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Author: K. A. E. Enenkel
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 410
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Book Description
The thirteen articles in this volume deal with the Neo-Latin emblem book after the birth of the genre with Andrea Alciato's Emblematum libellus (1531). While the interest in emblematics has grown considerably during the last decades, the seminal Neo-Latin production has received relatively little attention. In Mundus Emblematicus an international team of experts in the field makes this part of the emblem tradition accessible to a broad scholarly audience. The articles cover a variety of emblem books published at the time, ranging from influential humanist collections (for instance those by Achille Bocchi, Hadrianus Junius, or Joachim Camerarius) to alchemist (Michael Maier) or religious emblems (such as the books of the Calvinist Theodere de Beze, or the Jesuit Herman Hugo). In each paper subjects dealt with include the historical context of the work and its makers, the relation between word and image, the structure of the collection as a whole, and the emblematic game (intertextuality in word and image). Moreover, several articles explore the interaction between the emblem and connected literary phenomena, like the commonplace-book, the fable or the use of commentaries. All papers are in English and all examples from Latin texts are translated. Together, these articles show the variety within the Neo-Latin emblem production, thus challenging traditional approaches of the emblem. As such Mundus Emblematicus contributes towards a more comprehensive view of the forms and functions of the genre as a whole.
Author: K. A. E. Enenkel
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 410
Get Book Here
Book Description
The thirteen articles in this volume deal with the Neo-Latin emblem book after the birth of the genre with Andrea Alciato's Emblematum libellus (1531). While the interest in emblematics has grown considerably during the last decades, the seminal Neo-Latin production has received relatively little attention. In Mundus Emblematicus an international team of experts in the field makes this part of the emblem tradition accessible to a broad scholarly audience. The articles cover a variety of emblem books published at the time, ranging from influential humanist collections (for instance those by Achille Bocchi, Hadrianus Junius, or Joachim Camerarius) to alchemist (Michael Maier) or religious emblems (such as the books of the Calvinist Theodere de Beze, or the Jesuit Herman Hugo). In each paper subjects dealt with include the historical context of the work and its makers, the relation between word and image, the structure of the collection as a whole, and the emblematic game (intertextuality in word and image). Moreover, several articles explore the interaction between the emblem and connected literary phenomena, like the commonplace-book, the fable or the use of commentaries. All papers are in English and all examples from Latin texts are translated. Together, these articles show the variety within the Neo-Latin emblem production, thus challenging traditional approaches of the emblem. As such Mundus Emblematicus contributes towards a more comprehensive view of the forms and functions of the genre as a whole.
Author: Donato Mansueto
Publisher: Librairie Droz
ISBN: 9780852618325
Category : Art
Languages : en
Pages : 228
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Book Description
The Italian Emblem: A Collection of Essays is the twelfth in the series 'Glasgow Emblem Studies'. This volume is linked to a project for the study and digitization of Italian emblem books held in the Stirling Maxwell Collection (Glasgow), financed by the Sixth EU Framework Programme for activities in the field of research. It aims at exploring the history, forms, themes of the Italian emblem tradition, with particular attention to sixteenth-century emblem books and their open, multifaceted, and metamorphic nature. To capture this nature, the volume includes contributions from different disciplines, ranging from literature to history of art and political philosophy, supplied by the following distinguished scholars: Guido Arbizzoni (University of Urbino 'Carlo Bo'), Monica Calabritto (Hunter College, CUNY), Giuseppe Cascione (University of Bari), Sonia Maffei (University of Bergamo), Anna Maranini (University of Bologna), Liana de Girolami Cheney (University of Massachusetts Lowell), Silvia Volterrani (CTL-Scuola Normale Superiore, Pisa). French text.
Author: Christine Göttler
Publisher: BRILL
ISBN: 9004163964
Category : History
Languages : en
Pages : 396
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Book Description
Investigating the meanings and uses of "spiritus" in a variety of early modern disciplines and fields - natural philosophy, theology, music, literature and the visual arts - this book revisits the ambivalent history of a central ancient concept in a period of crisis and change.
Author: Karel A. E. Enenkel
Publisher: BRILL
ISBN: 9004131884
Category : Nature
Languages : en
Pages : 718
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Book Description
In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, History of Science, Art History) explore the fascinating early modern discourses on animals in science, literature and the visual arts.
Author: Simona Cohen
Publisher: BRILL
ISBN: 9004171010
Category : History
Languages : en
Pages : 360
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Book Description
The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels.Brill's Studies on Art, Art History, and Intellectual History, vol. 2
Author: Peter M. Daly
Publisher: Routledge
ISBN: 1351890832
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems following years of relative neglect. Beginning by considering some of the seldom asked, but important, questions that the study of emblems raises, including the importance of the emblem, the truth value of emblems, and the transmission of knowledge through emblems, the book then moves on to investigate more closely-focussed aspects such as the role of mnemonics, mottoes and visual rhetoric. The volume concludes with a review of some perhaps inadequately considered issues such as the role of Jesuits (who had a role in the publication of about a quarter of all known emblem books), and questions such as how these hybrid constructs were actually read and interpreted. Drawing upon a database containing records of 6,514 books of emblems and imprese, this study suggests new ways for scholars to approach important questions that have not yet been satisfactorily broached in the standard works on emblems.
Author: Paul J. Smith
Publisher: BRILL
ISBN: 9004347070
Category : Art
Languages : en
Pages : 700
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Book Description
Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius’s botanical and zoological emblem books, and also of the ‘applied’ emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.
Author: Maria Berbara
Publisher: BRILL
ISBN: 9004217215
Category : History
Languages : en
Pages : 497
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Book Description
This volume focuses on the interdisciplinary investigation of Portuguese humanism, especially as a noteworthy player in the international network of early modern scholarship, literature and visual arts.
Author: Nicholas J. Crowe
Publisher: Routledge
ISBN: 1317111222
Category : History
Languages : en
Pages : 162
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Book Description
First published in 1622, Jeremias Drexel's 'Zodiacus christianus' (or 'Christian Zodiac') was a remarkable work of religious iconography and spiritual self-help. Raised a Lutheran but converting to Catholicism in his youth, Drexel (1581-1638) was well placed to publish a book that appealed to Protestants as well as Catholics, his 'Zodiac' appearing in multiple reprints, re-editions and translations across Europe during his lifetime and posthumously across the rest of the seventeenth century in an astonishing arc of popularity. The orbit of his readers' catchment was geographically - and denominationally - wide to a conspicuous degree. Drexel was among the most-read authors of that century, a genuine luminary in the culture of the German Baroque, and arguably the most published writer of the period. Offering the first modern translation into English since the early seventeenth century, this critical edition re-acquaints Anglophone audiences with a sample of the spiritual and philosophical writings of a figure whose significant publication record made him a bestseller during his lifetime and for many decades afterwards. As well as addressing issues of spiritual iconography with relation to 'signs of predestination', the book also has much to say about authorship, publishing and the dissemination of ideas. Including a scholarly introduction, full footnotes and an up-to-date bibliography, this new edition does much to help reveal these themes within the complex interconnections between religion, mysticism, iconography and scholarship in early modern Europe.
Author: Arnoud Visser
Publisher: BRILL
ISBN: 9047405390
Category : History
Languages : en
Pages : 328
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Book Description
The emblem is one of the most remarkable literary inventions of Renaissance humanism. The symbolic imagery presented in these Neo-Latin emblem books constituted an important influence on many areas in early modern literature and art. This volume provides the first comprehensive study of Sambucus’ influential Emblemata (first published by Christopher Plantin, Antwerp, 1564). It reconstructs the cultural-historical contexts in which it was produced, thus reconsidering the social and commercial functions of the humanist emblem. Accompanied by a detailed analysis of individual emblems, it takes into account the emblems’ classical intertextuality and the relationship between word and image. This study shows how the emblematic practice can differ from contemporary symbol and emblem theories, which have often coloured modern interpretations of the genre.
