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Author: Nanabanyin Dadson
Publisher: Graphic Communications Group
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Nanabanyin Dadson
Publisher: Graphic Communications Group
ISBN:
Category :
Languages : en
Pages : 28
Get Book Here
Book Description
Author: Stephen Dando-Collins
Publisher:
ISBN: 9781525268298
Category :
Languages : en
Pages : 600
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Book Description
Born in Port Pirie, South Australia and moving to the UK in the 1950s where he soon established a theatrical agency, at the height of his success, in the 1970s, Robert Stigwood 'Stiggy' was the entertainment industry's most powerful tycoon. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton. He produced films including Gallipoli, Saturday Night Fever, Tommy and Grease. He was behind West End and Broadway musicals that were huge hits. Stigwood owned the record label that issued his artists' albums and film soundtracks, and he also controlled publishing rights. In addition to the many periods of success, there were also great crashes including an infamous Chuck Berry tour that failed to attract audiences and forced Stiggy to declare bankruptcy. In early 1966, Stigwood became the booking agent for the Who and also began managing the fledgling British group Cream, signing them to his record label Reaction, and their album was immediately successful. Stigwood's ability to pick and promote talent was astounding and he was also known for his many fallings-out. In 1967 the Australian group the Bee Gees arrived in the UK and Stigwood claimed that they were going to be as big as the Beatles. By April, the Bee Gees had their first top 20 hit, and by September their first UK no 1. Stigwood moved into theatre production and took Hair to London. After hearing a demo of Andrew Lloyd Webber and Tim Rice's musical Jesus Christ Superstar, Stigwood invested in the project. He oversaw the New York stage production and in 1973 produced the film adaptation. Stigwood continued to work with Lloyd Webber right up to the 1996 film of Evita. Stiggy got involved in making British television sitcoms and adapting them for US audiences. After watching John Travolta in Welcome Back Kotter, Stigwood signed him to a three-picture deal. After reading an article by British journalist Nik Cohn Stigwood developed it into the feature film Saturday Night Fever and asked the Bee Gees to write its music. The album soundtrack remains the biggest seller of its kind while the film proved a huge hit and helped make disco music an international phenomenon. Stigwood then produced the film of the musical Grease. Stigwood lived it up with private planes, yachts, a Central Park West penthouse and staff. The failure of the big-budget musical film of the Beatles' album Sgt Pepper's Lonely Hearts Club Band got to him and he sold his record label. Though his ability to create success had not left him entirely with musical productions and films benefitting from his involvement into the 1990s. For many years he lived a mostly reclusive life in an estate on the Isle of Wight though remained a part of the lives of the Gibb family.
Author: Emily Dalton
Publisher: Harlequin
ISBN: 145926083X
Category : Fiction
Languages : en
Pages : 175
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Book Description
Dear Monica, No two people deserve a child more than you and the count. I'm giving you a baby… It's bad enough when fans confuse Maggie Stern with Monica Blake, the infertile character she plays on TV, but to leave her a baby—a baby!—on the doorstep… But baby Sarah's cries are real, and Maggie has no choice but to cuddle her close. Too bad little Sarah won't settle for bottle or binkie—she wants the tall, blond man from next door, Dr. Jared Austin. The baby doctor. Maggie can't fault Sarah's taste, but it seems the handsome doc has reasons of his own for avoiding Maggie…and her precious package!
Author: Stephen Dando-Collins
Publisher: Random House Australia
ISBN: 1925324761
Category : Biography & Autobiography
Languages : en
Pages : 447
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Book Description
Born in Port Pirie, South Australia and moving to the UK in the 1950s where he soon established a theatrical agency, at the height of his success, in the 1970s, Robert Stigwood 'Stiggy' was the entertainment industry’s most powerful tycoon. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton. He produced films including Gallipoli, Saturday Night Fever, Tommy and Grease. He was behind West End and Broadway musicals that were huge hits. Stigwood owned the record label that issued his artists’ albums and film soundtracks, and he also controlled publishing rights. In addition to the many periods of success, there were also great crashes including an infamous Chuck Berry tour that failed to attract audiences and forced Stiggy to declare bankruptcy. In early 1966, Stigwood became the booking agent for the Who and also began managing the fledgling British group Cream, signing them to his record label Reaction, and their album was immediately successful. Stigwood’s ability to pick and promote talent was astounding and he was also known for his many fallings-out. In 1967 the Australian group the Bee Gees arrived in the UK and Stigwood claimed that they were going to be as big as the Beatles. By April, the Bee Gees had their first top 20 hit, and by September their first UK no 1. Stigwood moved into theatre production and took Hair to London. After hearing a demo of Andrew Lloyd Webber and Tim Rice’s musical Jesus Christ Superstar, Stigwood invested in the project. He oversaw the New York stage production and in 1973 produced the film adaptation. Stigwood continued to work with Lloyd Webber right up to the 1996 film of Evita. Stiggy got involved in making British television sitcoms and adapting them for US audiences. After watching John Travolta in Welcome Back Kotter, Stigwood signed him to a three-picture deal. After reading an article by British journalist Nik Cohn Stigwood developed it into the feature film Saturday Night Fever and asked the Bee Gees to write its music. The album soundtrack remains the biggest seller of its kind while the film proved a huge hit and helped make disco music an international phenomenon. Stigwood then produced the film of the musical Grease. Stigwood lived it up with private planes, yachts, a Central Park West penthouse and staff. The failure of the big-budget musical film of the Beatles’ album Sgt Pepper’s Lonely Hearts Club Band got to him and he sold his record label. Though his ability to create success had not left him entirely with musical productions and films benefitting from his involvement into the 1990s. For many years he lived a mostly reclusive life in an estate on the Isle of Wight though remained a part of the lives of the Gibb family.
Author:
Publisher:
ISBN:
Category : Information storage and retrieval systems
Languages : en
Pages : 648
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Book Description
Author: Kathe Tibbs
Publisher: ECW Press
ISBN: 1550223895
Category : Dawson's Creek (Television program)
Languages : en
Pages : 216
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Book Description
A dynamic look at the stars of "Dawson's Creek, " one of television's hottest shows. 48 photos, 16 in color.
Author: Brian Nelson
Publisher: Hal Leonard Corporation
ISBN: 9781557833143
Category : Drama
Languages : en
Pages : 452
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Book Description
(Applause Books). Includes: Amy Hill: Tokyo Bound ; David Henry Hwang: Bondage ; Velina Hasu Houston: As Sometimes in a Dead Man's Face ; Lane Nishikawa and Victor Talmadge: The Gate of Heaven ; Dwight Okita: The Rainy Season .
Author:
Publisher: Information Gatekeepers Inc
ISBN:
Category :
Languages : en
Pages : 15
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Book Description
Author: Michael Stone
Publisher: Kings Road Publishing
ISBN: 1843589729
Category : True Crime
Languages : en
Pages : 276
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Book Description
Michael Stone was born in East Belfast in 1955. In 1988 he was sentenced to 800 years in prison. He served twelve years in the Maze prison before being released under the terms of the Good Friday Agreement. He is now an artist, and proponent of the peace process.
Author: Madelyn Cain
Publisher: Diversion Books
ISBN: 1940941032
Category : Psychology
Languages : en
Pages : 125
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Book Description
Whether childless by choice, by chance, or by happenstance, women without children today are alternately pitied and scorned, and are rarely asked directly about the reasons for, and their comfort with, childlessness. Asking the right questions, Madelyn Cain thoughtfully uncovers the reasons for childlessness – from biological, to economic, and even political – and explores the ramifications for both the individual and society. Simultaneously compassionate and journalistically curious, The Childless Revolution is informed by the stories of over 100 childless or self-proclaimed childfree women, at long last giving voice to their experience and validating the jumble of emotions most feel about being part of this misunderstood population. The first book to put a face on these women who cannot conceive – or, for reasons as varied as womanhood itself, have chosen not to – The Childless Revolution dispels fears, removes ignorance, and corrects misconceptions about the ever-growing group of women without children in our midst.
