Author: Volkmar Braunbehrens
Publisher:
ISBN: 9780233985596
Category : Composers
Languages : en
Pages : 481
Book Description
Mozart in Vienna, 1781-1791
Author: Volkmar Braunbehrens
Publisher:
ISBN: 9780233985596
Category : Composers
Languages : en
Pages : 481
Book Description
Publisher:
ISBN: 9780233985596
Category : Composers
Languages : en
Pages : 481
Book Description
Mozart in Vienna
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1107116716
Category : Biography & Autobiography
Languages : en
Pages : 719
Book Description
Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna.
Publisher: Cambridge University Press
ISBN: 1107116716
Category : Biography & Autobiography
Languages : en
Pages : 719
Book Description
Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna.
Opera Buffa in Mozart's Vienna
Author: Mary Kathleen Hunter
Publisher: Cambridge University Press
ISBN: 9780521572392
Category : Music
Languages : en
Pages : 476
Book Description
This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.
Publisher: Cambridge University Press
ISBN: 9780521572392
Category : Music
Languages : en
Pages : 476
Book Description
This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.
Vienna Nocturne
Author: Vivien Shotwell
Publisher: Anchor Canada
ISBN: 0385678053
Category : Fiction
Languages : en
Pages : 306
Book Description
"Shotwell lyrically navigates her protagonist through love affairs, heartache and dazzling high-stakes performances. This is an exquisite read for history fans, classical-music lovers and romance aficionados alike." --Chatelaine Vienna Nocturne recounts the turbulent life and brilliantly successful career of young British opera singer Anna Storace, a child prodigy who is taken by her parents to Italy at age thirteen to advance her career. In love with life and wildly ambitious, Anna wants everything--to be famous, to be loved--and this leads her to make some fatal choices. We watch her turn from a carefree young girl to a passionate young woman, and it is during this transformation that her affair with Mozart blossoms. The story of their love, no less powerful for being forbidden, is reminiscent of the passionate thwarted romances described in Loving Frank and Hotel on the Corner of Bitter and Sweet. Written in melodious prose by a young author studying opera at Yale, Vienna Nocturne is dramatic story of a woman's battle to find love and fame in an 18th-century world that controls and limits her at every turn.
Publisher: Anchor Canada
ISBN: 0385678053
Category : Fiction
Languages : en
Pages : 306
Book Description
"Shotwell lyrically navigates her protagonist through love affairs, heartache and dazzling high-stakes performances. This is an exquisite read for history fans, classical-music lovers and romance aficionados alike." --Chatelaine Vienna Nocturne recounts the turbulent life and brilliantly successful career of young British opera singer Anna Storace, a child prodigy who is taken by her parents to Italy at age thirteen to advance her career. In love with life and wildly ambitious, Anna wants everything--to be famous, to be loved--and this leads her to make some fatal choices. We watch her turn from a carefree young girl to a passionate young woman, and it is during this transformation that her affair with Mozart blossoms. The story of their love, no less powerful for being forbidden, is reminiscent of the passionate thwarted romances described in Loving Frank and Hotel on the Corner of Bitter and Sweet. Written in melodious prose by a young author studying opera at Yale, Vienna Nocturne is dramatic story of a woman's battle to find love and fame in an 18th-century world that controls and limits her at every turn.
The Culture of Opera Buffa in Mozart's Vienna
Author: Mary Hunter
Publisher: Princeton University Press
ISBN: 1400822750
Category : Music
Languages : en
Pages : 350
Book Description
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.
Publisher: Princeton University Press
ISBN: 1400822750
Category : Music
Languages : en
Pages : 350
Book Description
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.
Mozart in Context
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1316850838
Category : Music
Languages : en
Pages : 427
Book Description
The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
Publisher: Cambridge University Press
ISBN: 1316850838
Category : Music
Languages : en
Pages : 427
Book Description
The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
Vienna for the Music Lover
Author: David Nelson
Publisher:
ISBN: 9780615317571
Category : History
Languages : en
Pages : 222
Book Description
Vienna has the richest musical history of any city in the world, and Vienna for the Music Lover is the complete guide to seeing and experiencing this wonderful city first-hand. The stories of the Viennese masters are told through the city’s museums, opera houses, concert halls, residences, churches, streets, and neighborhoods. Detailed descriptions, including numerous quotes and historic pictures, make the lives of the composers come to life on every page. You can even walk in the composer’s footsteps by taking one of the book’s eight musical walks. Concluding this overview is a list of 419 musical addresses, the most comprehensive of its kind ever in print.
Publisher:
ISBN: 9780615317571
Category : History
Languages : en
Pages : 222
Book Description
Vienna has the richest musical history of any city in the world, and Vienna for the Music Lover is the complete guide to seeing and experiencing this wonderful city first-hand. The stories of the Viennese masters are told through the city’s museums, opera houses, concert halls, residences, churches, streets, and neighborhoods. Detailed descriptions, including numerous quotes and historic pictures, make the lives of the composers come to life on every page. You can even walk in the composer’s footsteps by taking one of the book’s eight musical walks. Concluding this overview is a list of 419 musical addresses, the most comprehensive of its kind ever in print.
Music in Vienna 1700, 1800, 1900
Author: David Wyn Jones
Publisher: Boydell & Brewer
ISBN: 1783271078
Category : History
Languages : en
Pages : 289
Book Description
Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished
Publisher: Boydell & Brewer
ISBN: 1783271078
Category : History
Languages : en
Pages : 289
Book Description
Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished
Haydn, Mozart, and the Viennese School, 1740-1780
Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844
Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844
Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Cabals and Satires
Author: Ian Woodfield
Publisher:
ISBN: 0190692634
Category : Music
Languages : en
Pages : 305
Book Description
Cabals and Satires: Mozart's Comic Operas in Vienna is a study of the political context in which Mozart wrote his three most famous Italian comedies, Figaro, Don Giovanni, and Così fan tutte. Joseph II's decision to place his opera buffa troupe in competition with the Singspiel provoked a struggle between the rival national genres, both supported by vociferous cabals. Mozart's deft navigation of the turbulent political waters of this period and the ensuing Austro-Turkish War left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the lean war years.
Publisher:
ISBN: 0190692634
Category : Music
Languages : en
Pages : 305
Book Description
Cabals and Satires: Mozart's Comic Operas in Vienna is a study of the political context in which Mozart wrote his three most famous Italian comedies, Figaro, Don Giovanni, and Così fan tutte. Joseph II's decision to place his opera buffa troupe in competition with the Singspiel provoked a struggle between the rival national genres, both supported by vociferous cabals. Mozart's deft navigation of the turbulent political waters of this period and the ensuing Austro-Turkish War left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the lean war years.