new ways of praising God. Their faith must convince them that however strange a new offering may be, it cannot out-reach, out-imagine, or overwhelm God. God remains God, ready to swoop down in the most wonderful way, amidst all of the flurry and mystery of newness and repetition, to touch souls and hearts, all because faith has been exercised and Christ's ways have been imitated. Meanwhile, a thousand tongues will never be enough." Best relates musical practice to a larger theology of creation and creativity, and explores new concepts of musical quality and excellence, musical unity, and the incorporation of music from other cultures into today's music.
