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Author: Deborah Hay
Publisher:
ISBN: 9780804006866
Category : Modern dance
Languages : en
Pages : 234
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Book Description
Author: Deborah Hay
Publisher:
ISBN: 9780804006866
Category : Modern dance
Languages : en
Pages : 234
Get Book
Book Description
Author: Deborah Hay
Publisher:
ISBN: 9780804006866
Category : Modern dance
Languages : en
Pages : 234
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Book Description
Author: Susan Leigh Foster
Publisher: Univ of California Press
ISBN: 9780520063334
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
Winner of the Dance Perspectives Foundation de la Torre Bueno Prize Recent approaches to dance composition, seen in the works of Merce Cunningham and the Judson Church performances of the early 1960s, suggest the possibility for a new theory of choreographic meaning. Borrowing from contemporary semiotics and post-structuralist criticism, Reading Dancing outlines four distinct models for representation in dance which are illustrated, first, through an analysis of the works of contemporary choreographers Deborah Hay, George Balanchine, Martha Graham, and Merce Cunningham, and then through reference to historical examples beginning with court ballets of the Renaissance. The comparison of these four approaches to representation affirms the unparalleled diversity of choreographic methods in American dance, and also suggests a critical perspective from which to reflect on dance making and viewing.
Author: Sally Banes
Publisher: Wesleyan University Press
ISBN: 0819571806
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
A dance critic's essays on post-modern dance. Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane's Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers' Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the "drunk dancing" of Fred Astaire.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1406
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Book Description
Author: Janet Goodridge
Publisher: Jessica Kingsley Publishers
ISBN: 9781853025488
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Despite the richness of the subject and the importance frequently ascribed to the phenomena of rhythm and timing in the arts, the topic as a whole has been neglected. Janet Goodridge writes from a practical movement background and draws on a wide range of sources to illuminate the subject in relation to theatre, drama, dance, ceremony, and ritual.
Author: Sally Banes
Publisher: Univ of Wisconsin Press
ISBN: 9780299180140
Category : History
Languages : en
Pages : 252
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Book Description
The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this volume an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin’s West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Meredith Monk and Kenneth King, and parallel movements in Britain. The contributors include Janice Ross, Leslie Satin, Noël Carroll, Gus Solomons jr., Deborah Jowitt, Stephanie Jordan, Joan Acocella, and Sally Banes.
Author: Megan V. Nicely
Publisher: Springer Nature
ISBN: 3031302966
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
This book is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium.
Author: Ann Daly
Publisher: Wesleyan University Press
ISBN: 0819565660
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Part II, Making history, includes reviews and essays on Isadora Duncan.
Author: Kent De Spain
Publisher: Oxford University Press, USA
ISBN: 0199988269
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
This book is based on interviews with eight of the most recognized movement improvisation teacher/practitioners in the world. This is the first book specifically written for intermediate/advanced improvisers. Each chapter delineates a unique aspect of improvising. This book covers such topics as cognitive skills, spiritual components of the creativity process, and the audience/improviser relationship.
