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Author: Leon Gunther
Publisher: Springer Science & Business Media
ISBN: 1461405572
Category : Science
Languages : en
Pages : 548
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Book Description
The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.
Author: Leon Gunther
Publisher: Springer Science & Business Media
ISBN: 1461405572
Category : Science
Languages : en
Pages : 548
Get Book Here
Book Description
The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.
Author: Leon Gunther
Publisher: Springer Nature
ISBN: 3030192199
Category : Science
Languages : en
Pages : 482
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Book Description
This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light. Whereas traditional introductory physics textbooks are styled so that the basic principles are introduced first and are then applied, this book is based on a motivational approach: It introduces a subject with a set of related phenomena, challenging readers by calling for a physical basis for what is observed. A novel topic in the first edition and this second edition is a non-mathematical study of electric and magnetic fields and how they provide the basis for the propagation of electromagnetic waves, of light in particular. The book provides details for the calculation of color coordinates and luminosity from the spectral intensity of a beam of light as well as the relationship between these coordinates and the color coordinates of a color monitor. The second edition contains corrections to the first edition, the addition of more than ten new topics, new color figures, as well as more than forty new sample problems and end-of-chapter problems. The most notable additional topics are: the identification of two distinct spectral intensities and how they are related, beats in the sound from a Tibetan bell, AM and FM radio, the spectrogram, the short-time Fourier transform and its relation to the perception of a changing pitch, a detailed analysis of the transmittance of polarized light by a Polaroid sheet, brightness and luminosity, and the mysterious behavior of the photon. The Physics of Music and Color is written at a level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. The numerous problems at the end of each chapter help the reader to fully grasp the subject.
Author: Erich Nunn
Publisher: University of Georgia Press
ISBN: 082034737X
Category : History
Languages : en
Pages : 229
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Book Description
Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.
Author: Fukumi Shimura
Publisher:
ISBN: 9784866580616
Category : Textile artists
Languages : en
Pages : 141
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Book Description
A creator in the medium of textiles, the author is known in Japan for her essays on color, nature, and the work of weaving and dyeing. This book collects some of the author's writings together with photographs of her art and the natural world that inspires it. From winter snows to spring blossoms, from the foothills of Japan's Southern Alps to the back streets of Gion, Kyoto, the author initiates the reader into areas of Japanese culture where the boundary between craft and art is blurred. The author offers insight into the sources and use of natural color, along with a glimpse into the world of Japanese textiles, from silkworm and loom to finished kimono. Travels from Basho's Deep North to the western island of Kyushu are recorded, as are accounts of the author's encounters with other figures in Japanese aesthetics such as lacquerware master Kuroda Tatsuaki and poet-critic Ōoka Makoto.--adapted from jacket.
Author: Corinne Heline
Publisher:
ISBN:
Category : Astrology
Languages : en
Pages : 0
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Book Description
Author: Darlene Irwin
Publisher:
ISBN: 9780969449508
Category : Music
Languages : en
Pages : 64
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Book Description
Author: D. Brian Weese
Publisher: Heritage Music Press
ISBN: 9780787711375
Category : Music
Languages : en
Pages : 24
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Book Description
Grades K-6. This colorful collection of reproducible worksheets will keep students engaged as their answers make images appear on the page. Each puzzle has an easier and more challenging version, and they cover a wide range of topics, from rhythm to note reading to recorder fingerings. Teachers and substitutes alike will value this versatile resource.
Author: Alexander Wallace Rimington
Publisher: London : Hutchinson
ISBN:
Category : Color
Languages : en
Pages : 262
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Book Description
Author: Cretien Van Campen
Publisher: MIT Press
ISBN: 0262265001
Category : Psychology
Languages : en
Pages : 199
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Book Description
The uncommon sensory perceptions of synesthesia explored through accounts of synesthetes' experiences, the latest scientific research, and suggestions of synesthesia in visual art, music, and literature. What is does it mean to hear music in colors, to taste voices, to see each letter of the alphabet as a different color? These uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes' brains that show "crosstalk" between areas of the brain that do not normally communicate. In The Hidden Sense, Cretien van Campen explores synesthesia from both artistic and scientific perspectives, looking at accounts of individual experiences, examples of synesthesia in visual art, music, and literature, and recent neurological research. Van Campen reports that some studies define synesthesia as a brain impairment, a short circuit between two different areas. But synesthetes cannot imagine perceiving in any other way; many claim that synesthesia helps them in daily life. Van Campen investigates just what the function of synesthesia might be and what it might tell us about our own sensory perceptions. He examines the experiences of individual synesthetes—from Patrick, who sees music as images and finds the most beautiful ones spring from the music of Prince, to the schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet in colors as she does. And he finds suggestions of synesthesia in the work of Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire. What is synesthesia? It is not, van Campen concludes, an audiovisual performance, a literary technique, an artistic trend, or a metaphor. It is, perhaps, our hidden sense—a way to think visually; a key to our own sensitivity.
Author: Rivka Elkoshi
Publisher: Nova Science Publishers
ISBN: 9781536107159
Category : Art
Languages : en
Pages : 247
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Book Description
Rainbow Inspirations in Art, written collectively by a group of four expert researchers, focuses on a most intriguing subject: the function of color metaphors in the arts. This book includes conclusive discussions with regards to color metaphors in three domains: poetry, visual art and music. Conclusions are based on theoretical and empirical inquiry in the respective disciplines. Innovative areas of research are included in the book, such as the function of color in children's poetry and color-hearing metaphors (chromaesthesia) among listeners who encounter classical music. This book consists of a prologue, seven chapters, and an epilogue. The prologue explains color metaphor as a cross-disciplinary phenomenon. The chapters are divided into two broad sections: Section A (Chapters One through Four) contains four theoretical studies; Section B (Chapters Five through Seven) presents three empirical studies. The epilogue offers a novel viewpoint of counter-color metaphors (abbreviated CoCoM). Color metaphors are laden with symbolism, signs and cultural connotations that artists use in imaginative ways. In this book, the authors explore color metaphors as they contribute to our understanding of the arts. This book includes a comprehensive, updated literature review, which provides background information and new insights into the meaning of color metaphors in the arts. Academic readers and researchers may find valuable information in this book through the study of color metaphors, bridging the arts.
