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Author: Lori Rader-Day
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 261
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Book Description
The Go-Go’s made music on their own terms and gave voice to a generation caught between the bra-burning irreverence of the seventies and the me-first decadence of the eighties. Anthems like “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation” are an indelible part of our collective soundtrack, but more than that, they speak to the power and possibility of youth. Inspired by punk but not yoked to it, the Go-Go’s broke important musical ground by combining cheeky lyrics, clever hooks, and catchy melodies, perfectly capturing what it feels like to be young and female in the process. But beyond the Go-Go’s effervescent sound and cheerful pop stylings, a darkness underlies many of their lyrics and melodies, hinting at the heartache and frustration inherent in growing up. In other words, plenty to inspire murder and mayhem. Net proceeds from Murder-a-Go-Go’s benefit Planned Parenthood, a crucial provider of women’s affordable reproductive healthcare. With a foreword by Go-Go’s co-founder Jane Wiedlin and original stories by twenty-five kick-ass authors, editor Holly West has put together an all-star crime fiction anthology inspired by one of the most iconic bands of the eighties and beyond. Praise for MURDER-A-GO-GO’S: “I always suspected that twinkle in the Go-Gos’ eyes was a coded invitation to a darker world. In the hands of these 25 stellar crime fiction writers, ‘We Got the Beat’ and ‘Our Lips Are Sealed’ become evil little gems. A totally rad read.” —Alan Hunter, Original MTV VJ, SiriusXM Host “Shock and awe, that sums up my reaction to Murder-A-Go-Go’s. Shock to live in times when ‘The Whole World Lost Its Head’ and awe at the response of these gifted writers. Buckle up for a ride that will leave ‘Skidmarks on Your Heart.’” —Sara Paretsky, bestselling author of the V.I. Warshawski crime series “Who knew those happy songs by one of all-time favorite bands, the Go-Go’s could inspire such dark, noir, spine-tingling stories?!! It’s a collection of tales of distinctly female rage—the murderous kind and otherwise—to keep you up at night!” —Alison Arngrim, TV’s Nellie Oleson and author of Confessions of a Prairie Bitch “This is the music-driven anthology you didn’t know you needed, but after you read it, you’ll realize your bookshelf was lacking without it. This is a killer line-up of writers, and under Holly’s steady hand, they don’t play a single false note. Murder-A-Go-Go’s has got the beat.” —Rob Hart, author of The Warehouse “Like the songs these writers used for muses, each story contains the energy of a pop group and the rawness of a punk band, with some of the darkness and vulnerability that underscores the Go-Go’s themselves thrown in for good measure.” —Steph Post, author of Miraculum “The Go-Go’s spun some of the brightest, catchiest all-girl pop back in the day. But they always carried more weight than your average pop band: the burden of trailblazing and pioneering; the bad kids in the back of the class breaking all the rules and looking damn cool doing it. This collection commandingly captures that sweet subversion.” —Joe Clifford, author of The One That Got Away “Beneath the pop stylings and sensibilities of the Go-Go’s pulsed the heart of a punk band. In this eye-opening anthology, some of the sharpest voices of contemporary short crime fiction tease out the aches and anxieties echoing through the groundbreaking group’s music: the dark sides of desire, the missed opportunities, the tangled regrets. These stories—they got the beat.” —Art Taylor, award-winning author of On the Road with Del & Louise: A Novel in Stories “Holly West (editor)’s Murder-A-Go-Go’s is murderous fun from the first story to the last. Each masterful tale is distinctive, but this collection is so much more than the sum of its parts, infused with all the talent and skill of some of the best short story writers working in crime fiction today.” —Jennifer Hillier, author of Creep and Jar of Hearts
Author: Lori Rader-Day
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 261
Get Book Here
Book Description
The Go-Go’s made music on their own terms and gave voice to a generation caught between the bra-burning irreverence of the seventies and the me-first decadence of the eighties. Anthems like “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation” are an indelible part of our collective soundtrack, but more than that, they speak to the power and possibility of youth. Inspired by punk but not yoked to it, the Go-Go’s broke important musical ground by combining cheeky lyrics, clever hooks, and catchy melodies, perfectly capturing what it feels like to be young and female in the process. But beyond the Go-Go’s effervescent sound and cheerful pop stylings, a darkness underlies many of their lyrics and melodies, hinting at the heartache and frustration inherent in growing up. In other words, plenty to inspire murder and mayhem. Net proceeds from Murder-a-Go-Go’s benefit Planned Parenthood, a crucial provider of women’s affordable reproductive healthcare. With a foreword by Go-Go’s co-founder Jane Wiedlin and original stories by twenty-five kick-ass authors, editor Holly West has put together an all-star crime fiction anthology inspired by one of the most iconic bands of the eighties and beyond. Praise for MURDER-A-GO-GO’S: “I always suspected that twinkle in the Go-Gos’ eyes was a coded invitation to a darker world. In the hands of these 25 stellar crime fiction writers, ‘We Got the Beat’ and ‘Our Lips Are Sealed’ become evil little gems. A totally rad read.” —Alan Hunter, Original MTV VJ, SiriusXM Host “Shock and awe, that sums up my reaction to Murder-A-Go-Go’s. Shock to live in times when ‘The Whole World Lost Its Head’ and awe at the response of these gifted writers. Buckle up for a ride that will leave ‘Skidmarks on Your Heart.’” —Sara Paretsky, bestselling author of the V.I. Warshawski crime series “Who knew those happy songs by one of all-time favorite bands, the Go-Go’s could inspire such dark, noir, spine-tingling stories?!! It’s a collection of tales of distinctly female rage—the murderous kind and otherwise—to keep you up at night!” —Alison Arngrim, TV’s Nellie Oleson and author of Confessions of a Prairie Bitch “This is the music-driven anthology you didn’t know you needed, but after you read it, you’ll realize your bookshelf was lacking without it. This is a killer line-up of writers, and under Holly’s steady hand, they don’t play a single false note. Murder-A-Go-Go’s has got the beat.” —Rob Hart, author of The Warehouse “Like the songs these writers used for muses, each story contains the energy of a pop group and the rawness of a punk band, with some of the darkness and vulnerability that underscores the Go-Go’s themselves thrown in for good measure.” —Steph Post, author of Miraculum “The Go-Go’s spun some of the brightest, catchiest all-girl pop back in the day. But they always carried more weight than your average pop band: the burden of trailblazing and pioneering; the bad kids in the back of the class breaking all the rules and looking damn cool doing it. This collection commandingly captures that sweet subversion.” —Joe Clifford, author of The One That Got Away “Beneath the pop stylings and sensibilities of the Go-Go’s pulsed the heart of a punk band. In this eye-opening anthology, some of the sharpest voices of contemporary short crime fiction tease out the aches and anxieties echoing through the groundbreaking group’s music: the dark sides of desire, the missed opportunities, the tangled regrets. These stories—they got the beat.” —Art Taylor, award-winning author of On the Road with Del & Louise: A Novel in Stories “Holly West (editor)’s Murder-A-Go-Go’s is murderous fun from the first story to the last. Each masterful tale is distinctive, but this collection is so much more than the sum of its parts, infused with all the talent and skill of some of the best short story writers working in crime fiction today.” —Jennifer Hillier, author of Creep and Jar of Hearts
Author: Dharma Kelleher
Publisher: Dark Pariah Press
ISBN: 0979173019
Category : Fiction
Languages : en
Pages : 320
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Book Description
She's the last hope for a missing teenage girl. But time is running out... Bounty hunter Jinx Ballou has pursued all sorts of fugitives across Phoenix, Arizona’s mean streets and unforgiving desert. Drug dealers, carjackers, rapists, and murderers. But nothing about her latest job makes any sense. A mentally disabled teenage girl in a wheelchair charged with murdering her own mother? And now she's vanished without a trace? Jinx soon unearths a horrifying secret that may clear the missing teenager, but also points to a greater threat hunting them both. Racing against time, Jinx pushes her skills, her body, and her luck to the limit. But can she find the girl before it’s too late? If you enjoy page-turning action, queer heroines, stunning plot twists, and thrillers where criminal and social justice intersect, you’ll love the first book in Dharma Kelleher's groundbreaking Jinx Ballou series. Curl up with your copy Chaser today and be transported to a world of danger, justice, and a heroine you won’t soon forget.
Author: Matt Coyle
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 143
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Book Description
Southern California. Home to sandy beaches, waving palm trees, balmy weather. Also home to the rich and famous, those barely hanging on, and everyone else. Add in murder, embezzlement, stalking, burglary, and every crime under the sun. In Crime Under the Sun, the second anthology offered by Partners in Crime, the San Diego chapter of Sisters in Crime, fifteen stories capture the hopes and dreams of characters trying to live the idyllic SoCal life. Instead, they bump up against greed, treachery, corruption, and death. These stories will thrill readers with unexpected twists and turns and surprise endings. In the words of Catriona McPherson in our foreword, “…the best mystery anthologies should embrace the whole of our beloved genre and Crime Under the Sun has nailed it.” Welcome to the seamy underbelly of Southern California. Edited by Matt Coyle, Naomi Hirahara and Tammy Kaehler with stories by Sarah Bresniker, Lynne Bronstein, Shelley Burbank, Wrona Gall, B.J. Graf, C.C. Guthrie, A.P. Jamison, Kathy Kingson, Kathy Krevat, Axel Milens, John Edward Mullen, Kathy Norris, Michelle Rodenborn, Wendall Thomas, and James Thorpe. Critical Acclaim for Crime Under the Sun: “It may be a cliché to say an anthology has something for all readers, but Crime Under the Sun delivers in full. From cozy and quirky to gimlet-eyed and hard-boiled and with more than a couple of sides of tense and chilling. Story to story, I was delighted, thrilled, amused, and amazed.” —Art Taylor, Edgar Award-winning author of The Adventure of the Castle Thief and Other Expeditions and Indiscretions “The Golden State has a dark underside in Crime Under the Sun, a lively and varied compendium of murder, mayhem, bad choices, and bad dreams. Seedy noir to whimsical cozy, and caper plot to psychological drama, the anthology offers an assortment of vengeful malcontents, ingenious professionals and hapless wannabes, plus few decent souls. Sharp characterization, smooth prose, and some echoes of old time Hollywood's tarnished glamor complete an entertaining package.” —Janice Law, author of the Francis Bacon mysteries “Whoever wrote ‘there's nothing new under the sun’ obviously hasn't read Crime Under the Sun, in which the San Diego chapter of Sisters in Crime offers up fifteen stories that are not only new but noteworthy. Readers may not be familiar with all of the contributors, some of whom are early in their writing careers—but you're sure to be seeing more of them!” —Josh Pachter, editor of the Anthony Award finalist Paranoia Blues: Crime Fiction Inspired by the Songs of Paul Simon “A lovely collection of criminous tales, delightfully diverse in style, featuring work by some of the best writers producing short fiction today.” —Tom Mead, author of Death and the Conjuror and The Murder Wheel “Crime Under the Sun features a collection of twists, jagged edges, one-two punches and crisp storytelling from sunny California. With endearing protagonists, villains you love to hate, some cool characters coming off the page and murder mysteries galore, this collection showcases great talent.” —Ryan Sayles, author of Like Whitewashed Tombs “A scorching selection of crime stories that will leave you dying for more.” —Stephen D. Rogers, author of Shot to Death
Author: Natalie Hopkinson
Publisher: Duke University Press
ISBN: 0822352117
Category : History
Languages : en
Pages : 234
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Book Description
Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.
Author: Adam Meyer
Publisher: Black Cat Weekly
ISBN:
Category : Fiction
Languages : en
Pages : 402
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Book Description
Black Cat Weekly #98 features 10 short stories and a novel. This time, we have five mysteries (including a terrific original by Adam Meyer, courtesy of Acquiring Editor Michael Bracken), modern tales by Dharma Kelleher (courtesy of Acquiring Editor Barb Goffman) and Jack Halliday, plus a classic by Frank Gruber, who was a prolific pulp writer and novelist. Gruber’s story of a dance-hall clip-joint provides a window into a long-gone era. And of course, no issue is complete without a solve-it-yourself mystery. On the more science fiction and fantasy side, we have a sword-and-sorcery tale by Phyllis Ann Karr (set in her Frosterflower and Thorn universe), a dark fantasy by horror master Joseph Payne Brennan, a time-travel tale by Robert Abernathy, and classic science fiction by Philip Jose Farmer (“Daughter” is a followup to his classic tale, “Mother”) and John W. Campbell (the tale of grim survival on the moon, The Moon Is Hell.) And for Western fans, we have a classic tale by Alan Le May. Great stuff! Here’s the complete lineup: Mysteries / Suspense / Adventure: “Stacy’s Mom,” by Adam Meyer [Michael Bracken Presents short story] “The Games Gang Rides Again,” Hal Charlies [Solve-It-Yourself Mystery] “Kissing Asphalt,” by Dharma Kelleher [Barb Goffman Presents short story] “Great Caesar’s Ghost!” by Jack Halliday [short story] “Clip-Joint Adventures,” by Frank Gruber [short story] “The Bells of San Juan,” by Alan Le May [short story] Science Fiction & Fantasy: “Sorcery and Sacrilege,” by Phyllis Ann Karr [short story] “The Midnight Bus,” by Joseph Payne Brennan [short story] “Daughter,” by Philip Jose Farmer [short story] “Stopwatch on the World,” by Robert Abernathy [novelet] The Moon Is Hell, by John W. Campbell [novel]
Author: Brandi Thompson Summers
Publisher: UNC Press Books
ISBN: 1469654024
Category : History
Languages : en
Pages : 257
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Book Description
While Washington, D.C., is still often referred to as “Chocolate City,” it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.’s shift to a “post-chocolate” cosmopolitan metropolis by charting H Street’s economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation’s capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, “cool,” and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.’s Black residents.
Author: Konstantin Butz
Publisher: transcript Verlag
ISBN: 3839464064
Category : Social Science
Languages : en
Pages : 279
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Book Description
For more than 40 years, hardcore and punk have promised to offer an alternative to what is perceived as the norm and the mainstream. Hardcore Research: Punk, Practice, Politics provides a comprehensive insight into some of the most active, outspoken, and widely received scholarly positions in the academic discourses on hardcore and punk and combines them with a variety of new and emerging voices. The book brings together scholars with personal ties to past and present hardcore and punk scenes, who present both insightful and critical examinations of the rich and varied histories of this subcultural phenomenon and its current reverberations at the intersection of cultural practice and academic research.
Author: Massachusetts
Publisher:
ISBN:
Category :
Languages : en
Pages : 1578
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Book Description
Author: Alisha Lola Jones
Publisher: Oxford University Press
ISBN: 0190065435
Category : Religion
Languages : en
Pages : 345
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Book Description
Male-centered theology, a dearth of men in the pews, and an overrepresentation of queer males in music ministry: these elements coexist within the spaces of historically black Protestant churches, creating an atmosphere where simultaneous heteropatriarchy and "real" masculinity anxieties, archetypes of the "alpha-male preacher", the "effeminate choir director" and homo-antagonism, are all in play. The "flamboyant" male vocalists formed in the black Pentecostal music ministry tradition, through their vocal styles, gestures, and attire in church services, display a spectrum of gender performances - from "hyper-masculine" to feminine masculine - to their fellow worshippers, subtly protesting and critiquing the otherwise heteronormative theology in which the service is entrenched. And while the performativity of these men is characterized by cynics as "flaming," a similar musicalized "fire" - that of the Holy Spirit - moves through the bodies of Pentecostal worshippers, endowing them religio-culturally, physically, and spiritually like "fire shut up in their bones". Using the lenses of ethnomusicology, musicology, anthropology, men's studies, queer studies, and theology, Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance observes how male vocalists traverse their tightly-knit social networks and negotiate their identities through and beyond the worship experience. Author Alisha Jones ultimately addresses the ways in which gospel music and performance can afford African American men not only greater visibility, but also an affirmation of their fitness to minister through speech and song.
Author: Fernando Orejuela
Publisher: Indiana University Press
ISBN: 025303843X
Category : Music
Languages : en
Pages : 145
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Book Description
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
