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Author: Arthur Ware Locke
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
Author: Arthur Ware Locke
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
Get Book
Book Description
Author: Arthur W. Locke
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Book Description
Author: Arthur Ware B. 1883 Locke
Publisher:
ISBN: 9781372959059
Category : History
Languages : en
Pages : 200
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Book Description
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1108475434
Category : History
Languages : en
Pages : 403
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Book Description
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Author: Arthur Ware Locke
Publisher: London : K. Paul, Trench, Trubner ; New York : E.P. Dutton
ISBN:
Category : Music
Languages : en
Pages : 202
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Book Description
Author: Jean Mongrédien
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Music
Languages : en
Pages : 412
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Book Description
This is the first book to focus exclusively on French music history from the late eighteenth century to the early nineteenth century. Painting a full picture of the musical works and genres in vogue at the time - from revolutionary hymns and operas to sacred, symphonic, and instrumental music - the author aims to fill the gap in music history that separates the Age of Enlightenment from romanticism in France. He describes the history of the institutions that supported the growing feverish musical activity, including the musical theaters of Paris, the Conservatoire, the Tuileries Chapel, and various concert societies. Against the background of French criticism of contemporary German music, namely that of Mozart and Beethoven, he evokes the great esthetic debates of the time. His conclusion?
Author: David Tunley
Publisher: Routledge
ISBN: 1351550209
Category : Music
Languages : en
Pages : 245
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Book Description
Music! It is the great pleasure of this city, the great occupation of the drawing-rooms, which have banished politics, and which have renounced literature, from ennui. Jules Janin, An American in Paris, 1843 Afternoon and evening entertainments in the drawing rooms of the aristocracy and upper middle classes were a staple of cultural life in nineteenth-century Paris. Music was often a feature of these occasions and private salons provided important opportunities for musicians, especially singers, to develop their careers. Such recitals included excerpts from favourite operas, but also the more traditional forms of French song, the romance and its successor the m die. Drawing on extensive research into the musical press of the period, David Tunley paints a vivid portrait of the nineteenth-century Parisien salons and the performers who sang in them. Against this colourful backdrop, he discusses the development of French romantic song, with its hallmarks of simplicity and clarity of diction. Combined with Italian influences and the impression made by Schubert's songs, the French romance developed into a form with greater complexity - the m die. Salons, Singers and Songs describes this transformation and the seeds it sowed for music by later composers such as Faur Duparc and Debussy.
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441
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Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Author: John Tresch
Publisher: University of Chicago Press
ISBN: 0226812227
Category : History
Languages : en
Pages : 469
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Book Description
In the years immediately following Napoleon’s defeat, French thinkers in all fields set their minds to the problem of how to recover from the long upheavals that had been set into motion by the French Revolution. Many challenged the Enlightenment’s emphasis on mechanics and questioned the rising power of machines, seeking a return to the organic unity of an earlier age and triggering the artistic and philosophical movement of romanticism. Previous scholars have viewed romanticism and industrialization in opposition, but in this groundbreaking volume John Tresch reveals how thoroughly entwined science and the arts were in early nineteenth-century France and how they worked together to unite a fractured society. Focusing on a set of celebrated technologies, including steam engines, electromagnetic and geophysical instruments, early photography, and mass-scale printing, Tresch looks at how new conceptions of energy, instrumentality, and association fueled such diverse developments as fantastic literature, popular astronomy, grand opera, positivism, utopian socialism, and the Revolution of 1848. He shows that those who attempted to fuse organicism and mechanism in various ways, including Alexander von Humboldt and Auguste Comte, charted a road not taken that resonates today. Essential reading for historians of science, intellectual and cultural historians of Europe, and literary and art historians, The Romantic Machine is poised to profoundly alter our understanding of the scientific and cultural landscape of the early nineteenth century.
Author: Alexander L. Ringer
Publisher: Springer
ISBN: 1349112976
Category : Music
Languages : en
Pages : 334
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Book Description
One of a series examining the development of music in specific places during particular times. This volume looks at the development of music in the early Romantic era, 1789-1849, in Paris, Berlin, Dresden, Leipzig, London, Italy, the USA, Moscow, St Petersburg and Latin America.
