Music from the Tang Court: Volume 2 PDF Download
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Author: R. F. Wolpert
Publisher: CUP Archive
ISBN: 9780521318587
Category : Music
Languages : en
Pages : 116
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Book Description
This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song.
Author: R. F. Wolpert
Publisher: CUP Archive
ISBN: 9780521318587
Category : Music
Languages : en
Pages : 116
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Book Description
This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song.
Author: Laurence E. R. Picken
Publisher: Cambridge University Press
ISBN: 0521543363
Category : Music
Languages : en
Pages : 332
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Book Description
The seventh volume in this study of the music of the Tang Court.
Author: R. F. Wolpert
Publisher: CUP Archive
ISBN: 9780521347761
Category : Music
Languages : en
Pages : 148
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Book Description
The fifth volume in this study of the music of the Tang Court.
Author: Laurence Picken
Publisher: CUP Archive
ISBN: 9780521318341
Category : Music
Languages : en
Pages : 156
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Book Description
This fourth fascicle publishes fourteen items, from the second scroll of pieces belonging to the Ichikotsu-cho mode-key group.
Author: Laurence E. R. Picken
Publisher: Cambridge University Press
ISBN: 9780521621007
Category : Music
Languages : en
Pages : 328
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Book Description
This volume brings to an end the transcription and description of thirty-one items from the Court Entertainment Music of the Tang. Of particular interest are a tune for a birthplace-ode by the Taizong Emperor, music for spear throwing, and a piece imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions, Tang compositions with military associations, and relatedness between movements in suites from the Tang.
Author: Laurence Picken
Publisher: CUP Archive
ISBN: 9780521278386
Category : Music
Languages : en
Pages : 120
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Book Description
Fáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.
Author: Glen Dudbridge
Publisher: Oxford Oriental Monographs
ISBN: 0199670684
Category : Biography & Autobiography
Languages : en
Pages : 285
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Book Description
A portrait of daily life in tenth-century China during the turbulent period of transition following the disintegration of the Tang dynasty, using the anecdotal memoirs of the scholar Wang Renyu and providing extensive translations of these hitherto unreconstructed texts.
Author: Sanping Chen
Publisher: University of Pennsylvania Press
ISBN: 0812206282
Category : History
Languages : en
Pages : 292
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Book Description
In contrast to the economic and cultural dominance by the south and the east coast over the past several centuries, influence in China in the early Middle Ages was centered in the north and featured a significantly multicultural society. Many events that were profoundly formative for the future of East Asian civilization occurred during this period, although much of this multiculturalism has long been obscured due to the Confucian monopoly of written records. Multicultural China in the Early Middle Ages endeavors to expose a number of long-hidden non-Sinitic characteristics and manifestations of heritage, some lasting to this very day. Sanping Chen investigates several foundational aspects of Chinese culture during this period, including the legendary unicorn and the fabled heroine Mulan, to determine the origin and development of the lore. His meticulous research yields surprising results. For instance, he finds that the character Mulan is not of Chinese origin and that Central Asian influences are to be found in language, religion, governance, and other fundamental characteristics of Chinese culture. As Victor Mair writes in the Foreword, "While not everyone will acquiesce in the entirety of Dr. Chen's findings, no reputable scholar can afford to ignore them with impunity." These "foreign"-origin elements were largely the legacy of the Tuoba, whose descendants in fact dominated China's political and cultural stage for nearly a millennium. Long before the Mongols, the Tuoba set a precedent for "using the civilized to rule the civilized" by attracting a large number of sedentary Central Asians to East Asia. This not only added a strong pre-Islamic Iranian layer to the contemporary Sinitic culture but also commenced China's golden age under the cosmopolitan Tang dynasty, whose nominally "Chinese" ruling house is revealed by Chen to be the biological and cultural heir of the Tuoba.
Author: Casey Schoenberger
Publisher: Oxford University Press
ISBN: 0198886241
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
"Poetry puts intent into words; singing lengthens words"--this is one of the earliest Chinese comments on artistic expression. Poetic language extends the reach of a sentiment beyond the individual, and musicality extends the reach of poetic language, not only across a room, but across geography and generations. The "extended mind thesis" (EMT) views minds as extending beyond individual nervous systems to include material and social environments. Music, Mind, and Language in Chinese Poetry and Performance: The Voice Extended offers a comprehensive overview of the interwoven histories of traditional Chinese poetry and performing arts. It employs cognitive and quantitative methods such as EMT, and a database of over six thousand traditional melodies, to describe cyclical, continuous interactions between social minds and material artifacts. From the ancient Canon of Poetry to the song-lyrics (ci) of the late medieval period and the dramatic arias of Kun and Beijing operas, Casey Schoenberger introduces the rhythms, melodies, pronunciation, and grammatical stylistics of the major Chinese verse and performance traditions. In doing so, he gleans insights from cognitive neuroscience, digital humanities, musicology, and linguistics to explain not only the trajectory of Chinese arts, but also bigger phenomena, like vernacularisation and improvisation.
Author: Simon Mills
Publisher: Semar Publishers Srl
ISBN: 8877781041
Category : Music
Languages : en
Pages : 187
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Book Description
Book & DVD. Features: Two Different Beats to a Single Drum: An Analysis of Old & New Stiles of Hachijo-Daiko (Jane Alaszewska); Living Early Composition: An Appreciation of Chines Shawn Melody (Stephen Jones); An Analysis of the Uyghur on Ikki Muqam: Aspects of Melody & Form in the Segah Suite (Eleni Kallimopoulou & Federico Spinetti); Playful Patterns of Freedom: Hand Gong Performance in Korean Shaman Ritual (Simon Mills).
