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Author: James Leggio
Publisher: Routledge
ISBN: 1135669694
Category : Music
Languages : en
Pages : 274
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Book Description
Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.
Author: James Leggio
Publisher: Routledge
ISBN: 1135669694
Category : Music
Languages : en
Pages : 274
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Book Description
Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.
Author: KatherineA. McIver
Publisher: Routledge
ISBN: 1351575686
Category : Music
Languages : en
Pages : 459
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Book Description
The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.
Author: Karin von Maur
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 142
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Book Description
Painters and musicians have always found inspiration by sharing ideas from both disciplines. How this relationship developed from Philipp Otto Runge's "compositions" in painting to Jean Tinguely's and Niki de Saint Phalle's musical sculptures is the focus of this illustrated volume. Carefully selected images and quotations from composers and artists are blended into a study useful to scholars of art history and music, and fascinating to the general reader.
Author: Paul Grushkin
Publisher: Chronicle Books
ISBN: 9780811845298
Category : Art
Languages : en
Pages : 498
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Book Description
Authoritative, eye-popping, and massive, this is the first and last word on contemporary concert posters, with more than 1,600 exemplary rock posters and flyers from more than 200 international studios and artists.
Author: James Leggio
Publisher: Psychology Press
ISBN: 9780815331018
Category : Art
Languages : en
Pages : 274
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: James Leggio
Publisher: Routledge
ISBN: 1135669627
Category : Music
Languages : en
Pages : 271
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Book Description
Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.
Author: Katherine Teck
Publisher: Oxford University Press
ISBN: 0199743215
Category : Music
Languages : en
Pages : 397
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Book Description
Making Music for Modern Dance traces the collaborative approaches, working procedures, and aesthetic views of the artists who forged a new and distinctly American art form during the first half of the 20th century. The book offers riveting first-hand accounts from innovative artists in the throes of their creative careers and provides a cross-section of the challenges faced by modern choreographers and composers in America. These articles are complemented by excerpts from astute observers of the music and dance scene as well as by retrospective evaluations of past collaborative practices. Beginning with the careers of pioneers Isadora Duncan, Ruth St. Denis, and Ted Shawn, and continuing through the avant-garde work of John Cage for Merce Cunningham, the book offers insights into the development of modern dance in relation to its music. Editor Katherine Teck's introductions and afterword offer historical context and tie the artists' essays in with collaborative practices in our own time. The substantive notes suggest further materials of interest to students, practicing dance artists and musicians, dance and music history scholars, and to all who appreciate dance.
Author: Alberto Ausoni
Publisher: Getty Publications
ISBN: 0892369655
Category : Art
Languages : en
Pages : 386
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Book Description
From ancient sculptures to Renaissance paintings & modern art, this volume explores the depiction of music, musical instruments & musical performance in Western art through the ages.
Author: Peter Vergo
Publisher: Phaidon Press
ISBN: 9780714863863
Category : Art
Languages : en
Pages : 0
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Book Description
Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined. Artist-composer relationships examined include Debussy's interest in Whistler, Tuner, and Monet, Franz Liszt's fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee's influence from Polyphonic music. How artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes, all within the backdrop to modernism, as time of huge change in freedoms, industry, expression, ideological frameworks, and artistic practice.
Author: Peter Dayan
Publisher: Routledge
ISBN: 1317178459
Category : Music
Languages : en
Pages : 197
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Book Description
In 1877, Ruskin accused Whistler of ’flinging a pot of paint in the public’s face’. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public’s face? Whistler’s answer was simple: painting is music - or it is poetry. Georges Braque, half a century later, echoed Whistler’s answer. So did Braque’s friends Apollinaire and Ponge. They presented their poetry as music too - and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art - music - as if it transposed the values of painting or of poetry. The fundamental principle of this intermedial aesthetic, which bound together an extraordinary fraternity of artists in all media in Paris, from 1885 to 1945, was this: we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of art in another medium. Peter Dayan traces the history of this principle: how it created our very notion of ’great art’, why it declined as a vision from the 1960s and how, in the 21st century, it is fighting back.
