Motion Pictures and Radio; Modern Technique for Education PDF Download
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Author: Elizabeth Laine
Publisher: Hardpress Publishing
ISBN: 9781290250412
Category :
Languages : en
Pages : 186
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Elizabeth Laine
Publisher: New York : The Regents' inquiry, McGraw-Hill Book Company
ISBN:
Category : Motion pictures in education
Languages : en
Pages : 184
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Book Description
Author: John Cheever
Publisher: New York : Funk & Wagnalls
ISBN:
Category : Popular literature
Languages : en
Pages : 248
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Book Description
Author: Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 92
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Book Description
Author: Marilla Waite Freeman
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 11
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Book Description
Author: Irene Kahn Atkins
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
This book discusses what the author calls "source music." She defines it as "music, the origin of which is visually justified on the screen, as for example to see and hear someone playing the piano in a film." This discussion includes the history of its use in films, special types of source music, and the source music sequence.
Author: Hal Erickson
Publisher: McFarland
ISBN: 0786477571
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
There was a time when "American popular entertainment" referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due.
Author: Michael Landau
Publisher:
ISBN:
Category : License agreements
Languages : en
Pages : 534
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Book Description
Author: Laurence Etling,
Publisher: McFarland
ISBN: 1476651051
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
This richly detailed examination of two forms of American entertainment focuses on the various ways that radio stations and air personalities have been depicted in motion pictures, from 1926's The Radio Detective to more recent films like 2022's Halloween Ends. Newly updated and revised chapters cover the cinematic portrayals of various aspects of radio, including disc jockeys, sports broadcasts, religious programs and abnormal personalities on the air. Such films as The Big Broadcast (1932), Reveille with Beverly (1943), Mister Rock and Roll (1957), WUSA (1970), Radio Days (1987), Private Parts (1997), We Are Marshall (2006) and Straight Outta Compton (2015) provide fascinating insights into not only their own times but also the historical eras that some of these films have attempted to recreate.
Author: Gorham Anders Kindem
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 486
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Book Description
These seventeen essays make up a history of the American film industry. Because film-making entails a special blend of economic and artistic endeavor, Kindem has chosen contributions from experts in a variety of fields--business, law, mass communications, and cinema studies. The organization of this anthology is both chronological and topical. The first three parts of the book basically follow the history of the film industry's marketing strategies, structural changes, and product innovations: from exhibition in Kinetoscope arcades to film "acts" in vaudeville, Nickelodeons, and movie palaces; from states' rights marketing schemes to block booking and chain-store exhibition strategies; from a production and distribution monopoly based on the pooling of major patents to an oligopoly of production, distribution, and exhibition firms; and from the rise of feature films, the star system, and the studio system to Hollywood's conversions to sound and color. The fourth through sixth parts examine film regulation and censorship, film's interaction with television, and America's role in the international film industry. The diversity of methods and perspectives in this anthology are representative of the field, suggesting that the history of the American film industry is really a collection of histories, not a monolithic, single-strand chronology of events.
Author: Commission on Freedom of the Press
Publisher: University of Chicago Press
ISBN: 0226471357
Category : Freedom of the press
Languages : en
Pages : 146
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Book Description
"The question of how much freedom the press should enjoy has been debated throughout American history. In 1942 an impartial commission was formed to study mass communication, evaluate the performance of the media, and make recommendations for possible regulation of the press. This book is the general report of that commission."--Book cover.
