Mozart's Così Fan Tutte PDF Download
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Author: Ian Woodfield
Publisher: Boydell & Brewer Ltd
ISBN: 1843834065
Category : Music
Languages : en
Pages : 266
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Book Description
A groundbreaking new approach proposes answers to many of the opera's unresolved questions.
Author: Ian Woodfield
Publisher: Boydell & Brewer Ltd
ISBN: 1843834065
Category : Music
Languages : en
Pages : 266
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Book Description
A groundbreaking new approach proposes answers to many of the opera's unresolved questions.
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 0977145530
Category : Music
Languages : en
Pages : 128
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Book Description
A comprehensive guide to Mozart's COSI FAN TUTTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with Italian/English side-by side, and over 30 music highlight examples.
Author: Burton, Fisher D. Publishing Staff
Publisher: Opera Journeys Publishing
ISBN: 1930841019
Category : Music
Languages : en
Pages : 39
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Book Description
A comprehensive guide featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a complete newly translated Libretto with foreign language and english side-by-side, an in depth Commentary and Analysis, selected Discogaphy and Videography, and a Dictionary of Opera and Musical Terms.
Author: Bruce Alan Brown
Publisher: Cambridge University Press
ISBN: 9780521437356
Category : Music
Languages : en
Pages : 226
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Book Description
At once the most light-hearted and disturbing of Mozart and Da Ponte's Italian comic works, the opera has provoked widely differing reactions from listeners for more than two centuries. This study provides a detailed account of the libretto's complex origins in myth and Italian literary classics.
Author: Lorenzo Da Ponte
Publisher: Hal Leonard Corporation
ISBN: 1574674587
Category : Music
Languages : en
Pages : 209
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Book Description
(Amadeus). For a long time, Cosi fan tutte was considered scandalous which is not entirely surprising, if you look at its story. After seeing their fiances, Guglielmo and Ferrando, go off to war, two sisters, Fiordiligi and Dorabella, all too rapidly overcome their grief and agree to marry two attractive strangers within the space of just a couple days. Little do the sisters know that the strangers are in fact those same fiances in disguise! The whole thing is a plot masterminded by a cynical old philosopher, Don Alfonso, and a clever maid, Despina. Scandalous or not, Cosi fan tutte has remained one of opera's most contemporary comedies.
Author: Lorenzo Da Ponte
Publisher:
ISBN: 9781574674453
Category : Music
Languages : en
Pages : 212
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Book Description
(Amadeus). For a long time, Cosi fan tutte was considered scandalous which is not entirely surprising, if you look at its story. After seeing their fiances, Guglielmo and Ferrando, go off to war, two sisters, Fiordiligi and Dorabella, all too rapidly overcome their grief and agree to marry two attractive strangers within the space of just a couple days. Little do the sisters know that the strangers are in fact those same fiances in disguise! The whole thing is a plot masterminded by a cynical old philosopher, Don Alfonso, and a clever maid, Despina. Scandalous or not, Cosi fan tutte has remained one of opera's most contemporary comedies.
Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 048631930X
Category : Music
Languages : en
Pages : 450
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Book Description
Accurate, scholarly edition, first published by C. F. Peters, is reprinted here in complete score. One of Mozart's greatest operas with Da Ponte libretto. Features critical commentary. Preface. Translated frontmatter.
Author: Malte Krasting
Publisher:
ISBN: 9783761822968
Category : Opera
Languages : de
Pages : 136
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Book Description
Author: Michael Steen
Publisher: Icon Books Ltd
ISBN: 1848314663
Category : Music
Languages : en
Pages : 47
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Book Description
A couple of smooth army officers in metropolitan Naples become increasingly horrified as they find that they are losing their bet with a misogynist philosopher. The wager? That their fiancées will be faithful. Their disguise as Albanians in an attempt to entrap their fiancées, and the complicity of the naughty maid, who feigns as a lawyer organising their ‘marriage’, provide hilarious moments in an opera full of favourite tunes. Lorenzo da Ponte’s libretto was long considered indecent and unsuitable to stage. But today it is regarded as providing one of the greatest illustrations of Mozart’s art of musical characterisation, even if the story is somewhat politically incorrect. The ways in which Mozart’s music contrasts the two ‘provincial’ sisters, Fiordiligi and Dorabella, and presents their capitulation, can justify his reputation as possibly the greatest classical composer of all time. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, ‘Short Guides to Great Operas’ are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other ‘Short Guides to Great Operas’ that you may enjoy include The Marriage of Figaro and Don Giovanni.
Author: Charles Ford
Publisher: Routledge
ISBN: 1317091574
Category : Music
Languages : en
Pages : 351
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Book Description
Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles, and develops original ways to interpret the two largely overlooked operatic genres of secco recitative and finales. Moreover, Ford presents a new method by which to relate musical details directly to philosophical concepts, and thereby, the music of the operas to the inwardly contradictory thinking of the European Enlightenment. This involves close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuality, with particular reference to contemporary writers, especially Goethe, Kant, Laclos, Rousseau, Sade, Schiller, Sterne and Wollstonecraft. The concluding discussion of the implied futures of the operas argues that their divided sexualities, which are those of the Enlightenment as a whole, have come to form our own unquestioned assumptions about gender differences and sexuality. This, along with the elegant and eloquent precision of Mozart's music, is why Figaro, Giovanni and Così still maintain their vital immediacy for audiences today.
