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Author: Xiaoning LU
Publisher: BRILL
ISBN: 9004423524
Category : History
Languages : en
Pages : 212
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Book Description
What role did cinema play in the Chinese Communist Party’s political project of shaping ideal socialist citizens in the early People’s Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949–1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party’s political project.
Author: Xiaoning LU
Publisher: BRILL
ISBN: 9004423524
Category : History
Languages : en
Pages : 212
Get Book Here
Book Description
What role did cinema play in the Chinese Communist Party’s political project of shaping ideal socialist citizens in the early People’s Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949–1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party’s political project.
Author: Qiliang He
Publisher: Hong Kong University Press
ISBN: 9888805606
Category : History
Languages : en
Pages : 181
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Book Description
In Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966, Qiliang He inquired into the making of the new citizenry in Mao-era China (1949–1976) by studying five preeminent Shanghai-based filmmakers. These case studies shed light on how individuals’ subjectivities took shape in the cinematic arena under a new sociopolitical system after 1949. He suggests that a filmmaker’s subjectivity was not fixed or stable but constantly in flux, requiring a host of “subjectivizing practices” to (re)shape and consolidate it. These filmmakers endeavored to reap maximal benefits from Mao’s sociopolitical system and minimize the disadvantages that would make them victims under the system. In short, Qiliang He argues that the filmmakers not only worked under the socialist system imposed upon them but also worked the system in their best interests. “Through five chosen filmmakers’ creative control and their negotiation of their professional status within China’s newly adopted socialist system, the author presents a compelling case that illustrates how individual filmmakers constantly adjusted themselves professionally and ideologically to survive in a fast-changing industry and a highly politicized society.” —Lin Feng, University of Leicester “This book is a strong example of how much more we can learn about Mao-era Chinese culture if we approach it less as alien due to Cold War prejudices and instead think of artists as creating under professional constraints in China just as they do everywhere.” —Jason McGrath, University of Minnesota
Author: Chenshu Zhou
Publisher: Univ of California Press
ISBN: 0520343395
Category : History
Languages : en
Pages : 281
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Book Description
At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
Author: Dan Luo
Publisher: Rowman & Littlefield
ISBN: 1538157306
Category : Performing Arts
Languages : en
Pages : 433
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Book Description
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
Author: Tim Simpson
Publisher: U of Minnesota Press
ISBN: 1452969884
Category : Social Science
Languages : en
Pages : 378
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Book Description
A comprehensive look into how Macau’s recent decades of gambling-related growth produced one of the wealthiest territories on the planet Betting on Macau delves into the radical transformation of what was formerly the last remaining European territory in Asia, returned to the People’s Republic of China in 1999 after nearly half a millennium of Portuguese rule. Examining the unprecedented scale of its development and its key role in China’s economic revolution, Tim Simpson follows Macau’s emergence from historical obscurity to become the most profitable casino gaming locale in the world. Identified as a UNESCO World Heritage Site and renowned for its unique blend of Chinese and Portuguese colonial-era architecture, contemporary Macau has metamorphosed into a surreal, hypermodern urban landscape augmented by massive casino megaresorts, including two of the world’s largest buildings. Simpson situates Macau’s origins as a strategic trading port and its ensuing history alongside the emergence of the global capitalist system, charting the massive influx of foreign investment, construction, and tourism in the past two decades that helped generate the territory’s enormous wealth. Presented through a cross section of postcolonial studies and social theory with extensive insight into the global gambling industry, Betting on Macau uncovers the various roots of the territory’s lucrative casino capitalism. In turn, its trenchant analysis provides a distinctive view into China’s broader project of urbanization, its post-Mao economic reforms, and the continued rise of its consumer culture.
Author: Sarah Street
Publisher: Rutgers University Press
ISBN: 1978836821
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, “monopack” color stocks came to dominate global film markets. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema. Covering a broad range of perspectives, the chapters explore themes such as transnational flows, knowledge exchange and transfer, the cyclical and asymmetrical circulation of technology in a global context, as well as the accompanying transformation of color film aesthetics in the postwar decades.
Author:
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 650
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Book Description
Comparison of social changes in capitalist and socialist societies - includes aspects of social theory, historical aspects of communist social movements, social structures in contemporary capitalist countries, political parties, agrarian reforms, nationalist movements, peaceful coexistence between the two systems, etc. References.
Author: John P. Delury
Publisher: Cornell University Press
ISBN: 150176599X
Category : History
Languages : en
Pages : 253
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Book Description
Agents of Subversion reconstructs the remarkable story of a botched mission into Manchuria, showing how it fit into a wider CIA campaign against Communist China and highlighting the intensity—and futility—of clandestine operations to overthrow Mao. In the winter of 1952, at the height of the Korean War, the CIA flew a covert mission into China to pick up an agent. Trained on a remote Pacific island, the agent belonged to an obscure anti-communist group known as the Third Force based out of Hong Kong. The exfiltration would fail disastrously, and one of the Americans on the mission, a recent Yale graduate named John T. Downey, ended up a prisoner of Mao Zedong's government for the next twenty years. Unraveling the truth behind decades of Cold War intrigue, John Delury documents the damage that this hidden foreign policy did to American political life. The US government kept the public in the dark about decades of covert activity directed against China, while Downey languished in a Beijing prison and his mother lobbied desperately for his release. Mining little-known Chinese sources, Delury sheds new light on Mao's campaigns to eliminate counterrevolutionaries and how the chairman of the Chinese Communist Party used captive spies in diplomacy with the West. Agents of Subversion is an innovative work of transnational history, and it demonstrates both how the Chinese Communist regime used the fear of special agents to tighten its grip on society and why intellectuals in Cold War America presciently worried that subversion abroad could lead to repression at home.
Author: Kevin McDermott
Publisher: Springer Nature
ISBN: 3030982718
Category : History
Languages : en
Pages : 353
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Book Description
This edited collection represents the first comprehensive volume in English on the crucial, but under-explored, late period in the history of East European communism. Focusing on developments in Czechoslovakia from the crushing of the Prague Spring in August 1968 to the ‘Velvet Revolution’ of November 1989, the book examines a broad range of political, social and cultural issues, while also analysing external perceptions and relations. It explores the concept of ‘normalisation’ in historical context and brings together British, American, Czech and Slovak experts, each with their own archival research and particular interpretations. Overall, the anthology aims to assess the means by which the Prague Spring reforms were repealed and how Czechoslovakia was returned to a ‘normal’ communist state in line with Soviet orthodoxy. Key themes include the Communist Party and ideology; State Security; Slovak developments; ‘auto-normalisation’; women and gender; cultural and intellectual currents; everyday life and popular opinion; and Czechoslovakia’s political and cultural relationship with the USSR, the GDR, Poland and Yugoslavia. The volume sheds light on the process of decay of the Czechoslovak communist regime and the reasons for its ultimate collapse in 1989.
Author: Alexander Gray
Publisher: Ludwig von Mises Institute
ISBN: 1610163389
Category : Economics
Languages : en
Pages : 533
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Book Description
