Mourning and Panegyric PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Mourning and Panegyric PDF full book. Access full book title Mourning and Panegyric by Celeste M. Schenck. Download full books in PDF and EPUB format.
Author: Celeste M. Schenck
Publisher: Penn State Press
ISBN: 0271039434
Category : Literary Criticism
Languages : en
Pages : 246
Get Book Here
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of &"issue&" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Author: Celeste M. Schenck
Publisher: Penn State Press
ISBN: 0271039434
Category : Literary Criticism
Languages : en
Pages : 246
Get Book Here
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of &"issue&" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Author: Celeste Schenck
Publisher: Penn State University Press
ISBN: 9780271028255
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
This work is primarily a genre study, aiming both at enlarging the canon of pastoral texts and at theorizing generical development in a comparative context. Addressed to a general audience of poetry enthusiasts as well as students of genre theory and specialists in the field, the book takes as its examples the twin pastoral genres of funeral elegy and marriage hymns. Schenck establishes in her introduction that the strategies she isolates in elegies and epithalamia govern lyric processes more generally; that in fact every poem might be an epitaph if it pronounces an elegy upon a former poetic self and announces rebirth of the artist as a poet. All poems are genuinely epitaphic in their attempt to record verbally and lastingly the death and implied rebirth of the poet as poet each time he lifts his pen to begin a new poem. The specific forms explored in this book, elegy and epithalamium, serve precisely as model initiatory scenarios. Elegies tend to gesture toward the past, pronouncing an epitaph upon poetic apprenticeship and recovery voice by means of symbolic burial of a forebear. Marriage poems, alternatively, are future-directed, celebrating (as do elegies) passage from virgin to mature state. Both forms aim at circumventing mortality, by apotheosis and deification in the case of the elegy, and by the projection forth of "issue" at the end of the marriage poem. Investigation of the symbolic reciprocity of these seemingly distinct forms yields a surprising range of variant forms, extends provocatively Claudio Guillen's theory of genre and counter-genre, and initiates a poetics of pastoral ceremony that has implications for the general study of lyric modes.
Author: Karen E. Smythe
Publisher: McGill-Queen's Press - MQUP
ISBN: 077356361X
Category : Literary Criticism
Languages : en
Pages : 224
Get Book Here
Book Description
The title, Figuring Grief, refers to the narrative process whereby mourning is depicted. In her textual analysis, Smythe explores various connections between representation and consolation. Drawing on genre and narratological theory, she outlines the development of the "fiction-elegy" as a sub-genre and suggests that the modernist writings of Woolf and Joyce are paradigmatic examples of the form. She then uses these paradigms as suggestive "reading models" for the interpretation of works by Gallant, Munro, and other contemporary fiction-elegists. Figuring Grief offers new readings of specific works and suggests that new ways of reading are both demanded and rewarded by a poetics of elegy.
Author: Susan Stabile
Publisher: Cornell University Press
ISBN: 1501729934
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
A renowned literary coterie in eighteenth-century Philadelphia—Elizabeth Fergusson, Hannah Griffitts, Deborah Logan, Annis Stockton, and Susanna Wright—wrote and exchanged thousands of poems and maintained elaborate handwritten commonplace books of memorabilia. Through their creativity and celebrated hospitality, they initiated a salon culture in their great country houses in the Delaware Valley. In this stunningly original and heavily illustrated book, Susan M. Stabile shows that these female writers sought to memorialize their lives and aesthetic experience—a purpose that stands in marked contrast to the civic concerns of male authors in the republican era. Drawing equally on material culture and literary history, Stabile discusses how the group used their writings to explore and at times replicate the arrangement of their material possessions, including desks, writing paraphernalia, mirrors, miniatures, beds, and coffins. As she reconstructs the poetics of memory that informed the women's lives and structured their manuscripts, Stabile focuses on vernacular architecture, penmanship, souvenir collecting, and mourning. Empirically rich and nuanced in its readings of different kinds of artifacts, this engaging work tells of the erasure of the women's lives from the national memory as the feminine aesthetic of scribal publication was overshadowed by the proliferating print culture of late eighteenth-century America.
Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 1906924708
Category : Social Science
Languages : en
Pages : 614
Get Book Here
Book Description
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Author: Iain Twiddy
Publisher: A&C Black
ISBN: 1441174893
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
Defying critical suggestions that the pastoral elegy is obsolete, Iain Twiddy reveals the popularity of the form in the work of major contemporary poets Seamus Heaney, Ted Hughes and Paul Muldoon, Michael Longley, Douglas Dunn and Peter Reading. As Twiddy outlines the development of the form, he identifies its characteristics and functions. But more importantly his study accounts for the enduring appeal of the pastoral elegy, why poets look to its conventions during times of personal distress and social disharmony, and how it allows them to recover from grief, loss and destruction. Informed by current debates and contemporary theories of mourning, Twiddy discusses themes of war and peace, social pastoral and environmental change, draws on the enduring influence of both Classical and Romantic poetics and explores poets' changing relationships with pastoral elegy throughout their careers. The result is a study that demonstrates why the pastoral elegy is still a flourishing and dynamic form in contemporary British and Irish poetry.
Author: Charles W. Durham
Publisher: Susquehanna University Press
ISBN: 9781575910161
Category : Literary Criticism
Languages : en
Pages : 284
Get Book Here
Book Description
Readers will no doubt discern points of contiguity among the essays in this volume. For example, several essays investigate sources - literary, pictorial, architectural - and Milton's use of those sources in his poetry. Others view Milton from the perspective of his age and seventeenth-century contemporaries such as Michael Drayton and Aemelia Lanyer.
Author: Eitan P. Fishbane
Publisher: Oxford University Press
ISBN: 0190885475
Category : Religion
Languages : en
Pages : 535
Get Book Here
Book Description
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.
Author: Marie-Louise Coolahan
Publisher: Routledge
ISBN: 135111350X
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
Katherine Philips (1632–1664) is widely regarded as a pioneering figure within English-language women’s literary history. Best known as a poet, she was also a skilled translator, letter writer and literary critic whose subjects ranged from friendship and retirement to politics and public life. Her poetry achieved a high reputation among coterie networks in London, Wales and Ireland during her lifetime, and was published to great acclaim after her death. The present volume, drawing on important recent research into her early manuscripts and printed texts, represents a new and innovative phase in Philips's scholarship. Emphasizing her literary responses to other writers as well as the ambition and sophistication of her work, it includes groundbreaking studies of her use of form and genre, her practices as a translator, her engagement with philosophy and political theory, and her experiences in Restoration Dublin. It also examines the posthumous reception of Philips’s poetry and model theoretical and digital humanities approaches to her work. This book was originally published as two special issues of Women’s Writing.
Author: Ezra JaeKyung Cho
Publisher: Wipf and Stock Publishers
ISBN: 1725258900
Category : Religion
Languages : en
Pages : 251
Get Book Here
Book Description
This book is the rhetorical approach to 1 Thessalonians, particularly on funeral orations. Though many scholars have interpreted 1 Thessalonians in light of a thematic perspective, mirror reading, and epistolary approach, the author asserts that Paul employs elements of epideictic funerary oratory to persuade his audience. Encountering the growing persecution, sufferings, and even death of members, the believers of Thessalonica needed encouragement. As a rhetorical strategist, Paul needed effective methods to answer these problems, which he did so with Greco-Roman funeral orations. Moreover, this book delves into the funerary language with the paradoxical concepts Paul uses to illustrate topoi and the purpose of funeral oration in 1 Thessalonians. Consequently, this book proves these ideas by showing how funeral orations shed light on the whole of 1 Thessalonians in the exordium (1 Thess 1:2-3), the narratio (1:4--3:10), the consolation and exhortation (4:1--5:15), and peroratio with prayer (5:16-28).
